Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective

Gallery

Figure 1. Orson Welles, 1938, in a promotional photo for Heart of Darkness. E]did\gVe]WnAdj^hZ9V]a"Lda[Z0XdjgiZhnd[I]ZA^aanA^WgVgn!>cY^VcVJc^kZgh^in!7addb^c\idc!VcY 8daaZXi^dc8ZciZg[dg8gZVi^kZE]did\gVe]n!Jc^kZgh^ind[6g^odcV#&.-.6g^odcV7dVgYd[GZ\Zcih# Figure 2. Welles in makeup to play the role of Kurtz in Heart of Darkness. 8djgiZhnd[I]ZA^aanA^WgVgn!>cY^VcV Jc^kZgh^in!7addb^c\idc# Figure 3. Jack Carter and Edna Thomas as the Macbeths in the 1936 WPA production. 8djgiZhnd[I]ZA^aanA^WgVgn!>cY^VcVJc^kZgh^in!7addb^c\idc# Figure 4. Welles in a publicity still for the Rio project. 8djgiZhnd[G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc!I]ZJc^kZgh^ind[B^X]^\VcHeZX^Va8daaZXi^dch!6cc6gWdg# Figure 5. Welles and Jiminy Cricket in a promotional photo for the 1941 Lady Esther CBS radio series. 8djgiZhnd[G^X]VgY L^ahdcÄDghdcLZaaZh8daaZXi^dc!I]Z Jc^kZgh^ind[B^X]^\VcHeZX^Va8daaZXi^dch! 6cc6gWdg# Figure 6. Photographic still from It’s All True. 8djgiZhnd[ G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc! I]ZJc^kZgh^ind[B^X]^\VcHeZX^Va8daaZX" i^dch!6cc6gWdg# Figure 7. Welles with a Brazilian crowd. Photographic still from It’s All True. 8djgiZhnd[G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc!I]ZJc^kZgh^ind[B^X]^\Vc HeZX^Va8daaZXi^dch!6cc6gWdg# Figure 8. Jangadeiros for the “Four Men on a Raft” section of It’s All True. E]did\gVe]^Xhi^aaXdjgiZhnd[G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc!I]ZJc^kZgh^ind[ B^X]^\VcHeZX^Va8daaZXi^dch!6cc6gWdg# Figure 9. Photographs of jangadeiros from the beach of Iracema. 8djgiZhnd[I]ZA^aanA^WgVgn!>cY^VcVJc^kZgh^in!7addb^c\idc# Figure 10. Grande Othelo cooking. Photographic still from It’s All True. 8djgiZhnd[G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc!I]ZJc^kZgh^ind[B^X]^\VcHeZX^Va8daaZXi^dch!6cc6gWdg# Figure 11. Publicity photograph of Welles arriving in Brazil on February 9, 1942. 8djgiZhnd[G^X]VgYL^ahdcÄDghdcLZaaZh8daaZXi^dc!I]ZJc^kZgh^ind[B^X]^\VcHeZX^Va8daaZXi^dch!6cc6gWdg# ...