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177 Works Cited Aldridge, Alexandra. The Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1984. Allen-Taylor, J. Douglas. “Obscured by ‘Blue Light.’” Review of Blue Light, by Walter Mosley. Metroactive (February 25, 1999). http://www.metroactive.com/papers/ metro/02.25.99/cover/lit-mosley-9908.html (accessed December 10, 2007). Atwater, Deborah F., and Sandra L. Herndon. “The Use of Public Space as Cultural Communicator: How Museums Reconstruct and Reconnect Cultural Memory.” In Understanding African-American Rhetoric: Classic Origins to Contemporary Innovations, edited by Ronald L. Jackson II and Elaine B. Richardson, 69–82. New York: Routledge, 2003. Baehr, Peter. “Identifying the Unprecedented: Hannah Arendt, Totalitarianism, and the Critique of Sociology.” American Sociological Review 67, no. 6 (2002): 804–31. Bakhtin, Mikhail Mikhailovich. The Dialogic Imagination: Four Essays. Trans. Michael Holmquist. Austin: University of Texas Press, 1981. Baldwin, James. “The American Dream and the American Negro.” In Collected Essays, edited by Toni Morrison, 714–19. New York: Library of America, 1998. ———. The Fire Next Time. New York: Vintage International, 1993. ———. “Going to Meet the Man.” In Going to Meet the Man: Stories, 227–49. New York: Vintage International, 1995. Bell, Derrick. “Property Rights in Whiteness: Their Legal Legacy, Their Economic Costs.” In Critical Race Theory: The Cutting Edge, edited by Richard Delgado, 75–83. Philadelphia: Temple University Press, 1995. Berger, Roger A. “‘The Black Dick’: Race, Sexuality, and Discourse in the L.A. Novels of Walter Mosley.” African American Review 31, no. 2 (1997): 281–95. Bergevin, Gerald W. “‘Traveling Here Below’: John Edgar Wideman’s The Island: Martinique and the Strategy of Melancholy.” In Critical Essays on John Edgar Wideman, edited by Bonnie TuSmith and Keith E. Byerman, 71–92. Knoxville, TN: The University of Tennessee Press, 2006. Bernstein, Richard. “Books of the Times: Dark Streets, Stolen Goods, and a Hard-Bitten Dame.” Review of Fearless Jones, by Walter Mosley. New York Times, July 2, 2001. Works Cited 178 Beauchamp, Gorman. “Technology in the Dystopian Novel.” Modern Fiction Studies 32, no. 1 (1986): 53–64. Blake, Susan L. “Ritual and Rationalization: Black Folklore in the Works of Ralph Ellison.” PMLA 94, no.1 (1979): 121–36. Bongmba, Elias Kifron. African Witchcraft and Otherness: A Philosophical and Theological Critique of Intersubjective Relations. Albany: State University of New York Press, 2001. Booker, M. Keith. The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. Westport, CT: Greenwood, 1994. ———. Dystopian Literature: A Theory and Research Guide. Westport, CT: Greenwood, 1994. Brickhouse, Thomas C., and Nicholas D. Smith. Plato’s Socrates. New York and Oxford: Oxford University Press, 1994. Brown, Charles N. “Walter Mosley: A Seat at the Table.” Interview. Locus 49, no. 6 (2001): 6–7, 75–76. Bryant, Jerry H. “Born in a Mighty Bad Land”: The Violent Man in African American Folklore and Fiction. Bloomington: Indiana University Press, 2003. Bunyan, Scott. “No Order from Chaos: The Absence of Chandler’s Extra-Legal Space in the Detective Fiction of Chester Himes and Walter Mosley.” Studies in the Novel 35, no. 3 (2003): 339–65. Butler, Johnella. “African American Literature and Realist Theory: Seeking the ‘true-true’.” In Identity Politics Reconsidered, edited by Linda Martín Alcoff, Michael Hames-García, Satya Mohanty, and Paula M. Moya, 171–92. New York: Palgrave, 2006. Canadé Sautman, Francesca. “The Race for Globalization: Modernity, Resistance and the Unspeakable in Three African Francophone Texts.” French and Francophone/Yale French Studies 103 (2003): 106–22. Canon, Peter, and Jeff Zaleski. Review of Fearless Jones, by Walter Mosley. Publishers Weekly, May 28, 2001. ———. Review of Fear Itself, by Walter Mosley. Publishers Weekly, June 16, 2003. Chandler, Marilyn R. Dwelling in the Text: Houses in American Fiction. Los Angeles: University of California Press, 1991. Chandler, Raymond. Farewell My Lovely. New York: Vintage Books, 1992. ———. The Simple Art of Murder. New York: Vintage Books, 1988. Charters, Samuel. Robert Johnson. New York: Oak Publications, 1972. Chauduhri, Una. Staging Place: The Geography of Modern Drama. Ann Arbor: University of Michigan Press, 1995. Chua, Amy. World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability. New York: Doubleday, 2003. Clark, Clifford Edward, Jr. The American Family Home, 1890–1960. Chapel Hill: University of North Carolina Press, 1986. Crooks, Robert. “From the Far Side of the Urban Frontier: The Detective Fiction of Chester Himes and Walter Mosley.” College Literature 22, no. 3 (1995): 68–91. Crowther, Bruce. Film Noir: Reflections in a Dark Mirror. London: Virgin, 1990. Daeninckx, Didier. Meurtres pour mémoire. Paris...

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