Black devil and iron angel: the railway in nineteenth-century German realism

Index

INDEX  Das Abenteuer meiner Jugend (The Adventure of MyYouth). See Hauptmann , Gerhart “Auf einem Acker an der Eisenbahn” (On a Field Next to the Railway). See Auerbach, Berthold Adorno,Theodor, ix-x, , –, , , , , , , , , ,  ; Dialectic of Enlightenment, – Auerbach, Berthold, ix, , , , , , , , , , , , –, , , –, , , , , , , , , , , , , , , , , ; “Auf einem Acker an der Eisenbahn ” (On a Field Next to the Railway), , –, ; on antisemitism , –; critique of Romanticism , ; Das Nest an der Bahn (The Nest on the Railway), , , , , , , , , –, ; realism, , –, –, , ; Schwarzwälder Dorfgeschichten (Black ForestVillageTales), , , , , , ; Sträflinge (Convicts), , , , , , , –, , , , , , ; “EinTag in der Heimat” (One Day in My Homeland), , , , , , , , –, , , , , , , , ; versöhnung (reconciliation), –,  Aust, Hugo,  BahnwärterThiel (The LinesmanThiel). See Hauptmann, Gerhart Bance,Alan, – Bäumer, Gertrud, , ,  Berufstragik (OccupationalTragedy). See Eyth, Max Der blonde Eckbert (Eckbert the Fair). See Tieck, Ludwig Bölsche,Wilhelm, –, , , , , , , , , , , –, , , ; Die Naturwissenschaftlichen Grundlagen der Poesie (The Scientific Bases of Poetry), –,  Bowen, Zack, ; Science and Literature : Bridging theTwo Cultures,  Brinkmann, Richard,  Brockman, John, ; TheThird Culture,  “Die Brück’ amTay” (The Bridge over theTay). See Fontane, Theodor Camphausen, Ludwig, –, , , , , , , ,  Cécile. See Fontane,Theodor Chambers, Helen Elizabeth, , , , –, , , , – Civilization and Its Discontents. See Freud, Sigmund Clouser, Robin A., , , – Consilience:The Unity of Knowledge. See Wilson, Edward O. “Das Dampfroß mein Pegasus” (The Steamhorse my Pegasus). See Rosegger, Peter Decameron,  Deutsche Rundschau,  Dialectic of Enlightenment. See Adorno, Theodor; Horkheimer, Max “Der Dorfbahnhof” (TheVillage Train Station). See Rosegger, Peter Downing, Eric, , , , , ,  Effi Briest. See Fontane,Theodor Eisenbahnen in der deutschen Dichtung. DerWandel eines literarischen Motivs im . und im beginnenden . Jahrhundert (Railways in German Poetry :TheTransformation of a Literary Motif in the Nineteenth and Early Twentieth Century). See Johannes Mahr enlightenment: Dialectic of Enlightenment , , –; and myth, ix-x, –, , , , , , , , , , , , –, , , , ,  “Erlkönig” (The Erl-King). See Goethe, JohannWolfgang von Eucken, Rudolf, , , , ,  Das ewige Licht (Eternal Light). See Rosegger, Peter Eyth, Max, , , , , , –, ; Berufstragik (Occupational Tragedy), , , , , –, ; Lebendige Kräfte (Living Forces), , ;“Poesie undTechnik” (Poetry andTechnology), , , –, , , ; realism, –, ; on Rosegger, ,  Firth ofTay, collapse, , –, ,  Fontane,Theodor, ix, , , , , , , , , , , –, , , , –, , , , , ; “Die Brück’ amTay” (The Bridge over theTay), , , , –, –, , , –; Cécile, , , , , , –, , , , , ; Effi Briest, , , , , , , –, ;“Meine Gräber” (My Graves), ; realism, –; Vor dem Sturm (Before the Storm), ;“Unsere lyrische und epische Poesie seit ” (Our Lyric and Epic Poetry since ), , , –; verklärung transfiguration , , , ; Der Zug nach dem Westen (TheTrainWest), review of, ,  Fowler, John,  Freud, Sigmund, , , , , ; Civilization and