Women Together/Women Apart: Portraits of Lesbian Paris

Selected Bibliography

Abbott, Berenice. A Guide to Better Photography. New York: Crown Publishers, 1941. Acton, Harold. Memoirs of an Aesthete. London: Hamish Hamilton, 1984. Alexandre, Arsène. “Exposition américaine du Luxembourg.” Le Figaro, 20 October 1919. Allain, Patrice. “Sous les Masques du fard: Moore, Claude Cahun et quelques autres.” In “Autour de Marcel Schwob: Les “croisades” d’une famille républicaine à travers 50 ans de presse nantaise.” Nouvelle Revue Nantaise 3 (1997): 115–133. Allen, Carolyn. Following Djuna: Women Lovers and the Erotics of Loss. Bloomington : Indiana University Press, 1996. Apter, Emily. “Acting Out Orientalism: Sapphic Theatricality in Turn-of-theCentury Paris.” In Performance and Cultural Politics, ed. Elin Diamond. New York: Routledge, 1996. Baker, Michael. Our Three Selves: The Life of Radclyffe Hall. New York: William Morrow, 1985. Barbedette, Gilles, and Michel Carassou. Paris Gay 1925. Paris: Presse de la Renaissance, 1981. Barbey d’Aurevilly, Jules. “Du Dandysme et de George Brummell.” In Oeuvres romanesques complètes, vol. 2. Paris: Gallimard, 1966. Bard, Christine. Les Femmes dans la société française au 20ième siècle. Paris: Armand Colin, 2001. — — —. Les Garçonnes: Modes et fantasmes des années folles. Paris: Flammarion, 1998. — — —, ed. Un Siècle d’antiféminisme. Paris: Fayard, 1999. Barkan, Eazar, and Ronald Bush, eds. Prehistories of the Future: Primitivist Culture and Modernism. Stanford: Stanford University Press, 1995. Barnes, Djuna. Ladies Almanack. New York: New York University Press, 1992. (Originally published in 1928.) — — —. Unpublished letters and papers. Rare Books Collection, McKeldin Library, University of Maryland, College Park. S e l e c t e d B i b l i o g r a p h y 07Biblio.qxd 6/23/2005 9:01 AM Page 185 Barney, Natalie Clifford. Adventures of the Mind. Trans. John Spalding Gatton. New York: New York University Press, 1992. — — —. Aventures de l’esprit. Paris: Emile-Paul Frères, 1929. — — —. Eparpillements. Paris: Sansot, 1910. — — —. “Memoirs of a European American.” Unpublished memoirs. Fonds Natalie Clifford Barney, Bibliothèque Littéraire Jacques Doucet, Paris. — — —. The One Who Is Legion or A.D.’s Afterlife. London: E. Partridge, Ltd., 1930. — — —. Pensées d’une amazone. Paris: Emile-Paul, 1929. — — —. A Perilous Advantage: The Best of Natalie Clifford Barney. Ed. and trans. Anna Livia. Norwich, VT: New Victoria Publishers, 1992. — — —. Poems et poèmes, autres alliances. New York: Doran and Co., 1920. — — —. Souvenirs indiscrets. Paris: Flammarion, 1960. — — —. Traits et portraits. Paris: Mercure de France, 1963. — — —. Unpublished letters and papers. Beinecke Rare Book and Manuscript Library, Yale University, New Haven. — — —. Unpublished letters and papers. Fonds Natalie Clifford Barney, Biblioth èque Littéraire Jacques Doucet, Paris. Barthes, Roland. Camera Lucida: ReXections on Photography. Trans. Richard Howard. New York: Hill and Wang, 1981. — — —. “Death of the Author.” In Image, Music, Text, trans. Stephen Heath. New York: Hill and Wang, 1977. — — —. “The Face of Garbo.” In A Barthes Reader, ed. Susan Sontag. New York: Hill and Wang, 1996. — — —. A Lover’s Discourse: Fragments. Trans. Richard Howard. New York: Hill and Wang, 1998. Baudelaire, Charles. Oeuvres complètes. Paris: Gallimard, 1961. — — —. The Painter of Modern Life, and Other Essays. Ed. and trans. Jonathan Mayne. London: Phaidon, 1964. Beach, Sylvia. Shakespeare and Company. New York: Harcourt, Brace, 1956. Belton, Robert J. The Beribboned Bomb: The Image of Woman in Male Surrealist Art. Calgary: University of Calgary Press, 1995. — — —. “Speaking with Forked Tongues: “‘Male’ Discourse in ‘Female’ Surrealism ?” In Surrealism and Women, ed. Mary Ann Caws, Rudolf E. Kuenzli, and Gwen Raaberg. Cambridge: MIT Press, 1995. Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin MacLaughlin. Cambridge: MIT Press, 1989. — — —. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1997. — — —. Illuminations. With an introduction and ed. Hannah Arendt, trans. Harry Zohn. New York: Schocken Books, 1969. — — —. ReXections: Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz, trans. Edmund Jephcott. New York: Schocken, 1978. — — —. “Short History of Photography” (1917). In Classic Essays on Photography , ed. Alan Trachtenberg. New Haven: Leete’s Island Books, 1989. Benstock, Shari. “Paris Lesbianism and the Politics of Reaction, 1900–1940.” In Hidden from History: Reclaiming the Gay and Lesbian Past, ed. Martin Duberman , Martha Vicinus, and George Chauncey, Jr. New York: Meridian, 1989. — — —. Women of the Left Bank: Paris, 1900–1940. Austin: University of Texas Press, 1986. 186 Selected Bibliography 07Biblio.qxd 6/23/2005 9:01 AM Page 186 Berg, Nanda van den. “Claude Cahun: La Révolution individuelle d’une surréaliste méconnue.” Avant-Garde, no...