The New Russian Dostoevsky: Readings for the Twenty-First Century

List of Illustrations

Illustrations Photographs were provided by the Dostoevsky Literary Memorial Museum in St. Petersburg (photographs of Dostoevsky and of his writing desk); Vladimir Zakharov (images of the Gospel text and its pages referred to in Molchanov's "Reconstruction of Marginalia in Dostoevsky's Copy of the New Testament" and the photograph of the envelope from Tsvet's letter to Dostoevsky); and by the editor (photographs of St. Petersburg and Staraya Russa). Figure 1: The writer in 1860, upon his return from prison and exile (courtesy of the Dostoevsky Literary Memorial Museum) Figure 2: Dostoevsky's writing desk in his last apartment in St. Petersburg (now the Dostoevsky Literary Memorial Museum) (courtesy of the Dostoevsky Literary Memorial Museum) Figure 3: Dostoevsky's Gospel, with the Siberian Notebook inserted between the pages (all photographs of Dostoevsky's Gospel courtesy of Vladimir Zakharov) Figure 4: The title page of Dostoevsky's Gospel, The Russian Bible Society edition of the New Testament of Our Lord Jesus Christ, St. Petersburg, 1823 Figure 5: The upper part of page six of Dostoevsky's Gospel, with a partially effaced note in pencil made by Anna Grigorievna Dostoevskaia Figure 6: Anna Grigorievna's penciled note after optical-electronic reconstruction (compare figure 5) Figure 7a-d: Reconstruction of marks made by F. M. Dostoevsky on p. 299: a view of p . 299 prior to reconstruction, showing the penciled inscription by the chapter title Figure 8: Page 50: folds in the upper corner and vertically down the page. xiv ILLUSTRATIONS Figure 9: The envelope from Tsvet's letter to Dostoevsky (courtesy of Vladimir Zakharov) Figure 10: St. Petersburg canal, Raskolnikov's neighborhood Figure 11: A view of Haymarket (Sennaya Square) as it looks today Figure 12: The view from Raskolnikov's window Figure 13: The courtyard in the building where the Kapernaumovs live: an acute angle with the door to Sonya's stairway Figure 14: Dostoevsky's house in Staraya Russa, the setting for TI1C Brothers Karamazov Figure 15: Dostoevsky's (and Karamazov's) back yard with the tall fence that Stinking Lizaveta (and Dmitry) had to climb over Figure 16: The bathhouse where Smerdyakov was born Figure 17: Grushenka's house Figure 18: The bridge where the boys threw stones at Ilyusha Figure 19: A pond in Staraya Russa Figure 20: Cows in Skotoprigonevsk (Staraya Russa) Figure 21: A back alley in Skotoprigonevsk (where Smerdyakov was conceived) Figure 22: Looking out a riverside window in Dostoevsky's house in Staraya Russa Figure 23: Dostoevsky in 1880 (photography by Panov). Courtesy of the Dostoevsky Literary Memorial Museum ...