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171 Bibliography Acevedo-Muñoz, Ernesto R. Pedro Almodóvar. London: British Film Institute, 2007. Allison, Mark. A Spanish Labyrinth: The Films of Pedro Almodóvar. London: I. B. Tauris, 2001. Altman, Rick. Film/Genre. London: BFI Publishing, 1999. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. and extended ed. London: Verso, 1991. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996. Aranda, Francisco. Luis Buñuel: Biografía crítica. Barcelona: Lumen, 1969. Bakhtin, M. M. [Mikhail Mikhailovich]. Rabelais and His World. Bloomington: Indiana University Press, 1984. Bauman, Zygmunt. Consuming Life. Cambridge: Polity Press, 2007. Bazin, André. The Cinema of Cruelty: From Buñuel to Hitchcock. New York: Seaver Books, 1982. Beauvoir, Simone de. La Vieillesse. Paris: Gallimard, 1970. Beckett, Samuel. Watt. Paris: Olympia Press, 1953. Benet, Vicente José. “La última voluntad del verdugo.” In “El verdugo”—“Le Bourreau” de Luis García Berlanga: En homage à Ricardo Muñoz Suay, edited by Annie Bussière-Perrin and Vicente Sánchez-Biosca, 41–50. Co-textes 36. Montpellier: Centre d’études et de recherches sociocritiques, 1997. Berthier, Nancy. “Arret sur image (autour d’un plan d’Elverdugo).” In “El verdugo”— “Le Bourreau” de Luis García Berlanga: En homage à Ricardo Muñoz Suay, edited by Annie Bussière-Perrin and Vicente Sánchez-Biosca, 99–116. Co-textes 36. Montpellier: Centre d’études et de recherches sociocritiques, 1997. Besas, Peter. “Financial Structure.” In Refiguring Spain: Cinema, Media, Representation, edited by Marsha Kinder, 241–59. Durham, NC: Duke University Press, 1997. Bordwell, David. On the History of Film Style. Cambridge, MA: Harvard University Press, 1997. Borges, Jorge Luis. Other Inquisitions, 1937–1952. Translated by Ruth L. C. Simms. Austin: University of Texas Press, 1984. Breton, André, and Mark Polizzotti. Anthology of Black Humor. San Francisco: Monroe, 1997. 172  Bibliography Browne, Nick. “The Spectator-in-the-Text: The Rhetoric of Stagecoach.” In Film Theory and Criticism: Introductory Readings, edited by Leo Braudy and Marshall Cohen, 148– 63. New York: Oxford University Press, 1999. Buse, Peter, Nuria Triana-Toribio, and Andy Willis. The Cinema of Álex de la Iglesia. Manchester : Manchester University Press, 2007. Bussière-Perrin, Annie, and Vicente Sánchez-Biosca, eds. “El verdugo”—“Le Bourreau” de Luis García Berlanga: En homage à Ricardo Muñoz Suay. Co-textes 36. Montpellier: Centre d’études et de recherches sociocritiques, 1997. Butler, Judith, Ernesto Laclau, and Slavoj Žižek. Contingency, Hegemony, Universality: Contemporary Dialogues on the Left. New York: Verso, 2000. Camporesi, Valeria. Para grandes y chicos: Un cine para los españoles, 1940–1990. Madrid: Turfan, 1994. Cañeque, Carlos, and Maite Grau. ¡Bienvenido, Mr. Berlanga! Barcelona: Destino, 1993. Carr, Raymond, and Juan Pablo Fusi. España, de la dictadura a la democracia. Barcelona: Plantea, 1979. Castle, Terry. Masquerade and Civilization: The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford, CA: Stanford University Press, 1986. Cavell, Stanley. The Claim of Reason: Wittgenstein, Skepticism, Morality and Tragedy. Oxford: Oxford University Press, 1982. ———. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, MA: Harvard University Press, 1981. ———. Themes out of School: Effects and Causes. San Francisco: North Point Press, 1984. ———. The World Viewed: Reflections on the Ontology of Film. Cambridge, MA: Harvard University Press, 1979. Cawelti, John. The Six-Gun Mystique. Bowling Green: Popular Press, 1985. Cerdán, Josetxo. “España, fin de milenio: Sobre El día de la bestia (Álex de la Iglesia, 1995).” In La historia a través del cine: Transición y consolidación democrática en España, edited by Rafael Ruzafa, 235–56. Bilbao: Servicio editorial de la Universidad del País Vasco, 2004. Cettl, Robert. Serial Killer Cinema: An Analytical Filmography with an Introduction. Jefferson, NC: McFarland, 2003. Chakrabarty, Dispesh. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton, NJ: Princeton University Press, 2007. Conley, Tom. “Viridiana Coca Cola.” In Burning Darkness: A Half Century of Spanish Cinema , edited by Joan Ramon Resina and Andrés Lema-Hincapié, 43–60. Albany: State University of New York Press, 2008. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1990. Critchley, Simon. On Humour. London: Routledge, 2002. Crofts, Stephen. “Reconceptualizing National Cinema/s.” In Film and Nationalism, edited by Alan Williams, 25–51. New Brunswick, NJ: Rutgers University Press, 2002. [3.143.17.128] Project MUSE (2024-04-25 14:00 GMT) Bibliography  173 Crumbaugh, Justin. Destination Dictatorship: The Spectacle of Spain’s Tourist Boom...

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