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| 289 selected bibliography Adorno, Theodor W. “Introduction to Benjamin’s Schriften (1955).” In On Walter Benjamin: Critical Essays and Reflections, edited by Gary Smith. Cambridge, Mass.: MIT Press, 1988. Allison, Gordon. “The Fabulous Revival of King Kong Starts a Trend.” New York Herald Tribune, August 1952, sec. 4, p. 1. Ambrogio, Anthony. “Fay Wray: Horror Films’ First Sex Symbol.” In Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo, 127–39. New York: Greenwood, 1986. Anderson,Christopher. HollywoodTV:TheStudioSystemintheFifties.Austin:University of Texas Press, 1994. Baker, Houston A. Jr. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987. Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Berkeley: University of California Press, 1993. Bambara, Toni Cade. Gorilla, My Love. New York: Random House, Vintage Contemporaries , 1992. Behlmer, Rudy. “Merian C. Cooper.” Films in Review 17, no. 1 (1966): 17–35. Bellin, Joshua David. FramingMonsters:FantasyFilmandSocialAlienation. Carbondale: Southern Illinois University Press, 2005. Belton, John. Widescreen Cinema. Cambridge, Mass.: Harvard University Press, 1992. Benelli, Dana Nicholas. “Jungles and National Landscapes: Documentary and the Hollywood Cinema of the 1930s.” Ph.D. diss., University of Iowa, 1992. Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, Mass.: Harvard University Press, 1999. 290 | Selected Bibliography ———. “On the Concept of History.” Translated by Harry Zohn. In Walter Benjamin: Selected Writings, Volume 4, 1938–1940, edited by Howard Eiland and Michael W. Jennings, 389–400. Cambridge, Mass.: Belknap Press, Harvard University Press, 2003. ———. The Origin of German Tragic Drama. Translated by John Osborne. London: Verso, 1998. ———. “The Work of Art in the Age of Its Technological Reproducibility: Second Version.” Translated by Edmund Jephcott and Harry Zohn. In Walter Benjamin: Selected Writings, Volume 3, 1935–1938, edited by Michael W. Jennings, 101–36. Cambridge, Mass.: Belknap Press, Harvard University Press, 2002. ———. The Writer of Modern Life: Essays on Charles Baudelaire. Edited by Michael W. Jennings. Translated by Howard Eiland et al. Cambridge, Mass.: Belknap Press, Harvard University Press, 2006. Bennett, Tony, and Janet Woollacott. Bond and Beyond: The Political Career of a Popular Hero. New York: Methuen, 1987. Berenstein, Rhona J. Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1996. Bing, Jonathan. “Return of the King.” Wired 13, no. 10 (2005): 122–37, 163. Bloom, Harry, and Pat Williams. King Kong: An African Jazz Opera. London: Collins, 1961. Bobo, Jacqueline. Black Women as Cultural Readers. New York: Columbia University Press, 1995. Brownlow, Kevin. The War, the West, and the Wilderness. New York: Knopf, 1979. Brustein, Robert. “Notes from the Underground.” New Republic (6 May 1967): 28. Buck-Morss, Susan. “King Kong and the Palace of the Soviets.” In Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West, 174–89. Cambridge, Mass.: MIT Press, 2000. Burroughs, Edgar Rice. Tarzan of the Apes. 1912. Reprint, New York: New American Library, 1990. Butler, Judith. Antigone’s Claim: Kinship Between Life and Death. New York: Columbia University Press, 2000. ———. The Psychic Life of Power. Stanford: Stanford University Press, 1997. Carbine, Mary. “‘The Finest Outside the Loop’: Motion Picture Exhibition in Chicago’s Black Metropolis, 1905–1928.” Camera Obscura 23 (May 1990): 9–41. Carroll, Noel. “King Kong: Ape and Essence.” In Planks of Reason: Essays on the Horror Film, edited by Barry Keith Grant, 215–44. Metuchen, N.J.: Scarecrow, 1984. Caygill, Howard, Alex Coles, and Andrzej Klimowski. Introducing Walter Benjamin. [18.119.104.238] Project MUSE (2024-04-26 14:35 GMT) Selected Bibliography | 291 Cambridge, Mass.: Icon Books, 2000. Chow, Rey. “Walter Benjamin’s Love Affair with Death.” New German Critique 48 (Autumn 1989): 63–86. Clellon, John. “Fifteen Cents before 6:00 PM: The Wonderful Movies of the Thirties.” Harper’s (December 1965). Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton: Princeton University Press, 1992. Cohan, Steven. “Judy on the Net: Judy Garland and ‘the Gay Thing’ Revisited.” In Keyframes: Popular Cinema and Cultural Studies, edited by Matthew Tinkcom, 119–36. New York: Routledge, 2001. Cole, Catherine M. “Reading Blackface in West Africa: Wonders Taken for Signs.” Critical Inquiry 23, no. 1 (1996): 183–215. Cooper,MerianC.“Grass.”Asia24(December1924):941–47,998,1000;Asia25(January 1925): 30–39, 66–67; Asia 25 (February 1925): 118–27, 156–57. ———. Grass. New York: Putnam’s, 1925. Cosentino, Donald John. “Afrokitsch.” In Africa Explores: Twentieth Century African Art, edited by Susan Vogel...

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