In this Book

summary
In Violence and Grace, Nichole Miller establishes a conceptual link between early modern English drama and twentieth-century political theology, both of which emerge from the experience of political crisis. Miller’s analyses accordingly undertake to retrieve for political theology the relations between gender, sexuality, and the political aesthetics of violence on the early modern stage, addressing the plays of Marlowe, Middleton, and especially Shakespeare. In doing so, she expands our understanding of drama’s continuing theoretical impact.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
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  1. Acknowledgments
  2. pp. vii-2
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  1. Introduction. The Problem: Exceptional Life
  2. pp. 3-20
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  1. Part One: States of Affliction
  1. Prologue. The Sexual Politics of Pain: Hannah Arendt Meets Shakespeare’s Shrew
  2. pp. 23-34
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  1. Chapter One. Undead Letters: Reading the Relic between Marlowe and Kantorowicz
  2. pp. 35-60
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  1. Chapter Two. The Revenger’s Decision: Exceptional Law between Middleton and Schmitt
  2. pp. 61-96
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  1. Part Two: States of Grace
  1. Chapter Three. Sacred Life and Sacrificial Economy: Coriolanus in No-Man’s-Land
  2. pp. 99-132
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  1. Chapter Four. The Aesthetics of Messianic Time: Gravity and Grace in King Lear
  2. pp. 133-160
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  1. Chapter Five. Paul’s Call; Cymbeline’s Calling
  2. pp. 161-182
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  1. Epilogue Last Words: The Stakes of Reading / Political Life
  2. pp. 183-186
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  1. Notes
  2. pp. 187-240
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  1. Index
  2. pp. 241-245
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