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181 WORKS CITED AND OTHER SOURCES Andrade, Heather Russell. “‘Mosaic Memory’: Auto/Biographical Context(s) in John Edgar Wideman’s Brothers and Keepers.” Massachusetts Review 40.3 (1999): 342–66. ———. “Race, Representation, and Intersubjectivity in the Works of John Edgar Wideman.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith, 43–56. Knoxville: University of Tennessee Press, 2006. Bennion, John. “The Shape of the Memory in John Edgar Wideman’s Sent for You Yesterday.” Black American Literature Forum 20.1–2 (1986): 143–50. Berben, Jacqueline. “Beyond Discourse: The Unspoken Versus Words in the Fiction of John Edgar Wideman.” Callaloo 8.3 (1985): 525–34. Berben-Masi, Jacqueline. “From Brothers and Keepers to Two Cities: Social and Cultural Consciousness, Art and Imagination: An Interview with John Edgar Wideman.” Callaloo 22.3 (1999): 568–84. ———. “Mother Goose and Brother Loon: The Fairy-Tale-in-the-Tale as Vehicle of Displacement.” Callaloo 22.3 (1999): 594–602. ———. “Of Basketball and Beads: Following the Threads of One’s Origins.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith , 31–41. Knoxville: University of Tennessee Press, 2006. ———. “Prodigal and Prodigy: Fathers and Sons in Wideman’s Work.” Callaloo 22.3 (1999): 677–84. Bergevin, Gerald W. “‘Traveling Here Below’: John Edgar Wideman’s The Island: Martinique and the Strategy of Melancholy.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith, 71–89. Knoxville: University of Tennessee Press, 2006. Berry, Stacey L. “The Individual and the Collective: Threatening Blackness in Wideman’s Philadelphia Fire.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith, 161–73. Knoxville: University of Tennessee Press, 2006. Birat, Kathie. “‘All Stories Are True’: Prophecy, History, and Story in The Cattle Killing .” Callaloo 22.3 (1999): 629–43. 182 works cited and other sources Byerman, Keith. “Introduction: Wideman’s Career and Critical Reception.” In Critical Essays on John Edgar Wideman, edited by Byerman and Bonnie TuSmith, x–xii. Knoxville: University of Tennessee Press, 2006. ———. John Edgar Wideman: A Study of the Short Fiction. New York: Twayne, 1998. ———. “Queering Blackness: Race and Sexual Identity in A Glance Away and Hurry Home.” In Critical Essays on John Edgar Wideman, edited by Byerman and Bonnie TuSmith, 93–105. Knoxville: University of Tennessee Press, 2006. Carden, Mary Paniccia. “‘If the City Is a Man’: Founders and Fathers, Cities and Sons in John Edgar Wideman’s Philadelphia Fire.” Contemporary Literature 44.3 (2003): 472–500. Casmier, Stephen. “The Funky Novels of John Edgar Wideman: Odor and Ideology in Reuben, Philadelphia Fire, and The Cattle Killing.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith, 191–204. Knoxville: University of Tennessee Press, 2006. ———. “Resisting the Frame Up: Philadelphia Fire and the Liberated Voices of Ramona Africa and Margaret Jones.” Cycnos 19.2 (2002): 225–40. Cherki, Alice. Frantz Fanon: A Portrait. Ithaca: Cornell University Press, 2006. Coleman, James W. Black Male Fiction and the Legacy of Caliban. Lexington: University of Kentucky Press, 2001. ———. Blackness and Modernism: The Literary Career of John Edgar Wideman. Jackson : University Press of Mississippi, 1989. ———. Faithful Vision: Treatments of the Sacred, Spiritual, and Supernatural in Twentieth -Century African American Fiction. Baton Rouge: Louisiana State University Press, 2006. Douglas, Jennifer D. “‘Ill Seen Ill Said’: Tropes of Vision and the Articulation of Race Relations in The Cattle Killing.” In Critical Essays on John Edgar Wideman, edited by Keith Byerman and Bonnie TuSmith, 205–20. Knoxville: University of Tennessee Press, 2006. Dreiser, Petra. “Black, Not Blank: Photography’s (Invisible) Archives in John Edgar Wideman’s Two Cities.” Mosaic 37.4 (2004): 185–201. Dubey, Madhu. “Literature and Urban Crisis: John Edgar Wideman’s Philadelphia Fire.” African American Review 32.4 (1998): 579–95. Ehlen, Patrick. Frantz Fanon: A Spiritual Biography. New York: Crossroad, 2000. Fanon, Frantz. Black Skin, White Masks. New York: Grove Press, 1967. ———. A Dying Colonialism. 1965. New York: Grove Press, 1967. ———. Toward the African Revolution: Political Essays. New York: Grove Press, 1967. ———. The Wretched of the Earth. 1963. New York: Grove Press, 1968. Feith, Michel. “‘The Benefit of the Doubt’: Openness and Closure in Brothers and Keepers.” Callaloo 22.3 (1999): 665–75. [3.12.36.30] Project MUSE (2024-04-26 06:59 GMT) 183 works cited and other sources Frazier, Kermit. “The Novels of John Edgar Wideman.” BlackWorld 24 (1975): 18–35. Gibson, Nigel C. Fanon: The Postcolonial Imagination. Cambridge, Mass.: Polity Press, 2003. Grandjeat...

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