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INDEX Ajiro Hironori, 39 Andō Tameakira, 24–26, 46, 57–59, 60–66, 68, 70, 78, 90–92, 94–95, 104, 123, 133, 145. See also Shikashichiron An’na disturbance, 20–21 Aoi, 21, 57, 114, 117 Appraisal of Genji (Genji monogatari hyōshaku or Hyōshaku), 2, 6–8, 27, 42–57, 66, 70–71, 74, 77–79, 81–82, 85, 94–95, 99–100, 105, 110–111, 114, 117, 123, 127, 129, 133, 139, 140, 143–146, 149, 153–156, 160–162, 169n3, 169n5. See also Hagiwara Hiromichi Bakin. See Takizawa (Kyokutei) Bakin Buddhism, 1, 3, 14–15, 17–19, 22–26, 36, 38, 41–43, 54–56, 61–63, 66, 70, 83, 85–86, 106, 123, 131, 133, 143, 152–153, 155, 164n12, 177n20, 183n55 Bunka era, 32 bunmyaku (context), 124 bunshō (literary style), 86–91, 110, 124, 174n18 chōhon (foreshadowing), 94 Confucianism, 1, 3, 7, 18–19, 21–25, 29–31, 34, 36, 38, 40–44, 49, 54–56, 58–63, 66, 68, 70–71, 81, 83, 85–86, 90–93, 95–96, 123, 133, 147, 153, 155, 164n12, 173n4, 183n55 Daring Adventures of Chivalrous Men (Kaikan kyōki kyōkakuden), 44–45, 154–155, 157–158, 183n55. See also Takizawa Bakin Dream of the Red Chamber, 153–154 Dutch studies (rangaku), 30–31, 39, 124. See also Tekijuku Edo period, 1–4, 6–8, 15–16, 22, 26–27, 30–32, 36, 38–39, 45, 68, 73, 76, 78, 81, 85, 124, 129, 132–136, 139–140, 145–147, 151, 155–156, 160, 172n56, 173n5, 182n53, 182n54 Emura Hokkai, 92–93 Enomoto Masazumi, 126, 138 Essence of the Novel, The (Shōsetsu shinzui), 4, 8, 148, 154–156, 158, 160, 183n56. See also Tsubouchi Shōyō First Lessons (Uimanabi), 36–37. See also Kamo no Mabuchi Freud, Sigmund, See nachträglichkeit fude no takumi, 173n2, 176n2 fudezukai, 82, 100, 106 Fujii Takanao, 31, 35, 39 207 208 APPRAISING GENJI Fujii Takatsune, 39 Fujita Tokutarō, 144, 179n78 Fujitsubo, 11–12, 16, 57–60, 63–65, 75, 103, 117, 123 Fujiwara no Toshinari, 19–21 Fujiwara no Yoshitsune, 20–21 Fujiwara Shunzei. See Fujiwara no Toshinari Fujiwara Shūzō. See Hagiwara Hiromichi Fujiwara Teika Hyakunin isshu (Single Poems by One Hundred Poets), 33 Okuiri, 51, 101 fukuan (foreshadowing), 63, 73, 90, 93–94, 115, 117–118 fukusen,115, 117–118, 124 Fukuzawa Yukichi, 32 Futuabatei Shimei, 155, 159 fūyu (allegory), 123 Genchū shūi, 24, 66, 69–71, 73, 171n41. See also Keichū Genji (character), 10–13, 16–19, 21, 58–59, 63–65, 71, 75, 90, 93, 102–103, 105–107, 113, 116–119, 121–123, 132–133, 161–162, 180n8 Genji monogatari shinshaku, 93, 95, 101–102, 171n41. See also Kamo no Mabuchi Genji monogatari tama no ogushi (“A Fine Jeweled Comb for The Tale of Genji”), 3,16, 25, 31, 51–55, 57, 59–60, 62, 64, 66–68, 71–72, 94, 129, 133, 154–155, 171n41. See also Norinaga Genroku era, 29 gomyaku (context), 124 hampuku/uchikae (reversal), 120 hantai (opposing characters or character foils), 113–114, 119 Heian period, 3, 5, 12, 14–17, 19, 21, 24, 46, 55, 67, 76, 131–132, 151 Higekuro, 180n8 Hiraga Motoyoshi, 35–38 Hirata Atsutane, 35, 43 Hiromichi. See Hagiwara Hiromichi Hagiwara Hiromichi, 1, 25, 27, 30, 32–44. See also Appraisal of Genji (Genji monogatari hyōshaku or Hyōshaku); principles of composition Ashi no ha wake, 43 compared to Motoori Norinaga, 27, 71–73, 76, 81, 89, 98, 104–105, 128–129, 133, 147, 171n36, 172n56, 179n78 compared to Andō Tameakira, 72, 81, 90, 104 Hyakushu iken tekihyō (An Outline and Appraisal of the Hyakushu iken), 37 Hongaku taigai, 43, 145–146 Man’yōshū ryakugehoi, 38 San’yōdō meisho (A Guide to Famous Places Along the San’yō Highway), 46 Seijū on’yakujiron (Essay on the Transliteration of Western Weaponry Texts), 40, 41, 43 study of Genji, 51, 55–56, 59–60, 62–63, 65, 68, 74–75, 77, 86, 93, 102, 124, 151 Tamazasa sōshi (Jeweled Bamboo Essays), 38 Te-ni-wo-ha ryakuzukai, Te-ni-o-ha keijiben, and Kogen yakkai, 43 hōō (retribution), 123 Hosokawa Yūsai, 54 Hyakunin isshu (Single Poems by One Hundred Poets), 36–38. See also Kagawa Kageki Ogura Hyakun isshu, 33. See also Fujiwara Teika Ichijō, Emperor, 68 Ikeda Mitsumasa, 30–31 imijiki fude nari, 82, 173n2 Iwanami, and Shin Nihon koten bungaku taikei (New Compendium of Classical Japanese...

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