John Wayne’s World: Transnational Masculinity in the Fifties

Title Page, Copyright Page

John Wayne’s World THIS PAGE INTENTIONALLY LEFT BLANK John Wayne’s World transnational masculinity in the fifties By Russell Meeuf University of Texas Press Austin Portions of the Introduction and Chapter 4 were originally published as “Shouldering the Weight of the World: The Sensational and Global Appeal of John Wayne’s Body,” Journal of Popular Film and Television 39, no. 2 (2011). Reprinted by permission of the publisher, Taylor and Francis, Ltd. Portions of Chapter 6 originally published as “John Wayne’s Japan: International Production, Global Trade, and John Wayne’s Diplomacy in The Barbarian and the Geisha,” in Transnational Stardom: International Celebrity in Film and Popular Culture, edited by Russell Meeuf and Raphael Raphael (New York: Palgrave Macmillan, 2013). Reproduced by permission of the publisher. Copyright © 2013 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2013 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 http:/ /utpress.utexas.edu/index.php/rp-form ♾ The paper used in this book meets the minimum requirements of ansi/niso Z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-Publication Data Meeuf, Russell, 1981– John Wayne’s world : transnational masculinity in the fifties / by Russell Meeuf. — First edition. pages cm Includes bibliographical references and index. isbn 978-0-292-74746-3 (cl. : alk. paper) 1. Wayne, John, 1907–1979. 2. Motion picture industry—United States— History—20th century. 3. Masculinity in motion pictures. 4. Motion pictures and globalization. 5. Nineteen fifties. I. Title. Pn2287.W454m445 2013 791.4302′8092—dc23 2012044368 doi:10.7560/747463 For Ryanne THIS PAGE INTENTIONALLY LEFT BLANK ...