Roman Ingarden's Ontology and Aesthetics

INDEX OF SUBJECTS

INDEX OF SUBJECTS A Abschattung, 59-60 actualization (realization), 160nl3, 165-166 actuality and potentiality of the dramatic work of art, 165-166 aesthetic attitude, 183,212nl7 aesthetic object, 139-140, 160nl3, 184-185 aesthetic value, 158n7, 159nlO, 175, 179-181 alliteration, 148 anti-semitism in Germanyin 1936, 30n56 appendix to LWA, publication dates, 30n53 architectural work of art, 182-185 artistic idea, 184 artist's intention (see authorial intention) aspects aspectual character of perception, 59-60 gradation of shading (Abschattung), 137 schematized (see schematized aspects [the stratumof]) visual reconstructed aspects of the picture, 176-179 assonance, 131, 148 atmosphere, 140, 149 authorial intention, XIII, 144, 153, 161nl8, 202-206,214n23 B beauty, 145, 149, 151,206 Berkeleyan idealism (see idealism [Berkeleyansubjective]) Bildung, 199,212nl7 C cognition direct, 53, 82 eidetic, 52 relation between act of and object of, 56, 75n43,82-83 227 colour and aesthetic value, 191nl9 concretization, 136 of ideal qualities, 170 of metaphysical qualities, 138 of schematized aspects, 149-150 distinct from realization (actualization) and the aesthetic object 160nl3 of the architectural work of art, 183-184 of the dramatic work of art, 165-166 of the work of art in general, 198 consciousness all-meaning-constituting, 13 constitutive activity of, 43, 53, 57-62, 74n41, 198 the finite character of the simple act of, 108-109 immanent realm of, 55 inner, 52 perceptual, 100-103, 120n48 pure, 53, 57-60, 63, 118n32 transcendental, 56 constitution (see consciousness [constitutive activityof]) construction (see Gebilde) content of the purely intentional object the distinction between Geha.lt and Inhalt, 106-107, 121n53 continuum distinguished from process, 173-174 determination of the phases of the structural continuum of the musical work, 174 controversy over the existence of the world three groups of problems regarding, 84 'creation', bad translation of Gebilde, 197 creative intentional acts of the poet, 106 D dance, 188n4 depiction in pictures, 177 dramatic work of art, 164-166 E eidetic analysis, 56, 57, 81-83 eidetic attitude, 82 eidetic field, 57 epistemology foundational, 55 the present work is not primarily epistemology, 7n7 as starting point for Husserl's phenomenology, 83 epoche, 52, 55, 56, 59, 81 essence of the literary work, 125 essential structure of the musical work, 171 event, distinguished from process, 171-174 228 ROMAN INGANDEN'S ONTOLOGY AND AESTHETICS Index of Subjects F form and content, 99 of the existentially autonomous individual object, 104 of the intentional object, 104 formal content of the word meaning, 133 formal ontology, 99 formal-ontological analysis of the purely intentional object, 104-110 formation (see Gebilde) fusion of horizons, 202, 213n21 G Gabelsberger shorthand, Husserl's, 47 Gebilde (formation, construction) literary work as, 128-129 work of art as, 196-198 genetic analysis, 56 Gestalt the musical work as a Gestalt of a higher order, 173 of aesthetic value qualities, 214n28 H hermeneutic ontology, the revision of, XIII, 25nl4 heteronomy of being (Seinsheteronomie), 157n4 horizon of potential perceptual meanings, 60 Husserlism, 33n76, 112n4 I idea of the work, 165, 202-206 ideal entities, 6, 126 ideal meaning units, 128 idealism/realism debate, 2-4, 5-7, 20, 23, 42, 71nl5, Chapter Three passim (79-122), 113n5, 163, 187nl idealism Berkeleyan subjective, 3, Chapter Twopassim (41-78), 78n63 epistemological distinguished from metaphysical (Holmes), 73n33 Husserlian transcendental, 3, 5-7, 29n47, Chapter Two passim (4178 ), 89 'is once again on the agenda', 75-76n48 metaphysical, 2, 3, Chapter Twopassim (41-78) traditional, 13 idealism letter of 1918 (Ingarden), 16 idealistic conception of the essence of the word meaning, 134 ideal sense and meaning, 126 contained in the concept that 'corresponds' to the intentional object, identity of the dramatic work of art, 164-166 of the musical work of art, 167-174 229 133 Roman Ingarden's Ontology and Aesthetics immanence of noematic elements, 60 as an activity of consciousness, 76n56 immanent phenomena of consciousness, 81 phenomenological analysis restricted to that which is immanent, 63 in-itself the Kantian thesis, 43 Husserl's denial of 'in-itself existence to the physical world, 61-62, 64,81,84 Husserl's relocation of the in-itself in consciousness, 48 transcendent, in-itself existence of the object of external perception, inner logic of the architectural work of art, 184 intention, artistic (see authorial intention) intentional objects/objectivities consciousness as the ontic and determining basis of, 6, 81-82 the construction of, 101-102 heteronomous objects are called purely intentional objects, 121n57 the...