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301 Bibliography Brandon, James R. 1975. Kabuki: Five Classic Plays. Cambridge, MA: Harvard University Press. ———, ed. 1979. Studies in Kabuki: Its Acting, Music, and Historical Context. Honolulu: University of Hawai‘i Press. ———. 1982. Chūshingura: Studies in Kabuki and the Puppet Theater. Honolulu: University of Hawai‘i Press. Brandon, James R., and Samuel L. Leiter, eds. 2002. Kabuki Plays On Stage: Villainy and Vengeance, 1773–1799. Honolulu: University of Hawai‘i Press. Brewitt-Taylor, C. H., trans. 1959. Romance of the Three Kingdoms. 2 vols.Tokyo: Tuttle. Bunraku Kyōkai, ed. 1976. Bunraku no Ningyō. Tokyo: Fujin Gahōsha. Coaldrake, A. Kimi. 1997. Women’s Gidayū and the Japanese Theatre Tradition. London: Routledge. Fujita Hiroshi, ed. 1994a. Bunraku Handobukku. Tokyo: Sanseidō. ———. 1994b. Kabuki Handobukku. Tokyo: Sanseidō. Gerstle, C. Andrew. 1986. Circles of Fantasy: Convention in the Plays of Chikamatsu. Cambridge, MA: Harvard University Press. Gerstle, C. Andrew, Kiyoshi Inobe, and William P. Malm 1990. Theater as Music: The Bunraku Play “Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue.” Ann Arbor: Center for Japanese Studies, University of Michigan. Giles, Herbert. 1962. A Chinese Biographical Dictionary. 2 vols.Taipei: Literature House. Halford, Aubrey S., and Giovanna M. Halford. 1956. The Kabuki Handbook. Tokyo: Tuttle. Higuchi Yoshichiyo, ed. 1936. Kessaku Jōruri Shū, part 2. Hyōshaku Edo Bungaku Sōsho. Tokyo: Yūbenkai Kōdansha. Hironaga Shuzaburo, ed. 1976. The Bunraku Handbook. Tokyo: Maison des Arts. Ikeda Yōko. 1974. Bunraku no Kashira. Tokyo: Haga Shoten. Jones, Stanleigh H. 1976. “Hamlet on the Japanese Puppet Stage.” Journal of the Association of Teachers of Japanese 11, no. 1:15–36. ———. 1981. “Experiment and Tradition: New Plays in the Bunraku Theatre.” Monumenta Nipponica 36, no. 2:113–131. ———. 1983. “Puccini Among the Puppets: Madame Butterfly on the Japanese Puppet Stage.” Monumenta Nipponica 38, no. 2:163–174. ———. 1985a. “Moritsuna’s Camp: An Eighteenth Century Play from Japan’s Puppet Theatre.” Asian Theatre Journal 2, no. 2:99–138. ———. 1985b. Sugawara and the Secrets of Calligraphy. New York: Columbia University Press. ———. 1990. “Vengeance and Its Toll in Numazu: An Eighteenth Century Japanese Puppet Play.” Asian Theatre Journal 7, no. 1:43–75. ———. 1993. Yoshitsune and the Thousand Cherry Trees. New York: Columbia University Press. Bibliography 302 Jōrurifu. 1944. In Jōruri Bunken Kenkyū Shūsei, ed. Waseda Daigaku Tsubouchi Shōyō Kinen Engeki Hakubutsukan.Tokyo: Hokkō Shobō. Kawatake Shigetoshi. 1959. Nihon Engeki Zenshi. Tokyo: Iwanami Shoten. ———, ed. 1966. Engeki Hyakka Daijiten. 6 vols.Tokyo: Heibonsha. ———. 1971. Sōgō Nihon Gikyoku Jiten. Tokyo: Heibonsha. Keene, Donald, ed. 1955. Anthology of Japanese Literature. New York: Grove Press. ———. 1961. Major Plays of Chikamatsu. New York: Columbia University Press. ———. 1965. Bunraku: The Art of the Japanese Puppet Theatre. Tokyo: Kodansha International. ———. 1971. Chūshingura: The Treasury of Loyal Retainers. New York: Columbia University Press. ———. 1976. World Within Walls: Japanese Literature of the Pre-Modern Era, 1600– 1867. New York: Holt, Rinehart and Winston. ———. 1990. Nō and Bunraku: Two Forms of Japanese Theatre. New York: Columbia University Press. Kokuritsu Gekijō Geinō Chōsa Shitsu, ed. 1967. Igagoe Dōchū Sugoroku Jōen Shiryō Shū. Tokyo: Kokuritsu Gekijō. ———. 1999. Bunraku Dōgu Chō. Osaka: Nihon Geijutsu Bunka Fukyōkai. Konsaisu Chimei Jiten, Nihon Hen. 1989.Tokyo: Sanseidō. Konsaisu Jinmei Jiten, Nihon Hen. 1976.Tokyo: Sanseidō. Kuroki Kanzō. 1942. Chikamatsu Igo. Tokyo: Daitō Shuppansha. Legge, James. 1861. The Confucian Classics. London: Trubner. Leiter, Samuel L., ed. 2002. A Kabuki Reader: History and Performance. New York: M.E. Sharpe. Makino Tomitarō. 1981. Shin Nihon Shokubutsu Zukan. Tokyo: Hokuryūkan. Malm, William P. 1982. “A Musical Approach to the Study of Japanese Jōruri.” In Brandon, Chūshingura, 99–110. Matisoff, Susan. 1978. The Legend of Semimaru, Blind Musician of Japan. New York: Columbia University Press. McCullough, Helen Craig. 1959. The Taiheiki. New York: Columbia University Press. ———. 1968. The Tales of Ise. Stanford: Stanford University Press. ———. 1985. Brocade by Night: ‘Kokin Wakashū’ and the Court Style in Japanese Classical Poetry. Stanford: Stanford University Press. Mills, D. E. 1976. “Kataki-uchi: The Practice of Blood Revenge in Pre-Modern Japan.” Modern Asian Studies 10, no. 4:525–542. Miyao Shigeo. 1984. Bunraku Ningyō Zufu. Tokyo: Kanō Shobō. Nakamura Yukihiko, ed. 1961. Fūrai Sanjin Shū. Vol. 55 of Nihon Koten Bungaku Taikei. Tokyo: Iwanami Shoten. Nihon Koten Bungaku Daijiten. 1983–1985. 6 vols.Tokyo: Iwanami Shoten. Nippon Gakujutsu Shinkōkai, trans. 1965. The Manyōshū. New York: Columbia University Press. O’Neill, P. G. 1954. A Guide to Nō. Tokyo: Hinoki...

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