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Index Abakuá, secret society, 35 Acapulco Tropical, 108 Adicción, La, 98 Adrián and the Black Dice, 196 Aéro, 223 Afro-­ Colombia, 30–31, 34, 45, 50–51, 55, 79, 118n4, 124–25, 136n6; Afro-­ Colombian music and cumbia, 30, 50, 89; and dance styles, 46n6, 63, 84n11 Afro-­ Cuban, 37, 146 Age, 12–13, 15–17, 80, 151, 224n2; and cumbia, 97; and gender, 182, 196, 201, 209–10; and music, 50, 66, 76, 84n14, 93, 99; and poverty, 197–98; as an unmarked identity, 17; young people as immigrants, 79–80, 86n23, 93, 121– 22, 129, 133, 257 Agustín, El, 138 Aicardi, Rodolfo, 48n27 Alcides, 196 Alejandro, Miguel “Conejito,” 196 Amar Azul, 25, 217, 220 Amazon: and cumbia, 16; environment of, 169–70, 186n2, 186n3; indigenousness in, 170–71; and Jesuit missionaries , 170; musical styles of, 23, 148, 161–62, 167, 179–82; pandilla’s effect on, 172–79; perception in other nations /regions, 180; performance of Amazonian identity, 23, 169, 177 Amazonian Basin, 12 Amazon River, 180 Anal sex, 201, 204–5 Anderson, Marian, 5 Andes, 10–11, 16, 22, 140–44, 170, 179, 253 Angulo, Moisés, 264 Araújo, Consuelo, 42 Arawak Indians, 35 Argaín, Lucho, 41 Argentina, 4–12, 18, 24–25, 39, 41, 45, 98, 100, 136, 155, 162, 164, 188, 191, 193–99, 201, 204, 210, 216–18, 222, 224n2, 226, 228–29, 232, 236, 241, 245–46, 261; Argentine villera, 12, 26 Arhuacos, 251 Armani, Giorgio, 164 Arnau, Lucas, 264–65 Arrieta, Freddy, 85 Arroyo, Joe, 43 Articulation, 13, 15–17, 78, 100, 115, 211, 239 Asia (nightclub), 161, 163, 171 Atlixco, 121, 130 Atómicos de Monterrey, Los, 92 Audiences of Cumbia, 21 Ayala, Ramón, 92, 103 Bachata, 128, 189 Bailanta, 8, 10, 195, 199, 202, 215, 217, 225n3, 261 Baile de los palos, 47 Bailes cantados, 30, 47n7 Bajo Palabra, 198 Balada, 111, 155 Ballet Nacional de Sonia Osorio, 262 Bambuco, 26, 253; in Colombia, 48n29, 249, 262; and cumbia, 38–39, 253, 265; and socioeconomic class, 16 Banco, El, 30–31, 34, 41, 250 bandas de hojita, 38 Barbès Records, 139 Bareto, 139 290 Index Barranquilla, 40, 252–53, 255, 257–58, 263 Barros, José, 250, 256 Batalla de Flores (Battle of Flowers), 31 Bazanta, Sonia, 44 Bella, Agua, 139 Benavides, Iván, 44, 82 Benjamin, Walter, 106, 115 Bermúdez, Luis Eduardo “Lucho,” 256 Big Jackal. See Chacalón Billboard, 107, 264 Billo’s Caracas Boys, 259 “Black soul.” See Ethnicity Black Stars, Los, 260 Bogotá, 2–4, 19, 36, 39, 42, 53, 59–63, 68–69, 73, 79, 81, 83n5, 84n11, 84n14, 85n19, 85n21, 103n1, 253, 255, 257–59, 262, 265 Bola 8, La, 239–40, 242, 247 Bolero, 36, 39, 60, 72, 89–92, 101, 111, 118, 145, 150, 160, 189, 205, 211n6 Boletín Historial, 252 Bolívar, 35, 46n1, 52, 54, 59, 67, 84, 250–51, 256 Bolivia, 25, 187, 213, 216; and immigration , 10, 12 Bonaerense, El, 199, 215 Bonka, 264–65 Bossa, 18, 286 Botero Bar, 139 Bourdieu, Pierre, 4, 7, 102, 210n1 Bravos del Norte, Los, 92, 103n8 Brazil, 12, 18, 32, 119, 162, 170–71, 180– 82, 267; and dance, 47; music of, 10, 36 Bronco, 93, 109 Bronx, 130, 137, 261 Brooklyn, 49, 81, 120, 122, 124–25, 130, 137 Brownsville, Texas, 107 Buenos Aires 5, 7–8, 10–12, 24–25, 194– 95, 197, 199, 213–25, 259 Bukis, Los, 109, 118n3 Bullerengue, 30, 36, 47, 50–51, 86 bust magazine, 192 Cabecita negra, 12 Caetano, Adrián, 199 Café Moreno, 264 Café Paris, 254 Calle, Policarpo, 97 Caluda, 126 Camacho y Cano Ángel María, 254 Caminos de la vida, Los, 216 Campuzano, Alberto Sánchez, 25, 213, 216, 218, 224 Caña de millo (cane of millet), 29–30, 33–34, 267n2 Candelié, Henry, 252 Candombe, 47n14, 231, 237–39, 246n5, 288 Cano, 254, 268n4 Capriles, Renato, 259 Cárdenas, Rocío, 253 Caribbean music, 2, 9, 11, 29, 31, 36, 42–43, 46n2, 46n3, 47n7, 111, 145, 163, 189, 194, 212n8, 231, 238, 253–56, 258–59, 261, 263–64, 267 Caribeños, Los, 139, 162–63 Caribs, 251 Carmen de Bolívar, 48n22, 52, 54, 61, 256 Caro, Jorge Arrieta, 62 Carril, Hugo del, 245n3 Cartagena, 32–33, 36, 40–41, 47n8, 52, 55, 79, 83n8, 85n19, 85n21, 249–55 Cartageneros, Los, 194 Cartoneros, 222–23 Casahuamán, Víctor, 150, 167n14 Casino de La Playa, 37...

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