In lieu of an abstract, here is a brief excerpt of the content:

Bibliography Alwes, Derek. “The Burden of Liberty: Choice in Toni Morrison’s Jazz and Toni Cade Bambara’s The Salt Eaters.” African American Review 30.3 (1996): 353–65. Anderson, Benedict. Imagined Communities. New York: Verso, 1983. Andrews, Larry R. “Black Sisterhood in Naylor’s Novels.” In Gloria Naylor: Critical Perspectives Past and Present, edited by Henry Louis Gates Jr. and Kwame Anthony Appiah. New York: Amistad, 1993. 285–301. Ashford, Tomeiko R. “Gloria Naylor on Black Spirituality: An Interview.” MELUS 30.4 (2005): 73–87. Awkward, Michael. Inspiriting Influences. New York: Columbia University Press, 1989. Baker, Houston. Blues, Ideology and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1987. ———. Workings of the Spirit: The Poetics of Afro-American Women’s Writing. Chicago: University of Chicago Press, 1991. Bambara, Toni Cade, ed. The Black Woman: An Anthology. 1970. New York: Washington Square Press, 2005. ———. “Deep Sight and Rescue Missions.” In Deep Sightings and Rescue Missions . New York: Random House, 1996. 146–78. ———. Foreword to This Bridge Called My Back: Radical Writings by Women of Color. Watertown, MA: Persephone Press, 1981. vii–viii. ———. “How She Came By Her Name.” In Deep Sightings and Rescue Missions. New York: Random House, 1996. 201–45. ———. “On the Issue of Roles.” In The Black Woman: An Anthology. 1970. New York: Washington Square Press, 2005. 123–35. ———. “Reading the Signs, Empowering the Eye.” In Deep Sightings and Rescue Missions. New York: Random House, 1996. 89–138. 206 / bibliography ———. The Salt Eaters. New York: Random House, 1980. ———. The Sea Birds Are Still Alive. 1974. New York: Random House, 1982. ———, ed. Tales and Stories for Black Folks. New York: Zenith Books, 1971. ———. Those Bones Are Not My Child. 1999. New York: Random House, 2000. Baraka, Amiri (Leroi Jones). “’Black’ Is a Country.” In Home. New York: William Morrow, 1966. 82–86. ———. Foreword to Black Fire, edited by Amiri Baraka and Larry Neal. New York: William Morrow, 1968. xvii–xviii. ———. “Soul Food.” In Home. New York: William Morrow, 1966. 101–4. Baraka, Amiri, and Amina Baraka, eds. Confirmation: An Anthology of African American Women. New York: William Morrow, 1983. Beale, Frances. “Double Jeopardy: To Be Black and Female.” In The Black Woman: An Anthology, edited by Toni Cade Bambara. 1970. New York: Washington Square Press, 2005. 109–22. Bellinelli, Matteo. “A Conversation with Gloria Naylor.” In Conversations with Gloria Naylor, edited by Maxine Lavon Montgomery. Jackson: University Press of Mississippi, 2004. 105–10. Blackwell, Henry. “An Interview with Ntozake Shange.” Black American Literature Forum 13.4 (1979): 134–38. Blount, Marcellus. “The Preacherly Text: African American Poetry and Vernacular Performance.” PMLA 107.3 (1992): 582–93. Bonetti, Kay. Interview. “Toni Cade Bambara.” American Audio Prose Library. KOPN Radio, Columbia, Missouri. Feb. 1982. ———. Interview. “Paule Marshall.” American Audio Prose Library. KOPN Radio, Columbia, Missouri. Mar. 1984. ———. “An Interview with Gloria Naylor.” In Conversations with Gloria Naylor, edited by Maxine Lavon Montgomery. Jackson: University Press of Mississippi , 2004. 39–64. Bradley, David. The Chaneysville Incident. New York: Harper & Row, 1981. Brinkley, Jamel. “Finding a Bridge Language: The Poetics of Dedication in The Salt Eaters.” Unpublished essay, Columbia University, 2005. Bröck, Sabine. “‘Talk as a Form of Action’: An Interview with Paule Marshall, September 1982.” In History and Tradition in Afro-American Culture, edited by Günter H. Lenz. New York: Campus Verlag, 1984. 194–206. Brodber, Erna. Louisiana. Jackson: University Press of Mississippi, 1994. Brown, Kimberley Nichele. Writing the Black Revolutionary Diva: Women’s Subjectivity and the Decolonizing Text. Bloomington: Indiana University Press, 2010. Brown, Sterling. A Son’s Return: Selected Essays of Sterling A. Brown. Boston: Northeastern University Press, 1996. Bryan, Dianetta Gail. “Her-Story Unsilences: Black Female Activists in the Civil Rights Movement.” Sage 5.2 (1988): 60–64. Busia, Abena P. A. “What Is Your Nation? Reconnecting Africa and Her [18.216.186.164] Project MUSE (2024-04-26 13:08 GMT) bibliography / 207 Diaspora through Paule Marshall’s Praisesong for the Widow.” In Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women, edited by Cheryl A. Wall. New Brunswick, NJ: Rutgers University Press, 1989. 196–211. Chandler, Zala. “Voices beyond the Veil: An Interview with Toni Cade Bambara and Sonia Sanchez.” In Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance, edited by Joanne M. Braxton and Andrée Nicola McLaughlin. New Brunswick, NJ: Rutgers University Press, 1990. 342–62. Christian, Barbara. Black Women Novelists: The Development of a Tradition, 1892–1976. Westport, CT: Greenwood Press...

Share