Index
Aborigines of Australia, 115 n. 5 Acting. See Performing Actor's Lab (Toronto), 236 Actor training. SeeTraining Adair, Peter: The Holy Ghost People (film), 42 Aeschylus, 133 Aesthetics, 14, 51, 54-55, 106-7, 295-97; Euro-American, 133-35, 141, 144-45, 148, 310-12, 324; Indian, 136-41; Japanese, 8, 12-14, 142-44; in Papua New Guinea, 127—32; in traditional cultures, 225-26. Seealso Kathakali; Natyasastra; Noh; Yaqui, Deer Dance of; Zeami Aftermath, 19, 63-65. See also Performance, seven-part sequence of Agashe, Mohan, 24 Agnicayana (Indian ritual), 55-65, 78, 92, 94, 95, 114; animal sacrifice in, 60, 61, 62; as deconstruction-reconstruction, 99; Hindu priests as performers in, 96—97; as liminal-liminoid event, 63—65; as transitional phenomenon, 111 Agni: The Vedic Ritual of the Fire Altar (Staal), 55, 58—59. See also Agnicayana; Altar of Fire; Staal, Frits Akalaitis, JoAnn, 221, 230 Alland, Alexander, 262, 270-71 Altar of Fire (Staal-Gardner film of Agnicayana), 55-65, 94, 107,116 n. 6; as Altar of Fire (continued) media event, 61; press release for, 56, 58; as scholarly source, 63; shooting script for, 60-61 Anderson, Jack, 115 n. 2 Anderson, Laurie, 221 Anderson, Michelle, 16 Andrews, Edward Deming, 48, 115 n. 3.See also Shakers, dancing of Andrews, Raymond, 45. See also Wilson, Robert Anglim, Philip, 145 Anguliyangam (Kutiyattam play), 231-33.See also Kathakali; Kutiyattam; Ramchakyar Anthropology: anthropologist as theatrical director/performer, 30-31, 32, 107-9; convergence with theater, 3—4, 26, 32—33, 62, 113,116 n. 11, 260 n. 5, 287, 310-11; International Symposium on Theater and Ritual, 14-15, 33 n. 1, 307; performing ethnography, 30-31, 109; theater anthropology, 28-30, 148-49, 150 n. 6, 257-58. See also Barba, Eugenio; Brook, Peter; Grotowski, Jerzy; Play; Ritual process; Turner, Victor; Workshop Aristotle: The Poetics, 136 Artaud, Antonin, 102, 295 Asemo (Gahuku initiate), 127-30, 132, 14 148. See also Gahuku, initiation rites of Ashton, Martha, 107, 116n. 16 I N D E X 334 Audience, 10, 131-32, 135,145, 148; audience-performer interactions, 14—16; at The Balcony, 226-69, 297;at Belle de Jour, 299; in Noh,142-43; at Ramlila, 159, 179-80, 192, 194-95; at Squat, 303-7; of television, 314-15, 319-21 Awasthi, Induja, 179 Awasthi, Suresh, 73 Bacall, Lauren, 312 Balanchine, George: Agon, 234 Balcony, The (Genet play), Scheduler's production of, 261-93; "Anne Z." as the General, 276,277-79, 283, 286,289-90, 291; audience voyeurism in, 266—70, 277; at Connecticut College, 262,276-78; crossgender casting for, 265—66; deconstructionreconstruction process in, 263—66, 272, 278-79, 287-89; environments for, 263, 266-70, 277-78; frames of actuality in, 279-83; Genet's text of, 262,270-73, 278-79; music for, 273,276; Vawter as Irma, 265-66, 281-83, 285; workshops for, 285-91. See also Deconstructionreconstruction ; Play; Rehearsal; Ritual process; Schechner, Richard, works of; Workshop Bali: dance drama of, 120; Topeng masked drama of, 24, 257,310,324 n. 3; training of trance dancers in, 246-48; trance in, 5, 6, 18, 41-42, 74-75, 104, 116 n. 7,203, 235, 246-48. Seealso Trance Balinese-American Dance Company, 24 Ballet, 214,233,251 Ballet Folklorico of Mexico. See Yaqui, Deer Dance of Banes, Sally, 245 Barba, Eugenio, 31, 32, 74, 227,254,258;on Asian performers, 251; and Odin Teatret, 257; and theater anthropology (International School of Theatre Anthropology [ISTA]), 4, 27-30, 116 n. 15, 148-49, 150 n. 6, 253, 257. See also Grotowski, Jcrzy; Performing ethnography Barrault, Jean-Louis, 254 Bateson, Gregory, 110, 113, 237;on play, 300-301; relating play, theater, and threat behavior, 297;Trance and Dance in Bali (film), 74-75. See also Play Behavior, restoration of, 33, 35-115, 118, 150 n. 1; agnicayana as, 55—65; basic models of, 38-42, 49-51, 54-55, 63-65, 92-93, 95, 102^t, 112-13; Bharatanatyam as, 65-69; Chhau as, 69-74; definitions of, 35-38, 117-18; dynamic system of, 98-99; experimental theater as, 45; film as, 35, 56, 58-65, 78; frames of, 92-93; performance systems and,94—95; restored villages and theme parks as, 79-94; Shaker dancing as, 45-49; transitional objects and phenomena as, 109-13; workshops-rehearsal and, 51-54, 98-105, 113-14. Seealso Anthropology; Liminal/liminoid; Play; Rehearsal; Workshop Behavior, strip of, 35, 115 n. 1...
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