Index
261 Index ab antiquo, xvi, 135 accounting: account books, 125–126; accuracy, 97; economic data and, 121; Farnese, 131, 193 n. 65; inventory records reflect, 125–127; Libro delle partite del Banco de Roman de Lardi, 130–131; Medici registers, 131, 193 n. 65; Morselli inventory, xxxii, 166 n. 114, 199 n. 32; organization of, 83, 110– 111; parma registers, 131; payment registers, 79, 83, 88, 93, 111, 131, 189 n. 17; precision in, 111, 115, 131, 193 n. 65; price-fixing and, 141, 193 n. 65; provisions, 60; of self-produced wares, 87; supply and demand data for, xxxiii, 77, 81–82 AcEI, 5 Aegidius Romanus, 38 aesthetics: artifacts and, xxix; of croce, xxviii; modernity and, xxiv, xxv; pleasure and, 164 n. 47; unity in art, xxix “Aesthetics,” xxiv; aesthetics from, xxviii, xxix, 141 Ago, Renata, xxxii, 129 Agresti, livio, 54 Aikema, Bernard, 122 Ajmar, Marta, 122 Albani, [Francesco], 136, 146 Alberti, leon Battista, xxvii, 39, 136 Alberti, Romano, 135 Alessandri, Torquato, 30 Allgemeines Künstler-Lexicon, xxxi alms, 31, 60, 115, 183 n. 37 altarpieces, xx, xxxiii, 122, 124, 128 ambient: in building, 102; patrimonial, 126; serial art and, 119, 122, 130; technology and, 118; types of, 132, 198 n. 18 ambitio, 29, 36 ambition, 15, 42, 102; architecture and, 82, 100 ambitus, 177 n. 59 Ambrosius, 178 n. 75 Ammirato, Scipione, 99, 193 n. 69 ancien regime, 13; patronage relationships and, 15, 131; Sombart and, 16; four states of the, 155 Andrea da Firenze, 139 Antal, Frederick, 2, 25, 26, 73 nn. 147, 150 antiquarian, 41, 59, 69, 185 n. 47; court, 188 n. 92; of Ippolito II, 62, 183 n. 29 antiquities and monuments, xxxii, 62, 137, 150, 185 n. 47; excavations and, 143; heritage of, 143; monumenti, 205 n. 80; preservation of, 145, 147, 205 n. 80; reused in building, 143–144 Antoniano, Silvio, 41–42, 180 n. 125 Antwerp, 120, 172–173 n. 122 Aquinas, Thomas, xxvi, 38; art values scheme, 165 n. 57, 179 nn. 78, 81–83; on liberality, 39, 179 n. 78 Aragon, 15, 47, 68, 77, 116, 182 n. 9 architects, 80, 82, 165 nn. 54, 57; Bernini, xxxiv, 128, 137; Sardi, xx, 129; Tasso, 69; Vitruvio, xxviii architecture, xxvi, xxix, 118; Augustus and, 37; building yards and, 80, 100; economics and, xvi; ephemeral, xxxiv; expenses, 50, 100; as fine art, xxiv, xxvi–xxviii, xxxiv; genius in, 18; as liberal art, xxvi; magnificence in, 39, 40; military, 50, 80; patronage, 102, 105, 116; politics of building and, 79–82, 105; scope of, xxiii; Sella on building and, 23, 91, 192 n. 42, 194 n. 86 [color photo of Doge palace and Martini drawings] archives and archival material, 108; consulate, 204 n. 54; Este, 183 n. 29; Gonzaga, 188 n. 92, 195 n. 16, 196 nn. 38, 41; losses of, 141, 157, 202 n. 7; Medici, 131; parma corporation, 202 n. 8; protection of, 149, 205 n. 78 Aristotle, xxvi–xxvii; on liberality, 30–35, 38, 39; Nicomachean Ethics, 33, 37, 38, 178 n. 65, 179 n. 93 Armenini, Giovanni Battista, 42, 102 armor, xxxiii–xxxv; court, 76, 77; demand for, 62, 64, 85; exports, 151; wages and, 59, 60, 61 arms, armaments, and ammunition: foundry, 84, 85; gunpowder, 83, 84; guns, 85; munitions, 50, 68, 82, 84, 103; swords, xxxi, 61, 187 nn. 74, 79, 191 n. 32, 200 n. 74. See also office of Munitions and construction art (arte, artes): “applied,” xxiii, xxix; “Art” and, xxvi; “Art” as fine, xxiv, xxxv; artisan versus, xxiv; artistic industry versus pure, 15; auctions, 168 n. 36; commerce of, 3–4, 140, 146; commodification of, 122; concept of, 164 n. 47; copied, 200 nn. 65, 71; craft and, xvi, xxiii, xxiv, xxvi–xxvii, xxix, 122; dealers, 139, 150, 159; discrimination within, xxxi; 262| Index art (arte, artes) (continued): economics of, 2, 3–5, 168 n. 266; economy and, 20, 22, 24, 25; fake, xxxiv, 24, 27, 119, 130, 155; genres, xxiii, 10–11, 27, 28; hierarchy of forms in, xxiii; as an industry, 15–16; institutions and, 25; as inventories, xx–xxxiii, 65, 185 nn. 56–57; investment in, xxxiii, 5, 10, 11, 140; in Italian culture, xxxii–xxxiii, 21, 29; liberal, xxv–xxvi, xxix; as luxury, 16; market values of, xxxi–xxxii, 165 n. 57; mechanical, xxiii, xxvi–xxix, xxxiii, 134; method and, 164 n. 46; modernity and, xxi, xxv, xxix, 28, 160; painting monomania in, xxxiv; philosophy of, xxiv; place of, 2; practical, xxvi; “precious,” xxiii, 67, 78, 119, 137; prestige...
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