Music Traditions, Cultures, and Contexts

APPENDIX: BEVERLEY DIAMOND-PUBLICATIONS AND LECTURES

Prior to 1988, Bev’s publications use the name Beverley Cavanagh; from 1988 to 1990 some use Beverley Diamond Cavanagh; after 1990 they appear under Beverley Diamond. Publications Books and Edited Volumes 1982 Music of the Netsilik Eskimo: A study of stability and change, 2 vols., with vinyl recording. Mercury Series, Canadian Ethnology Service Paper 82. Ottawa: National Museums of Canada. Published version of the author’s 1979 Ph.D. thesis from the University of Toronto. 1986–89 Canadian university music review/Revue de musique des universités canadiennes. English language editor, vols. 7–9. 1987 Canadian music in the 1930s and 1940s: Proceedings of a conference held at Queen’s University, Kingston, Ontario, November 1986. CanMus Handbooks 2. Kingston: Queen’s University Music Department/Toronto: Institute for Canadian Music. Editor. 1994 Canadian music: Issues of hegemony and identity. Toronto: Canadian Scholars ’ Press. Co-edited with Robert Witmer. 1994 Visions of sound: Musical instruments of First Nations communities in Northeastern America. Chicago Studies in Ethnomusicology. Waterloo: Wilfrid Laurier University and Chicago: University of Chicago. Co-authored with M. Sam Cronk and Franziska von Rosen. 1994 Canadian perspectives in ethnomusicology: Canadian University Music Review 19, no. 2. Co-edited with Robert Witmer. 2000 Music and gender. Foreward by Ellen Koskoff. Urbana: University of Illinois. Co-edited with Pirkko Moisala. 2007 Newfoundland and Labrador Studies, music issue, 22, no. 1. Co-edited with Glenn Colton and James Hiller. 2008 Native American music in eastern North America: Experiencing music, expressing culture. Global Music Series, general eds. Bonnie C. Wade and Patricia Shehan Campbell. New York: Oxford University Press. 2008 Post-colonial differences: The study of popular music in Canada and Australia . Newcastle upon Tyne: Cambridge Scholars Publishing. Co-edited with Denis Crowdy and Daniel Downes. 307 Appendix Beverley Diamond—Publications and Lectures 308 Appendix Articles and Chapters in Books 1972 “Annotated Bibliography: Eskimo Music.” Ethnomusicology 16, no. 3: 479–87. 1973 “Imagery and Structure in Eskimo Song Texts.” Canadian Folk Music Journal 1: 3–15. 1976 “Some Throat Games of Netsilik Eskimo Women.” Canadian Folk Music Journal 4: 43–47. 1977 “The Legato Principle in Netsilik Eskimo Music.” Studies in Music from the University of Western Ontario 2: 15–21. 1981 “In Memoriam: Mieczyslaw Kolinski (1901–1981).” Ethnomusicology 25, no. 2: 285–86. 1985 “Les mythes et la musique Naskapis.” Recherches amérindiennes au Québec 15, no. 4: 5–18. Translated by Robert Larocque and Nicole Beaudry. 1987 “Celebration: Native Events in Eastern Canada.” In Folklife annual, 70–85. Washington, DC: American Folklife Centre/Library of Congress. Coauthored with M. Sam Cronk and Franziska von Rosen. 1987 “The Performance of Hymns in Eastern Woodlands Indian Communities.” Sing out the glad news, edited by John Beckwith, 45–56. CanMus Documents 1. Toronto: Institute for Canadian Music. 1987 “Problems in Investigating the History of an Oral Tradition: Reconciling Different Types of Data about Inuit Drum Dance Traditions.” Anuario Musical 42: 29–52. Edited by Alan Jabbour and James Hardin. 1988 “The Transmission of Algonkian Indian Hymns: Between Orality and Literacy .” In Musical Canada: Words and music honouring Helmut Kallmann, edited by John Beckwith and Frederick Hall, 3–28. Toronto: University of Toronto Press. 1988 “Vivre ses traditions: fêtes intertribales chez les Amérindiens de l’est du Canada.” Recherches amérindiennes au Québec 18, no. 4: 5–21. Co-authored with M. Sam Cronk and Franziska von Rosen; translated by Jacqueline Roy and Nicole Beaudry. 1989 “Music and Gender in the Sub-Arctic Algonkian Area.” In Women in North American Indian music: Six essays, edited by Richard Keeling, 55–66. SEM Special Series no. 6. Bloomington: Society for Ethnomusicology. 1990 “‘Not Knowing’ and the Study of Native Music Cultures: Introductory Comments”; et al. “Round table discussion: Ethnomusicology in the Canadian university.” In Ethnomusicology in Canada, edited by Robert Witmer, 57–61 and 349–63. CanMus Documents 5. Toronto: Institute for Canadian Music. 1991 “Canadian Music Studies in University Curricula.” Newsletter of the Association for Canadian Studies 12, no. 3: 16–18. 1992 “Christian Hymns in Eastern Woodlands Communities: Performance Contexts .” Musical repercussions of 1492: Encounters in text and performance, edited by Carol E. Robertson, 381–94. Washington: Smithsonian Institution. 1993 “Lessons Learned, Questions Raised: Writing a History of Ethnomusicology in Canada (II).” Canadian Folk Music Journal 21: 49–54. 1994 “Introduction: Issues of Hegemony and Identity in Canadian Music” and “Narratives in Canadian Music History.” In Canadian music: Issues of...