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Illustrations Color Plates (following p. 140) 1. Calling the Moose, 1901 2. Evening on a Canadian Lake, 1905 3. Coming to the Call, 1905 4. Untitled study (trees on point of lake), c. 1905 5. With the Eye of the Mind, 1908 6. The Stranger, 1908 7. The Hunters’ Supper, c. 1909 8. The Outlier, 1909 Figures 1. Ghost Riders, c. 1908–9 26 2. His Second Shot, c. 1902 31 3. He Strode Forth Into the Open, 1901–2 34 4. The Moose Had Evidently Located the Call, Carl Rungius halftone illustration, 1902 35 5. Success, 1889–90 36 6. Untitled compositional sketch 40 7. Photograph from Remington’s collection 41 8. Calling the Moose, 1904 49 9. The King of the Canadian Woods, Marc Lucas halftone illustration, 1895 58 10. The Story of Where the Sun Goes, 1907 72 11. Photograph of clouds in Remington’s collection 82 12. Such as These Shapes They Painted on the Birch-Bark and the Deer Skin, 1889 85 13. The Mystery of the Thunder, 1897 87 14. The Fire Eater Raised His Arms to the Thunder Bird, c. 1900 99 15. Bone Tool for Arrow Making; Quiver, Yuma Apache, 1889 105 16. Axe and Quiver, Huron or Mohawk; Wicker Olla, Apache, 1889 105 17. Skirmish Line Target Practice in the Regular Army, 1889 108 18. Indian Women Dressing Hides, 1893 110 19. Family Group of Sioux Indians, 1901 110 20. Painting the Robe, 1891 110 21. The Navajo Indians, c. 1890 112 22. Ramon, c. 1902 124 23. Wolf-Voice, c. 1902 125 [3.135.219.166] Project MUSE (2024-04-26 14:42 GMT) 24. The Wilderness Camp, 1904 128 25. Photograph of Remington painting in Wyoming, 1908 132 26. Jimmie Friday, 1896 142 27. A Voyageur or Canoe-Man of Great Slave Lake, 1892 143 28. Untitled study (Tent Camp) 159 29. Preliminary oil study for The Outlier, 1909 173 30. Photograph of Good Bird in Remington Collection 180 31. The Sioux, Edward Curtis photograph, 1907 181 32. Pretty Mother of the Night, c. 1900 193 33. Figure of the Night (The Sentinel), 1908 198 34. The Love Call, 1909 217 ...

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