Beyond the Lettered City: Indigenous Literacies in the Andes

List of Illustrations

Illustrations All photographs by the Authors unless otherwise indicated. PlateS (aPPear aFter Page 144) Plate 1. Group portrait of Don Francisco de Arobe and his two sons, Andrés Sánchez Gallque, 1599 Plate 2. Our Lady of Chiquinquirá, Alonso de Narváez, 1563 Plate 3. San Nicolás de Tolentino and the souls in purgatory, Gaspar de Figueroa, 1656 Plate 4. Mural with the portrait of a cacica and cacique in prayer, Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca Plate 5. Detail of mural portrait of a cacica in prayer, Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca Plate 6. Detail, portable writing desk decorated with mopa mopa / barniz de Pasto coat of arms, late 1600s Plate 7. Last Judgment, Mouth of Hell with figure holding a totuma (gourd), Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca Plate 8. Patent of arms given by Charles V to Hernando Cortés, 7 March 1525 Plate 9. Last Supper, Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca FigureS Figure 1. Map of the province of Tunja, its towns and jurisdiction, artist unknown, ca. 1586 2 Figure 2. Map of the province of Santafé, its towns and borders, artist unknown, ca. 1586 2 xii • • • liSt oF illuStrationS Figure 3. Alphabet with European figures, Diego Valadés, Rhetorica christiana, 1579 7 Figure 4. Alphabet with European figures, Diego Valadés, Rhetorica christiana, 1579 7 Figure 5. Native scribe, Felipe Guaman Poma de Ayala, El primer nueva corónica y buen gobierno, 1616 13 Figure 6. Seven Deer and Ten Monkeys approach Dominican monk, Codex Yanhuitlán, 1545–50 13 Figure 7. Cacique principal, Felipe Guaman Poma de Ayala, El primer nueva corónica y buen gobierno, 1616 15 Figure 8. The author’s presentation to and discussion with the king of Spain, Felipe Guaman Poma de Ayala, El primer nueva corónica y buen gobierno, 1616 23 Figure 9. Names and portraits of donors and caciques, mural in the nave of the Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca 23 Figure 10. Emblem 64, Sebastián de Covarrubias Orozco, Emblemas morales, 1610 56 Figure 11. Portrait of Brígida del Río, Juan Sánchez Cotán, 1590 60 Figure 12. Franciscan preaching to Aztecs, Diego Valadés, Rhetorica christiana, 1579 70 Figure 13. Our Lady of Copacabana, Francisco de Bejarano, frontispiece of Fernando de Valverde, Santuario de Copacabana, 1641 72 Figure 14. Ángel arcabucero, artist unknown, ca. 1720 72 Figure 15. Lima interior with two ángeles arcabuceros paintings depicted as hanging on the wall, Amédée Frezier, Relation du voyage de la Mer du Sud, aux côtes du Chili, et du Pérou, 1716 73 Figure 16. Military use of arms musketeer, Jacob de Gheyn, Maniement d’armes, d’arqvebuses, movsqvetz, et piqves . . . , 1608 75 Figure 17. Diseño de indio chichimeca, Manuel de Arellano, 1711 76 Figure 18. Diseño de india chichimeca, Manuel de Arellano, 1711 76 Figure 19. Tomb, Tierradentro, ca. 800 81 Figure 20. Silver processional cross, 1550–53, Pasca, Cundinamarca 87 Figure 21. Detail of silver processional cross, 1550–53, Virgin of the Immaculate Conception, Pasca, Cundinamarca 87 Figure 22. Detail of silver processional cross, “Este Estandarte iso el Casique Don Alonso 550,” ca. 1550–53, Pasca Cundinamarca 88 liSt oF illuStrationS • • • xiii Figure 23. Nave, looking toward the altar of the Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca 89 Figure 24. Ecce Homo, right nave mural of the Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca 89 Figure 25. Allegorical image of monastic compound in the New World, Diego Valadés, Rhetorica christiana, 1579 90 Figure 26. Mural with the portrait of a cacique in prayer at the right base of the arco toral of the Church of San Juan Bautista, artist unknown, ca. 1620, Sutatausa, Cundinamarca 95 Figure 27. Portrait of Pedro Claver, Marcus Orozco, frontispiece of José Fernández, Apostólica, y penitente vida de el V.P. Pedro Claver, 1666 100 Figure 28. Portable writing desk decorated with mopa mopa / barniz de Pasto coat of arms, late 1600s 110 Figure 29. Dispute between the caciques of Tuza and several Spaniards, signed by Don Pedro Matías Huanamag, escribano del pueblo, 1634 125 Figure 30. Detail of the Last Judgment, Mouth of Hell with figure holding...