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486 ?D:;NE7CB?D=7HB7D: Afternoon Neighbors, 383, 386, 390, 393 “The Alliance Wedge in Congress,” 164 “Americanism in Literature and Art” (lecture), 339 “Among the Corn Rows,” 87, 142, 145 “Among the Moki Indians,” 210 “Among the Southern Utes,” 209 “Anticipation,” 234, 253 “The Art of Edwin Booth,” 74 Back-Trailers from the Middle Border, 365, 370–71, 372; composition of, 358–59; publication of, 373; reviews of, 373; sales of, 464n64 “Beneath the Pines,” 91 “Between Hay an’ Grass,” 97 “Big Moggasen,” 360 “The Blood Lust,” 360 The Book of the American Indian, 255; beginnings of, 256; composition of, 359–64; reviews of, 361 Border Edition, 356, 357, 361 “Boy Life on the Prairie,” 96, 121, 128, 189, 243, 301, 409n19 Boy Life on the Prairie, 247, 299, 301; in Border Edition, 356; composition of, 242–43; contract for, 241 “A Branch Road,” 47, 73, 87, 131, 143–44 The Captain of the Gray-Horse Troop, 256, 260–61, 264, 265, 267; in Border Edition, 356; dramatization of, 313; reviews of, 261; royalties for, 257, 266; source for, 224; in Sunset Edition, 299 Cavanagh, Forest Ranger, 289, 290; in Border Edition, 356; dramatization of, 313, 366; in Sunset Edition, 299 “Chicago Studies,” 196 “Color in the Wheat,” 190 “A Common Case,” 104–5, 117, 134, 142 Companions on the Trail, 276, 291, 378, 381, 382–83 “The Creamery Man,” 242 “The Crime of Profiteering,” 319 Crumbling Idols, 36, 73, 80, 180, 194, 195, 201, 202, 204, 274, 281, 329, 347; composition of, 197–98, 434n48; reviews of, 199–200 487 index of works by hamlin garland “The Cry of the Age,” 1 “Current Fiction Heroes,” 346–47, 402 “Daddy Deering,” 99–100, 104, 120, 142 “A Dakota Harvest Field,” 190 A Daughter of the Middle Border, 247, 251, 276, 327, 357, 358, 365, 368–69; awarding of Pulitzer Prize for, 357; composition of, 330–31, 348–49; contract for, 330, 355; publication of, 353, 354–56; royalties for, 355; sales of, 462n26, 464n64 “A Day’s Pleasure,” 242 “A Decree of Council,” 360 “Dialect and Dialect Poets” (lecture), 109 “Drifting Crane,” 41, 142, 173, 359, 363 The Eagle’s Heart, 253–54, 265, 270; in Border Edition, 356; reviews of, 254; royalties for, 254; in Sunset Edition, 299 “Edwin Booth as a Master of Expression,” 71–72, 74, 86 “Election Night,” 196 “Emily’s Horse Wrangler,” 316 “The Epic of the Age, the Novel—American and German,” 75 “The Evolution of American Thought,” 77, 79, 84, 110, 113, 120, 155 “Fall River,” 136 “A Father’s Love,” 211 “The Fireplace,” 378 A Forester’s Daughter, 307, 356 “The Fortunate Exiles,” 2, 390, 393, 403 Forty Years of Psychic Research, 298, 393; composition of, 387; contract for, 387–88 “The Future of Fiction,” 171, 176 “General Custer’s Last Fight as Seen by Two Moon,” 225 “A Girl of Modern Tyre,” 137, 142 “Going West” (lecture), 44 “The Good Ship Sanitas,” 322–23 “A Graceless Husband,” 223 “Grant’s Life in Missouri,” 220 “Here the Trail Ends,” 238 Her Mountain Lover, 246, 247, 257, 265, 270, 277 Hesper, 264, 265, 267, 273, 279, 370; dramatization of, 313, 314; reviews of, 266; royalties for, 266; in Sunset Edition, 299 “Ho, for the Klondike!,” 230 “Holding Down a Claim in a Blizzard,” 59, 96, 99, 142 “Homestead in Its Perilous Trades,” 218 “Horses Chawin’ Hay,” 189, 191 “Hotan, the Red Pioneer,” 359 “How Will She Look? (Homeward Bound),” 46, 144 “A Human Habitation,” 190 “The Huskin’,” 96–97 “The Iron Khiva,” 359, 363 Jason Edwards, 36, 73, 222; contract [18.118.9.7] Project MUSE (2024-04-25 13:12 GMT) 488 index of works by hamlin garland Jason Edwards (cont.) for, 165; reviews of, 168; royalties for, 172, 429n5 “John Boyle’s Conclusion,” 117, 120, 127, 128, 142 “Ladrone,” 121, 236 “Lake Front at Night,” 196 “The Land of the Straddle-Bug,” 204–5, 212, 289 The Light of the Star, 269–70 “Literary Emancipation of the West,” 182, 185, 197, 198 A Little Norsk, 60, 166, 168, 222 “Local Color in Fiction” (lecture), 178 “Lone Wolf’s Old Guard,” 360 The Long Trail, 278, 356 “Lost in the Norther,” 96, 99 “Love or the Law,” 85–87, 88, 95 Main-Travelled Roads, 3, 36, 87, 114, 156, 173, 196, 290, 315, 336; in Border Edition, 356; composition of, 142–43, 145–46; contract for, 241; influence of, on Sinclair Lewis, 380; reviews of, 146–47; revision...

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