The Thought of John Sallis: Phenomenology, Plato, Imagination

Index

431 Index abode, 358–59 abolition of the apparent/real world, 44–45, 168 absence, 21–22, 25, 35, 37, 333 abstraction, 210–12, 246 abysmal doubling of sense, 290 abyss, 263 accordance, 278 accustomed place (ēthos), 358–59 Adam and Eve, 295 Adeimantus, 118, 128 Adrasteia, 122, 414n25 “Adumbrations” (Sallis), 206–9 Aeacus, 116 Aegean Sea, 221 Aeschylus, 268 aesthetics, xvii–xviii; and architecture, 198–201; and crossings, 261; and painting, 207; and Sallis’s view of art, 193; and self-knowledge, 211; and wonder , 283–84 Aesthetics (Hegel), 283 afterlife, 403 Albertus Magnus, 306, 311 Alcibiades, 89 alētheia: art as site of, 202; as delimitation of presence, 42; and double-truth principle, xix, 12; and the Heidegger/ Derrida opposition, 40; Heidegger’s interpretation of, 46; lēthē’s relationship to, 47; meaning of, 45, 46, 90–91, 195; and self-showing, 130; and truth, xix, 55, 278, 281, 338, 352, 407 Alps, 218–19 Alsace, France, 223 anangkē, 153 Aneignung (appropriation): and enrouting , 244; experience of Sallis with, 9; and Hegel, 199; and Heidegger, 32, 38, 251, 256, 258, 277, 280, 352, 365; and “hovering,” 248; and Nietzsche, 261; and philosophy at the limit, 369–70; and Sallisian topographies, 217; of Schürmann, 178; term, xi; and translation , 374, 379, 385 Anglo-American philosophy, 19 anonymous “I,” 13–14 Anstoss (check), xii, 14, 16, 312 Antinomies, 233, 234 anti-philosopher, 75 Anytus, 75, 79, 413n12 apodeixis (proof), 85–86, 128, 294 Apollo, 260–64; and crossings, 259; and dreams, 112, 115; four functions of, 104, 112; laws given by, 119; name of, 104–5; pathway of, 78; and Socrates, 66–68, 72–73, 77, 81, 104–5; and tragedy , 266–67, 269–70 Apology (Plato), 66–73; and the city, 143; Cratylus compared to, 103; on Hades, 76; Phaedrus compared to, 81, 85; philosopher in logos, 73, 75; Sallis’s interpretation of, 66–73; vicious circle of questioning in, 77, 93 Aporia, 274 apprehension, 326–30, 332, 345–46, 349 appropriation of historical philosophy. See Aneignung archaic reflection, 229–30, 235 archaic thinking, 282–83, 287 archeology, 6 archē or archai, 186–87; elemental sky as, 349; and identity-positings, 51; and phenomenology, 51–52 archi-écriture, 40. See also writing Archilochus, 266–67 architecture, 198–201, 219 Arendt, Hannah, 170–73, 358 432 I N D E X of, 61; on eros, 14; and hermeneutics, 242; on image/phantom distinction, 12; influence of, xvii; introduction of, 62–66; Meno interpretation, 73–81, 82; and metaphorics of texts, 241; mirror-play in, 65; Phaedrus interpretation , 81–92; and Plato’s Cratylus, 258; postscript of, 143–44; preface to, 61; and Sallis-Derrida dialogue, 405; Sophist interpretation, 142–43; title of, 91; and wonder, 284. See also Platonic dialogues ; Republic (Plato) Being and Time (Heidegger): on apprehension of “things,” 32; beginning of, 33, 34, 38; and “clearing,” 35; and Dasein , 34, 35, 257; on death, 37; and the end of philosophy, 37; on imagination, 253–55; language of, 53; movement to disclosure in, 44; on presence, 39, 40; and Schürmann, 178; and Timaeus, 138; on time as Dasein, 351 Benjamin, Walter, 372, 383–84 Berkeley, George, 319–20 beyng, 181–82 “Beyond the Narrows” (Sallis), 222 binary opposition, 39 Birth of Tragedy, The (Nietzsche): and crossings, 261; and duplicity, 12, 157; and metaphysical axis, 264; and monstrosity, 259–60; and sensible/intelligible distinction, 265; on Socrates, 189; and Socratic writing, 268–69; and “Theater of Stone,” 205 Blanchot, Maurice, 176 Boreas, 403 Boston Museum of Fine Arts, 210 Bottom, Nick, 374 boundlessness, 259 Brague, Rémi, 150–51 Brahe, Tycho, 197–98 Brann, Eva, 303 “Building, Dwelling, Thinking,” 256–57 Casey, Edward, 293 categorization, 236 causality, 25, 195, 234, 403 cave allegory, 140, 174, 304–5, 346 Cebes, 403 cemeteries, 197–98 centering circle, 246 Aristophanes, 100, 122, 169, 357 Aristotle: and Being question, 33; on chōra, 165, 166; on the end, 36; and imagination, 250, 336; on metaphysics, xv, xvi; Nichomachean Ethics, 43; notion of praxis, 358; phusis (nature), 186; on the sky, 349–50; and Timaeus, 163–64; and “topics,” 395; to ti ēn einai (“whatness ”), 133; and translation, 376; and wonder, 282, 283, 284 art, 367–70; artistic genius, 364–65; city of artisans, 119–20; creation of, 367; and imagination, 366, 367–68, 369, 407; imagistic art, 261; and matrices, 368–69; and meaning of the visible, 9; MerleauPonty on, 15; origin of linearity in, 366; pre-art, 283–84...