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My grandfather has misplaced his words again. He is trying to find my name in the kaleidoscope of images that his mind has become. His face brightens like a child's who has just remembered his lesson. He points to me and says my mother's name. I smile back and kiss him on the cheek. It doesn't matter what names he remembers anymore . Every day he is more confused, his memory slipping back a little further in time. Today he has no grandchildren yet. Tomorrow he will be a young man courting my grandmother again, quoting bits of poetry to her. In months to come, he will begin calling her Mama. I have traveled to Puerto Rico at my mother's request to help her deal with the old people. My grandfather is physically healthy, but his dementia is severe. My grandmother's heart is makingodd sounds again in her chest. Yet she insists on taking care of the old man at home herself. She will not give up her house, though she has been warned that her heart might fail in her sleep without proper monitoring , that is, a nursing home or a relative's care. Her response is typical of her famous obstinacy: "Bueno," she says, "I will die in my own bed." I am now at her house, waitingfor my opportunity to talk "sense" into her. As a college teacher in the United States I am supposed to represent the voice of logic; I have been called in to convince la abuela, the family's proud matriarch, to step down—to allow her children to take care of her before she kills herself with work. I spent years at her house as a child but have lived in the U.S. for most of my adult life. I learned to love and respect this strong woman, who with five children of her own had found a way to help many others. She was a legend in the pueblo for having more foster children than anyone else. I have spoken with people my mother's age who told me that they had spent up to a year at Abuela's house during emer42 The Witch's Husband gencies and hard times. It seems extraordinary that a woman would willingly take on such obligations. And frankly, I am a bit appalled at what I have begun to think of as "the martyr complex" in Puerto Rican women, that is, the idea that self-sacrifice is a woman's lot and her privilege: a good woman is defined by how much suffering and mothering she can do in one lifetime. Abuela is the all-time champion in my eyes: her life has been entirely devoted to others. Not content to bring up two sons and three daughters as the Depression raged on, followed by the war that took one of her sons, she had also taken on other people's burdens. This had been the usual pattern with one exception that I knew of: the year that Abuela spent in New York, apparently undergoing some kind of treatment for her heart while she was still a young woman. My mother was five or six years old, and there were three other children who had been born by that time too. They were given into the care of Abuela's sister, Delia. The two women traded places for the year. Abuela went to live in her sister's apartment in New York City while the younger woman took over Abuela's duties at the house in Puerto Rico. Grandfather was a shadowy figure in the background during that period. My mother doesn't say much about what went on duringthat year, only that her mother was sick and away for months. Grandfather seemed absent too, since he worked all of the time. Though they missed Abuela, they were well taken care of. I am sitting on a rocking chair on the porch of her house. She is facing me from a hammock she made when her first baby was born. My mother was rocked on that hammock. I was rocked on that hammock , and when I brought my daughter as a baby to Abuela's house, she was held in Abuela's sun-browned arms, my porcelain pinkbaby, and rocked to a peaceful sleep too. She sits there and smiles as the breeze of a tropical November brings the scent of her roses and her herbs to us. She...

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