America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011

Select Bibliography

241 Select Bibliography The following list is limited mostly to scholarly works. The endnotes provide full information on all works cited in the text. Anderson, Joseph L. Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West, vol. 1. Tucson: Wheatmark, 2011. Atkins, E. Taylor. Blue Nippon: Authenticating Jazz in Japan. Durham: Duke University Press, 2001. Banes, Sally. Greenwich Village, 1963: Avant-Garde Performance and the Effervescent Body. Durham: Duke University Press, 1993. Banes, Sally. “Introduction.” In Reinventing Dance in the 1960s: Everything Was Possible , edited by Sally Banes, xiii–xvi. Madison: University of Wisconsin Press, 2003. Bassnett-McGuire, Susan. Translation Studies. New York: Routledge, 1991. Bender, Shawn. “Drumming from Screen to Stage: Ondekoza’s Ōdaiko and the Reimaging of Japanese Taiko.” Journal of Asian Studies 69, no. 3 (2010): 843– 67. Bender, Shawn. Taiko Boom: Japanese Drumming in Place and Motion. Berkeley: University of California Press, 2012. Benfey, Christopher. The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan. New York: Random House, 2003. Blumner, Holly A., Julie A. Iezzi, Alice E. Luhrmann, and Kathy Welch, eds. 101 Years of Kabuki in Hawai‘i. Honolulu: Department of Theatre and Dance, University of Hawai‘i at Manoa, 1995. Bottoms, Stephen J. Playing Underground: A Critical History of the 1960s Off-OffBroadway Movement. Ann Arbor: University of Michigan Press, 2004. Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste, translated by Richard Nice. Cambridge: Harvard University Press, 1984. Bowers, Faubion. Japanese Theatre. New York: Hill and Wang, 1952. Boyd, Mari. The Aesthetics of Quietude: Ōta Shōgo and the Theatre of Divestiture. Tokyo: Sophia University Press, 2006. Brandon, James R. Kabuki’s Forgotten War, 1931–1945. Honolulu: University of Hawai‘i Press, 2009. Brandon, James R. “Myth and Reality: A Story of Kabuki during American Censorship , 1945–1949.” Asian Theatre Journal 23, no. 1 (2006): 1–110. 242 Select Bibliography Burkman, Thomas W., ed. The Occupation of Japan: Arts and Culture—The Proceedings of the Sixth Symposium Sponsored by The MacArthur Memorial, Old Dominion University, The General Douglas MacArthur Foundation, 18–19 October 1984. Norfolk : General Douglas MacArthur Foundation, 1988. Carlson, Marvin. Speaking in Tongues: Language at Play in the Theatre. Ann Arbor: University of Michigan Press, 2006. Cavaye, Ronald, Paul Griffith, and Akihiko Senda. A Guide to the Japanese Stage: From Traditional to Cutting Edge. New York: Kodansha International, 2004. Chuh, Kandice, and Karen Shimakawa. “Introduction: Mapping Studies in the Asian Diaspora.” In Orientations: Mapping Studies in the Asian Diaspora, edited by Kandice Chuh and Karen Shimakawa, 1–21. Durham: Duke University Press, 2001. Clark, Steven. “Terayama in Amsterdam and the Internationalization of Experimental Theatre.” In Modern Japanese Theatre and Performance, edited by David Jortner, Keiko McDonald, and Kevin J. Wetmore Jr., 109–21. New York: Lexington Books, 2006. Dower, John W. Embracing Defeat: Japan in the Wake of World War II. New York: W. W. Norton, 1999. Dower, John W. “Foreword.” In Takeshi Matsuda, Soft Power and Its Perils: U.S. Cultural Policy in Early Postwar Japan and Permanent Dependency, xiii–xvi. Washington , DC: Woodrow Wilson Center Press; Stanford: Stanford University Press, 2007. Everett, Yayoi Uno. “Intercultural Synthesis in Postwar Western Art Music: Historical Contexts, Perspectives, and Taxonomy.” In Locating East Asia in Western Art Music, edited by Yayoi Uno Everett and Frederick Lau, 1–21. Middletown , CT: Wesleyan University Press, 2004. Fujita, Yuiko. Cultural Migrants from Japan: Youth, Media, and Migration in New York and London. New York: Lexington Books, 2009. Fukunaka, Kotoko. Ongaku, michi e no tabi: “Myūjikku furomu japan ongakusai” kuronikuru [Into the unknown with music: A chronicle of the “Music From Japan concert series”]. Kawasaki: Kozuikikaku, 2011. Garfias, Robert. Gagaku: The Music and Dances of the Japanese Imperial Household, edited by Lincoln Kirstein. New York: Theatre Arts Books, 1959. Gentzler, Edwin, and Maria Tymoczko. “Introduction.” In Translation and Power, edited by Maria Tymoczko and Edwin Gentzler, xi–xxviii. Boston: University of Massachusetts Press, 2002. Gillespie, John K. “Ninagawa Yukio.” In Encyclopedia of Asian Theatre, edited by Samuel L. Leiter, vol. 1, 464–65. Westport, CT: Greenwood Press, 2007. Goodman, David G. “Angura: Japan’s Nostalgic Avant-Garde.” In Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance, edited by James M. Harding and John Rouse, 250–64. Ann Arbor: University of Michigan Press, 2006. Select Bibliography 243 Gordon, Beate Sirota. The Only Woman in the Room: A Memoir. New York: Kodansha International...