Hollywood's New Yorker: The Making of Martin Scorsese

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227 Sources Author’s Interviews Bolles, Harry, Nov. 11, 2006. Butman, John, Oct. 18, 2006. Del Costello, Mark, Aug. 20, 2008. Lenzer, Don, Dec. 15, 2006. Rea, Peter, Sept. 10, 2004. Summer, Ed, Aug. 2, 2009. Tanis, Nick, Mar. 25, 2007. Writings by Martin Scorsese (Listed Chronologically) “Martin Scorsese’s Guilty Pleasures.” Film Comment 14, no. 5 (Sept.–Oct. 1978): 63–66. “À mes amis et collègues: Au sujet de nos films.” Positif no. 232–233 (July– Aug. 1980): 126–127. “Outline for a Preservation Strategy.” 1980. Scorsese File, Museum of Modern Art, New York. “Confessions of a Movie Brat.” In Anatomy of the Movies. Edited by David Pirie. New York: Macmillan, 1981. “Internal Metaphors, External Horror.” In David Cronenberg. Edited by Wayne Drew. London: British Film Institute, 1984. “Martin Scorsese’s Video Picks.” Premiere, October 1987. “John Cassavetes, My Mentor.” 1989; available in the booklet for dvd release of the Criterion Collection Cassavetes box set. Acceptance Speech: American Cinematheque Award, The Moving Picture Ball. March 22, 1991. Scorsese File, Museum of Modern Art, New York. “Amid Clowns and Brutes Fellini Found the Divine.” New York Times, Oct. 24, 1993, H21. “Why Make Fellini the Scapegoat for New Cultural Intolerance?” New York Times, Nov. 25, 1993, A26. 228 Sources “Foreword.” In Arrows of Desire: The Films of Michael Powell and Emeric Pressburger . Edited by Ian Christie. London: Faber and Faber, 1994. “Foreword.” In Million Dollar Movie. Edited by Michael Powell. New York: Random House, 1995. “Ida Lupino: Behind the Camera, a Feminist,” New York Times Magazine, Dec. 31, 1995, 43. “Letter from IFC.” April 1, 1997. Scorsese File, Museum of Modern Art, New York. “The Men Who Knew Too Much.” Premiere, Sept. 1997, 70. “From Martin Scorsese.” Civilization, Feb.–Mar. 1998, 55. “Sacred Images,” Civilization, Feb.–Mar. 1998, 68–75. “The Next Scorsese: Wes Anderson,” Esquire, March 2000, 225. “Europa ’51 (The Greatest Love).” In The Hidden God: Film and Faith. Edited by Mary Lea Bandy and Antonio Monda. New York: Museum of Modern Art, 2003. “Feel Like Going Home.” In Martin Scorsese Presents the Blues: A Musical Journey. Edited by Peter Guralnick, Robert Santelli, Holly George–Warren, and Christopher John Farley. New York: Harper–Collins, 2003. “The Man Who Set Film Free.” New York Times, Aug. 12, 2007). Scorsese, Martin, and Michael Henry Wilson. A Personal Journey with Martin Scorsese through American Movies. New York: Hyperion, 1997. Selected Bibliography Arkush, Allan. “I Remember Film School.” Film Comment 19, no. 11 (November 1983): 57–59. Barthes, Roland. “The Death of the Author.” In Image–Music–Text, edited and translated by Stephen Heath, 142–148. London: Fontana, 1977. Becker, Howard S. Art Worlds. Berkeley: University of California Press, 1982. Bickerton, Emile. “Adieu to Cahiers: Life Cycle of a Cinema Journal. New Left Review 42 (Nov.–Dec. 2006): 69–97. Biskind, Peter. Easy Riders, Raging Bulls: How the Sex–Drugs–and Rock n’ Roll Generation Saved Hollywood. New York: Simon and Schuster, 1998. ———. Gods and Monsters: Thirty Years of Writing on Film and Culture from One of America’s Most Incisive Writers. New York: Nation Books, 2004. Blake, Richard A. Street Smart: The New York of Lumet, Allen, Scorsese, and Lee. Lexington: University Press of Kentucky, 2005. Bliss, Michael. The Word Made Flesh: Catholicism and Conflict in the Films of Martin Scorsese. Lanham, MD: Scarecrow Press, 1995. Bordwell, David, Kristin Thompson, and Janet Staiger. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. Cambridge, MA: Harvard University Press, 1984. 229 Sources ———. The Field of Cultural Production. Edited and intro by Randal Johnson. New York: Columbia University Press, 1993. ———. Outline of a Theory of Practice. Translated by Richard Nice. New York: Cambridge University Press, 1977. ———Braudy, Leo. “The Sacraments of Genre: Coppola, DePalma, Scorsese.” Film Quarterly 39, no. 3 (1986): 17–28. Britton, Andrew. “Blissing Out: The Politics of Reaganite Entertainment.” Movie 31–32 (Winter 1986): 1–42. ———. “The Philosophy of the Pigeonhole: Wisconsin Formalism and ‘The Classical Style.’ ” CineAction! 15 (1988): 47–63. Bruce, Bryan. “Martin Scorsese: Five Films,” Movie 31–32 (Winter 1986): 88–94. Brunette, Peter, ed. Martin Scorsese: Interviews. Jackson: University of Mississippi Press, 1999. Carney, Ray. Cassavetes on Cassavetes. New York: Faber and Faber, 2001. Casillo, Robert. Gangster Priest: The Italian American Cinema of Martin Scorsese. Toronto: University of Toronto Press, 2006...