Making Samba: A New History of Race and Music in Brazil

Index

Index Note: Page numbers in italics indicate figures, tables, and a map. abca. See Associação Brasileira de Compositores e Autores Abedé, Cipriano, 120 Abercrombie, Thomas A., 10–11, 281– 82n43 abolition of slavery (1888), 2–4, 37–38. See also slavery; slaves Abreu, José Maria de, 215 Abreu, Martha, 82, 270–71n80 advertisements and marketing: of barber-­ musicians, 28; Figner’s techniques in, 70; of Oliveira’s play, 68; pamphlets distributed as, 67; for Telefunken radios, 161, 162; whitening projects in, 116–17. See also commercialization and commodification ; music market afoxê (rattle), 138, 155–57 Africa: Brazilian music and samba influenced by, 128, 132, 146–49, 147, 153–57; cuisine influenced by, 271n11; drums of, 138; in punishment paradigm narrative, 36; slaves in Brazil from, 21. See also religious activities, African-­ derived Africanisms and African terms: appropriation vs. assimilation of, 151–52; domesticated to Brazilian context, 7–8; Tio Faustino’s planned manual on, 156; white appropriations of, 279n98 Afro-­ Brazilianness, 156–57, 239. See also Brazilianness Afro-­Brazilians (afro-­brasileiros): “anomie” of, 238–39, 297n42; call for “valorization ” of culture, 149; destiny of, “to flee,” 67, 85; dismissal of creativity by, 164; “missing middle” of, 5–8, 248; racial and cultural challenges for, 164–67, 283n75; as “raw material,” 283n75; syncopation associated with, 22–23; targeted in media for rich clothing, 83–84; use of term, ix. See also clothing; communities , black and mixed-­ race; musicians, African-­ descendant; stereotypes and caricatures Afro-­ Brazilian workers: agricultural and industrial opportunities for, 267n1; dismissed for malandro style, 80; manual vs. intellectual, 180–81, 194–95; music making among coworkers, 264n51; struggles of, 41–43, 67; textile factory wages of, 76. See also labor market ; labor unions; musicians, African-­ descendant; working class Agache, Alfred, 133 agency, 117–20. See also authorship; ownership agogô (instrument with bells), 138, 155–57, 247 Alabá, João, 120 ala das baianas (group of women in Bahian clothing), 196 Alberto, Paulina, 7, 230 Alcântara, Alfredo José de, 138 Alcântara, José Pedro de, 76, 77 Alencar, Edigar de, 121, 122 338 Index Alfredo (Alfredo José de Alcântara), 138 Almeida, Aracy Teles de, 118, 139 Almeida, Hilária Batista de (Tia Ciata): constraints on, 62; death of, 120; musical gatherings and influence of, 59–61, 125, 246; “Pelo telefone” lyrics and, 102 Almeida, Irineu de, 103, 117 Almeida, João Mauro de (Mauro): authorship renounced by, 97–98, 101, 102; Donga’s connection to, 118; earnings of, 242; lyrics credited to, 3, 96–97, 100, 241–42; as sbat member, 173 Almeida, Renato, 159 Almeida, Rui, 201–2 Almirante (Henrique Foréis Domingues): choro revival of, 231–32; excluded from Vagalume’s roda, 130; on “Pelo telefone ,” 241–42; samba conference role of, 233; on song appropriations, 122–23 alufá, use of term, 83, 270n61 Alvaiade (Oswaldo dos Santos), 119 Alves, Ataulfo: background of, 119; as ccb member, 224; connections and success of, 217, 218; later writing of, 293n61; music composed by, 139; as sbat-­dc member, 201; style of, 215–16 Alves, Francisco (Chico Alves, Chico Viola, the Rei da Voz [the King of Voice]): circle of, 165; Donga and, 132; earnings of, 129, 171, 218; favela song performed by, 133, 139; Ismael Silva and, 129; as sbat member, 179; tactics of, 128, 137 Alves, Marieta, 259n45 Alves, Nelson, 104 Amaral, Norberto, Jr. (Morcego), 97, 100 “ambivalent slide” concept, 10, 249 Ameno Resedá (rancho), 126–27 American Society of Composers, Authors, and Publishers, 175 Amor (Getúlio Marinho da Silva), 118 Andrade, Avelino de, 186–87 Andrade, Basilio de Assis, 77 Andrade, Mário de: background and position of, 152–153153; on barber-­ musicians, 28, 259n45; on lundu, 22; on musical colonialism and classification, 160; on national and music history, 149–53; on place of nonwhites, 164; symbols and locations blurred by, 281n25 Andrews, George Reid, 38 anti-­ vagrancy measures: approach to studying, 13; bicheiros arrested under, 51; call for harsher, 148–49; cases studied, 36–37, 39, 261n15, 264n49; defenses against, 40, 43–45, 46, 47, 165–66; fortuneteller arrested under, 52–53; goals of, 37–38; implications of, 246; incidents of musicians arrested under, 38–40, 43, 44–48, 62; judicial treatment of, 40–41, 44–45, 165, 191–92; literacy at issue in, 166–67; public image strategies in context of, 91–92; Reagir! campaign and, 165; regional and local varieties of, 262n18; registration of artistas and auxiliares as proof against, 190. See also policing and social control; stereotypes and caricatures; vagrants...