The Modern Portrait Poem: From Dante Gabriel Rossetti to Ezra Pound

Index

Index absorption, in painting, 7–8, 13, 28–29, 72–73, 77, 82, 85, 87, 92. See also selfabsorption , in painting Aestheticism, 3–4, 24–30, 87–88; Modernist reception of, 3–5, 12, 48–52, 60, 70–71, 77–78, 105, 116, 175–76, 204 (see also entries on Rossetti and Swinburne under Eliot, T. S. and entries on Rossetti, Swinburne, Whistler, and Yeats under Pound, Ezra); Naturalism and, 142–43. See also Burne-Jones, Edward; Rossetti, Dante Gabriel; Swinburne, Algernon Charles; Whistler, James McNeill aggregation, 10, 143 Ahearn, Barry, 243n58 Albright, Daniel, 152, 161, 237n2, 239n52 Aldington, Richard, 120, 123, 127, 140 Allara, Pamela, 206, 244n76 apparitionality, 49, 50, 52, 57, 60, 66, 72–74, 75. See also self, concepts of Armstrong, Carol, 231n27 Arnold, Matthew, 97, 99–102, 105 Ayers, David, 123 Ballets Russes, 13, 138, 152–53, 155–56. See also Nijinsky, Vaslav Banerjee, Ron, 226n18 Barton, Bernard, 21–22 Beasley, Rebecca, 69, 71–72, 176, 226n4 Beerbohm, Max, 178 Bergson, Henri, 233n67 Bildungsroman. See novel of development Blackie, John Stuart, 22 Blanc, Charles, Histoire des Peintres, 85, 87 Boyce, George, 26 Browning, Elizabeth Barrett, 21 Browning, Robert, 3–5, 18, 167–68, 197, 220n7; “De Gustibus,” 60; “My Last Duchess,” 23–24, 46 Buchanan, Robert, 55, 63, 79, 130, 177 Burke, Peter, 221n23 Burne-Jones, Edward, 12, 24, 77–80, 116; Circe Pouring Poison into a Vase and Awaiting the Arrival of Ulysses, 78–80, 79, 230n5, 230n7; The Golden Stairs, 67; King Cophetua and the Beggar Maid, 175–77; The Mirror of Venus, 224n57 Burne-Jones, Georgiana, 176–77 Bush, Ronald, 158, 229–30n3, 238n34 Bynner, Witter, 3, 13, 115, 135–36, 138–41. See also Spectra Hoax Cameron, Sharon, 221n19 caricature, 178 Carrà, Carlo, 155 Castle, Gregory, 158 Catullus, Gaius Valerius, 128, 130–32, 133 Cavalcanti, Guido, 49, 56, 127 Page numbers in italics refer to illustrations. 254 Index Cheeke, Stephen, 230n9 Childs, Donald, 233n67 Christ, Carol, 105, 219n6, 231n32 Clark, T. J., 230n22 Coburn, Alvin Langdon, 171 Conrad, Joseph, 102 contraction, 13, 113–16, 120, 122, 131, 134–35, 139–41, 216 Cooper, John Xiros, 100, 105 Corbett, David Peters, 25, 219n2 Cork, Richard, 148, 154 Cornforth, Fanny, 26, 42 Couch, Arthur Quiller, 64 Courbet, Gustave, 82, 85–86, 107 Cowper, William, 12, 17, 19–21, 35 Coyle, Michael, 174 Crawford, Robert, 233n69 Croce, Benedetto, 220n8 Cubism, 2, 145–46, 197, 214–15 Cummings, E. E., 3, 14, 144, 213–17; “of my/soul a street is,” 215; Rossetti and, 214, 216–17; “the rose/is dying,” 216; Tulips and Chimneys (1922), 213–17. See also contraction; portrait poem: multifigure dance. See Ballets Russes; Nijinsky, Vaslav Dante, Alighieri, 49, 76 Dasenbrock, Reed Way, 147, 219n1, 237n2 da Vinci, Leonardo, 83, 182; La Gioconda, 30, 83, 91 Demuth, Charles, 184, 203–10; absence and, 206–7, 209–10; Azure Adder, 204; flower paintings of, 207–8; Hartley and, 207–8; A Prince of Court Painters, 186, 204–8, 205, 244n76; self-portraiture, 186, 204–7; Williams and, 204, 208–11. See also Pater, Walter: Imaginary Portraits Deverell, Walter, 85 Dijkstra, Bram, 184, 242n30 Donoghue, Dennis, 232n54 Dowson, Ernest, 91, 179 dramatic: monologue, 3, 5, 24, 34–36, 44, 100, 104, 129, 141, 173, 197–200; voices, 46, 99, 109 DuPlessis, Rachel Blau, 68, 228n72 Edwards, Paul, 148 ekphrasis, 2, 8–9, 12–13; Aesthetic, 30–33, 37, 40–44; dramatic monologue and, 24; Eliot and, 77, 89, 91, 92, 97–99, 106, 108; epigram and, 114; pastoral idyl and, 189; nineteenth-century examples of, 19–20, 23. See also sonnet: picture Eliot, T. S., 12, 76–110; absorption and, 77, 96; Asian art and, 93–94, 232n48; Decadence and, 229–30n3; Eden, representation of, 107–8, 109; ekphrasis and (see ekphrasis: Eliot and); flatness in, 77, 81–82, 83, 91, 93–96; gender and, 104–5, 107; interiority and, 77, 90, 92, 97, 99, 101, 109; marionettes and, 103, 234n76; multiple standing points in, 76, 80, 105; museums and, 93–94, 232n48, 232n50; music and, 99–104; originality and, 91–92; parrots and, 81–92, 95, 102–3, 135 (see also Manet, Édouard: parrots and); philosophy and, 87–89, 231n36, 233n67, 233n71; the primitive and, 102–3, 233n69, 233n71; reflection and, 77, 81, 89–92, 98–99, 102–5, 107, 108; Romantic concept of imagination and, 90–91; Rossetti and, 3, 76, 77–81, 83, 89, 91, 97–98, 99, 105, 106; sonnets and, 75, 77, 96, 134; Swinburne and, 76, 77–78...