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WO R K S C I T E D Fan magazines and other primary or archival materials are cited in the text of individual essays. Alicoate, Jack, ed. The 1943 Film Daily Yearbook. New York: Film Daily, 1943. Autry, Gene, and Mickey Herskowitz. Back in the Saddle Again. Garden City, N.Y.: Doubleday, 1978. Bacall, Lauren. Lauren Bacall by Myself. New York: Alfred A. Knopf, 1979. Barton, Ruth. Acting Irish in Hollywood: From Fitzgerald to Farrell. Dublin: Irish Academic Press, 2006. Basinger, Jeanine. The Star Machine. New York: Knopf, 2007. Bego, Mark. The Best of Modern Screen. New York: St. Martin’s, 1986. Bergman, Ingrid, with Alan Burgess. Ingrid Bergman: My Story. New York: Delacorte, 1980. Blaetz, Robin. Visions of the Maid: Joan of Arc in American Film and Culture. Charlottesville: U of Virginia P, 2001. Britton, Andrew. Cary Grant: Comedy and Male Desire. Newcastle upon Tyne: Tyneside Cinema, 1983. ———. Katharine Hepburn: Star as Feminist. New York: Columbia UP, 2003. Buehrer, Beverley Bare. Cary Grant: A Bio-Bibliography. New York: Greenwood, 1990. Buscombe, Edward. “Inventing Monument Valley: Nineteenth-Century Landscape Photography and the Western Film.” Fugitive Images: From Photography to Video. Ed. Patrice Petro. Bloomington: Indiana UP, 1995. 87–108. Casper, Drew. Postwar Hollywood, 1946–1962. Malden, Mass.: Blackwell, 2007. Ceplair, Larry, and Steven Englund. The Inquisition in Hollywood: Politics in the Film Community, 1930–1960. Garden City, N.Y.: Anchor/Doubleday, 1980. Clarke, Gerald. Get Happy: The Life of Judy Garland. Thorndike, Me.: Thorndike, 2000. Cogley, John. Report on Blacklisting, Vol. 1, Movies. New York: Fund for the Republic, 1956. Cohan, Steven. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. Durham, N.C.: Duke UP, 2005. Damico, James. “Ingrid from Lorraine to Stromboli: Analyzing the Public’s Perception of a Film Star.” Star Texts: Image and Performance in Film and Television. Ed. Jeremy G. Butler. Detroit: Wayne State UP, 1991. 240–53. Davis, Ronald. Duke: The Life and Image of John Wayne. Norman: U of Oklahoma P, 1998. ———. The Glamour Factory: Inside Hollywood’s Big Studio System. Dallas: Southern Methodist UP, 1993. Deans, Mickey, and Ann Pinchot. Weep No More, My Lady. New York: Hawthorn Books, 1972. Deming, Barbara. Running Away from Myself: A Dream Portrait of America Drawn from the Films of the Forties. New York: Grossman, 1969. Dick, Bernard F. The Star-Spangled Screen: The American World War II Film. Lexington: UP of Kentucky, 1985. DiOrio, Al. Little Girl Lost. New Rochelle, N.Y.: Arlington House, 1973. 239 ★★★★★★★★★★ ✩✩✩✩✩✩✩✩✩✩ Dixon, Wheeler Winston, ed. American Cinema of the 1940s: Themes and Variations. New Brunswick, N.J.: Rutgers UP, 2006. Doherty, Thomas. Projections of War: Hollywood, American Culture, and World War II. New York: Columbia UP, 1993. Dyer, Richard. “Judy Garland and Gay Men.” Heavenly Bodies: Film Stars and Society. 2nd ed. London: Routledge, 2004. 137–91. ———. Stars. London: BFI, 1979. ———. “White.” Screen 29 (Autumn 1988): 44–65. Eames, John Douglas. The MGM Story. London: Octopus, 1975. Eckert, Charles. “Shirley Temple and the House of Rockefeller.” Jump Cut 2 (July-August 1974): 1, 17–20. Edwards, Anne. Judy Garland: A Biography. New York: Simon and Schuster, 1975. ———. A Remarkable Woman: A Biography of Katharine Hepburn. New York: William Morrow, 1985. Elkin, Frederick. “Popular Hero Symbols and Audience Gratifications.” Journal of Educational Psychology 29.3 (November 1955): 97–107. Everson, William K. Claudette Colbert. New York: Pyramid, 1976. Finch, Christopher. Rainbow: The Stormy Life of Judy Garland. New York: Grosset and Dunlap, 1975. Flynn, Errol. My Wicked, Wicked Ways. London: Heinemann, 1960. Foertsch, Jacqueline. American Culture in the 1940s. Edinburgh: Edinburgh UP, 2008. Fontaine, Joan. No Bed of Roses: An Autobiography. New York: William Morrow, 1978. Fordin, Hugh. The World of Entertainment: Hollywood’s Greatest Musicals. New York: Frederick Ungar, 1975. Frank, Gerold. Judy. New York: Harper and Row, 1975. Frayling, Christopher. Mad, Bad and Dangerous?: The Scientist and the Cinema. London: Reaktion Books, 2006. Freedland, Michael. Gregory Peck. New York: William Morrow, 1980. Fricke, John. Judy Garland: World’s Greatest Entertainer. New York: Holt, 1992. Fuller-Seeley, Kathryn. “Shirley Temple: Making Dreams Come True.” Glamour in a Golden Age: Movie Stars in the 1930s. Ed. Adrienne L. McLean. New Brunswick, N.J.: Rutgers UP, 2011. Furmanek, Bob, and Rob Palumbo. Abbott and Costello in Hollywood. New York: Perigee Books, 1991. Gabor, Mark. The Pin-Up: A Modest History. New York: Bell, 1972. Gallafent, Edward. Astaire and Rogers. New York: Columbia UP, 2002. Gelley, Ora. “Ingrid Bergman’s Star Persona and the Alien Space of Stromboli.” Cinema Journal 47...

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