Xu Bing and Contemporary Chinese Art: Cultural and Philosophical Reflections

Appendix 1

199 appendix 1 Bibliography on Xu Bing and Related Issues in Contemporary Chinese Art z oe l i Abe, Stanley K. “No Questions, No Answers: China and A Book from the Sky.” Boundary 225, no. 3 (Autumn 1998): 169–192. Allott, Robin. “Language and the Origin of Semiosis.” In Origins of Semiosis : Sign Evolution in Nature and Culture, edited by Winfried Noth, 255–268. Berlin and New York: Mouton de Gruyter, 1994. Ames, Roger T. “Li and the A-theistic Religiousness of Classical Confucianism .” In Confucian Spirituality, edited by Tu Wei-ming and Mary Evelyn Tucker, 174. New York: The Crossroad Publishing Company, 2003. Ames, Roger T., and David L. Hall. Focusing the Familiar: A Translation and Philosophical Interpretation of the Zhongyong. Honolulu: University of Hawai’i Press, 2001. . Dao De Jing: “Making This Life Significant”: A Philosophical Translation . New York: Ballantine Books, 2003. Ames, Roger T., and Henry Rosemont, Jr. The Analects of Confucius: A PhilosophicalTranslation. New York: Ballantine Books, 1998. Arac, Jonathan. “Chinese Postmodernism: Toward a Global Context.” Boundary 224, no. 3 (Fall 1997): 262–275. Baker, Steve. The Postmodern Animal. London: Reaktion Books, 2000. Bal, Mieke. Travelling Concepts in the Humanities: A Rough Guide. Toronto: University of Toronto Press, 2002. Barme, Geremie. “Exploit, Export, Expropriate: Artful Marketing From China, 1989–93.” In New Art from China, 1989–93, edited by Johnson Chang, 47–51. Hong Kong: Hanart, 1993. Barthes, Roland. “The Death of the Author.” In The Death and Resurrection of the Author?, edited by W. Irwin, 3–9. London: Greenwood Press, 2002. 200 zoe li Benjamin, Walter. Reflections. Edited by Peter Demetz. Translated by Edmund Jephcott. New York: Harcourt Brace Jovanovich, 1978. Berger, Patricia. “Pun Intended: A Response to Stanley Abe, ‘Reading the Sky.’” In Cross-Cultural Readings of Chineseness: Narratives, Images, and Interpretations of the 1990’s, edited by Yeh Wenhsin, 80–100. Berkeley: Institute of East Asian Studies, UC Berkeley, 2000. Berger, Peter, and Samuel P. Huntington. Many Globalizations: Cultural Diversity in the Contemporary World. Oxford and New York: Oxford University Press, 2002. Berthrong, John H. Concerning Creativity: A Comparison of Chu Hsi, Whitehead , and Neville. Albany: State University of New York Press, 1998. Bhabha, Homi K. The Location of Culture. New York: Routledge, 2002. Boardman, Andrew. “Xu Bing’s Square Words and the Fragility of Language .” In Around Us, Inside Us—Continents Boras Konsmuseum, 18–22. Sweden: Boras Konsmuseum, 1997. Bolter, Jay David. Writing Space: The Computer, Hypertext and the History of Writing. Mahwah, NJ: Lawrence Erlbaum Associates, 1991. Byram, M. Cultural Studies in Foreign Language Education. Clevedon, UK: Multilingual Matters, 1989. Cahill, James. The Compelling Image: Nature and Style in SeventeenthCentury Painting. Cambridge, MA: Harvard University Press, 1982. Chan, Wing-tsit. A Source Book of Chinese Philosophy. Princeton, NJ: Princeton University Press, 1963. Chang, K.C. Art, Myth and Ritual: The Path to Political Authority in Ancient China. Cambridge, MA: Harvard University Press, 1983. Chang, Tsong-Zung. “Beyond the Middle Kingdom: An Insider’s View.” In Inside Out: New Chinese Art, edited by Gao Minglu, 67–75. Berkeley and Los Angeles: University of California Press, 1998. , ed. Xingxing shinian (The Stars: 10 Years). Hong Kong: Hanart 2 Gallery, 1989. Cheek, Tim. “Where Do Correct Ideas Come From? Xu Jilin and the Search for a Theory of Practice among Contemporary Chinese Intellectuals.” University of British Columbia. Article draft for the China Studies Group, Centre for Chinese Research, IAR/UBC, August 2004. Chino Kaori. “Gender in Japanese Art.” In Gender and Power in the Japanese Visual Field, edited by Joshua S. Mostow, Norman Bryson, and Maribeth Graybill, 25. Honolulu: University of Hawai’i Press, 2003. Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995. . Women and Chinese Modernity: The Politics of Reading between East and West. Minneapolis: University of Minnesota Press, 1991. Ciyuan Dictionary. Beijing: Dictionary Press, 1988. Clark, John, ed. Modernity in Asian Art. Australia: Wild Peony, 1993. Appendix 1 201 Clarke, J.J. The Tao of the West: Western Transformations of Taoist Thought. London and New York: Routledge, 2000. Cleary, Thomas, trans. The Sutra of Hui-Neng Grand Master of Zen with Hui-neng’s Commentary on the Diamond Sutra. Boston: Shambala, 1998. Cohen, J.L. The New Chinese Painting, 1949–1986. New York: H.N. Abrams, 1987. Coleman, James W. The New Buddhism: The Western Transformation of an Ancient Tradition. Oxford: Oxford University Press, 2001. Dai, Jinhua. “Imagined Nostalgia...