Miami Vice

INDEX

INDEX 115 Adamson, Chuck, 53 ambiguity, 30, 34, 41, 53, 54 “Amen . . . Send Money,” 37 Anderson Tapes, The, 61 Arnett, Robert, 1, 24, 98–99 Arquitectonica, 6, 9, 10, 31 Art Deco, 5, 17, 21, 86; District, 23–24 auteurist approach, 11, 15–16 authenticity, 17, 33, 35, 43, 66, 72, 80, 100 “Back in the World,” 1–2, 26, 80–82 “Bad Timing,” 73 “Badge of Dishonor,” 4 Balaban, Bob, 80 “Ballad of the Little Man” (World Party), 32 Ballard, Russ, 9 Barnett, Charlie, 28 “Baseballs of Death,” 75–76 Basic Instinct, 38 Beatty, Warren, 61 Beebe, Dion, 102 Beck, Julian, 76 Benedek, Emily, 9 “Better Living Through Chemistry,” 34 “Blood and Roses” (The Smithereens), 39 Body Heat, 30 “Bought and Paid For,” 11, 39, 97 Bowman, John, 92 “Brother’s Keeper,” 4 “Brothers in Arms” (Dire Straits), 69 Brown, Olivia, 2 Bruce, Lenny, 21 “Bullet for Crockett, A,” 63 Bullitt, 12 Burn Notice, 35 Butler, Jeremy G., 4, 37–38, 96, 99 “By Hooker By Crook,” 66 Caan, James, 9 “Calderone’s Return,” 23 “Calderone’s Return, Part 2: Calderone’s Demise,” 34 Caldwell, John, 5, 99 “Can’t Turn Back” (Red Rider), 89 Episodes of Miami Vice are in quotation marks, as are titles of songs (with parenthetical references to their performers). References to Don Johnson and Philip Michael Thomas, which can be found on nearly every page of this book, are too numerous to list. Fictional characters other than Sonny Crockett and Ricardo Tubbs who play an important role in the book’s discussion are indexed under the name of the actor portraying them. 116 Index Carhart, Timothy, 28, 54 Caristi, Vincent, 53; as the Shadow, 53–55, 58 Carter, Chris, 11 Carter, Thomas, 12 Castro, Fidel, 21 Chase, David, 2, 3, 5, 11 “Chase” (Jan Hammer), 12 Chinatown, 86 Collateral, 2, 11, 102, 103 Collins, Phil, Conrad, Joseph, 46 Conversation, The, 61, 92 “Cool Runnin’,” 34 Cooper, Gary, 83 Crime Story, 11, 14, 53, 74, 94, 95 CSI: Miami, 35, 100 Dallesandro, Joe, 4 Danger Man, 41 Davis, Miles, 29, 91 “Death and the Lady,” 11, 89, 91, 97, 99 Deaths for the Ladies (and Other Disasters), 91 Dee, Juliet L., 98 “Definitely Miami,” 38, 66 designer clothes, 10–11, 97–98 Diehl, John, 2; as Larry Zito, 63 D.O.A., 39–40 Dombasle, Arielle, 38 Doors, the, 80 “Down for the Count,” 63 Dragnet, 3–4, 11, 91, 103 Dunlop, Beth, 9–10 “Dutch Oven, The,” 39 Easton, Sheena, 67 Eichhorn, Lisa, 3 “Evan,” 37, 68 existential, choice, 70–72; freedom, 71, 72; ultimate redemptive act, 72 existentialism, 42–50 “Eyes of a Stranger” (The Payola$), 32 Falcon Crest, 29 Farrell, Colin, 101 Farina, Dennis, 4, 91 femme fatale, 38, 66, 74 Ferrari, as noir television icon, 23–24 Ferrero, Martin, 28; as Izzy Moreno, 50–51 film noir, 2, 3, 4, 6, 9, 16, 19, 22, 30–32, 86, 88, 93, 100; on the breakdown of the American dream, 73; 56 redemptive patterns of, 68–73; new forms of, 74–75; postmodern, 50–53; way of seeing things, 36–46 Fiona, 38 “Fix, The,” 68 “Forgive Us Our Debts,” 68 Foxx, Jamie, 101 “Freefall,” 35, 77, 82–83 French Connection, The, 46 “French Twist,” 39, 66, 87, 89 Frewer, Matt, 71 Frey, Glenn, 91 Fugitive, The, 41 Gitlin, Todd, 94, 98, 99 “Give a Little, Take a Little,” 34 Glover, John, 28; as Steve Duddy, 60–63 Gold Coast, 9 “Golden Triangle, Part 2,” 4, 27, 76, 77–80 Greist, Kim, 66 117 Index Grier, Pam, 91 Grossberg, Lawrence, 51–52 Guilfoyle, Paul, 29, 91 Hackman, Gene, 46, 61 Hammer, Jan, 1, 6, 7, 12, 32, 56, 86, 89, 95; approach to Miami Vice score, 25; awards, 1, 29–30, 95 Hawaii Five-O, 91 Heat, 2, 11, 102, 103 “Heart of Darkness,” 4, 34, 45–50, 53, 59, 63, 89, 91, 95 “Hell Hath No Fury,” 97 “Heroes of the Revolution,” 39, 76 High Noon, 83, 92 Hill Street Blues, 8, 14, 29 Hirsch, Foster, 68, 73 “Honor Among Thieves?” 92–93 identity, enigmas of, 51–52 Inciardi, James A., 98 intertexts, foregrounding of, 91–92 intertextuality, 90–93 “In the Air Tonight” (Phil Collins), 12 “In the Night” (Russ Ballard), 94 Jackson, Michael, 91 Kellner, Douglas, 27, 51 “Killshot,” 99 Kiss Me Deadly, 40 Kitt, Eartha, 27 “Knock Knock . . . Who’s There?” 4 Krabbe, Jeroen, 27 Lacey, Jr...