Its Discontents, , ; The Future of an Illusion, – Frischler, Kurt,  Furst, Lilian, , , , , ,  The Future of an Illusion. See Freud, Sigmund German Agricultural Society,  Gerstner, Franz Anton Ritter von, – Glaser,Adolph,  Goethe, JohannWolfgang von, , ;“Erlkönig” (The Erl-King), , ; unerhörte Begebenheit (unheard-of-occurrence),  Grant, Michael,  Green,Abigail, – Die Grenzboten,  Hauptmann, Gerhart, ix, , , , , , , –, ; Das Abenteuer meiner Jugend (The Adventure of My Youth), –; BahnwärterThiel (The LinesmanThiel), , , , , , , , , , , , –, , , ; myth, –, –, ;“Im Nachtzug” (In the NightTrain), , , , , –, , , , –; realism , –; DieWeber (The Weavers),  Hazel, John,  Heimgarten. See Rosegger, Peter Heine, Heinrich, –, , , ,  Heinimann,Alfred Ch., , , , ,  Index , , –, , , , , , –, , , , ; Technische Innovation und literarische Aneignung: Die Eisenbahn in der deutschen und englischen Literatur des . Jahrhunderts (Technical Innovation and Literary Appropriation:The Railway in German and British Literature of the Nineteenth Century), –,  Helmholtz, Hermann von,  Hermann, Luc,  Hoffmann, E.T.A., ; Der Sandmann (The Sandman),  Holub, Robert C., , ,  Holz,Arno, ; Papa Hamlet,  Horkheimer, Max, ix-x, , –, , , , , , , , , , , ; Dialectic of Enlightenment, –  Johnstone, Barbara, , , , – Kräfte und Mächte (Forces and Powers). See List, Friedrich Kretzer, Max, , ; MeisterTimpe (MasterTimpe),  Lebendige Kräfte (Living Forces). See Eyth, Max Lepenies,Wolf,  Lindau, Paul, ,  List, Friedrich, –, , , , , ; Kräfte und Mächte (Forces and Powers ), – Macbeth, –,  Mahr, Johannes, , –, , , –, , –, –, –, , , , , , –; Eisenbahnen in der deutschen Dichtung . DerWandel eines literarischen Motivs im . und im beginnenden . Jahrhundert (Railways in German Poetry :TheTransformation of a Literary Motif in the Nineteenth and Early Twentieth Century), – Martini, Fritz, –, – Maurer,Warren R.,  McInnes, Edward, , ,  “Meine Gräber” (My Graves). See Fontane,Theodor MeisterTimpe (MasterTimpe). See Krezer, Max Metternich government,  Meyer’s Conversations-Lexicon. See Railway System, Germany The Modern Mind. See Watson, Peter Möser, Kurt,  Müller-Seidel,Walter, ,  myth: Bölsche, , ; defined, , ; and enlightenment, ix-x, –, , , , , , , , , , , , –, , , , , ; Fontane, ; Hauptmann, –; Nietzsche, , ; and science –, , , –, , , , , –, , –; and technology , ix-x, –, , , , –, , –, , , , , , , , , , –, –, , , , , , , –, , , , , , ,  “Im Nachtzug” (In the NightTrain). See Hauptmann, Gerhart naturalism, , , , ,  Die Naturwissenschaftlichen Grundlagen der Poesie (The Scientific Bases of Poetry ). See Bölsche,Wilhelm Nietzsche, Friedrich, ,  Das Nest an der Bahn (The Nest on the Railway). See Auerbach, Berthold Die neue Bahn (The New Railway). See Rosegger, Peter “Die neue Hochschwabbahn” (The New Rail of the Hochschwaben). See Rosegger, Peter Panorama of the Nineteenth Century. See Sternberger, Dolf Papa Hamlet. See Holz,Arno; Schlaf, Johannes “Poesie undTechnik” (Poetry and Technology). See Eyth, Max Post, Klaus, –, , – Index  Postman, Neil, ;“Science and the StoryWe Need”, – Rademacher, Gerhard, , –, , Rademacher, Gerhard, (cont) , , ; Technik und industrielle Arbeitswelt in...