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BIBLIOGRAPHY Agazzari, Agostino. Del sonare sopra il basso. Siena, 1607. English translation in Oliver Strunk, Source Readings in Music History. New York: Norton, 1950. An English and German translation, along with a transliteration of the original Italian text, may be accessed at: http://icking-music-archive.org/scores/agazzari/delsonare.pdf. Included is a letter written by Agazzari found as an appendix in Adrian Banchieri’s Conclusioni nel suono dell’organo. Agricola, Johann Friedrich. Anleitung zur Singkunst. A translation [with additions] of Pier Francesco Tosi’s Opinioni de’ cantori antichi e moderni. Berlin, 1757. Facs. Ed. Erwin R. Jacobi with preface and appendix. Celle: Hermann Moeck Verlag, 1966. Trans. Julianne Baird as Introduction to the Art of Singing. Cambridge: Cambridge University Press, 1995. Albert, Heinrich. Arien. Vol. 2. Kőnigsberg, 1640. Aldrich, Putnam. Rhythm in Italian Monody. New York: Norton, 1966. Alessandri, Felippo de gli. Discorso sopra il ballo. Terni, 1620. Allain-Dupré, Philippe. “Proportions of Renaissance Tenor Flutes and the Relationship of Verona Flutes to Foot-Length Standards.” Galpin Society Journal 59 (2006): 21–27. ———. “Renaissance and Early Baroque Flutes: An Update on Surviving Instruments, Pitches and Consort Groupings.” Galpin Society Journal 57 (2004): 53–61. Allsop, Peter. The Italian “Trio” Sonata: From Its Origins to Corelli. New York: Oxford University Press, 1992. ———. “The Role of the Stringed Bass as a Continuo Instrument in Italian Seventeenth-Century Instrumental Music.” Chelys 8 (1978–79): 31–37. Altenberg, Detlef. Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500–1800). Regensburg: Gustav Bosse, 1973. Altenburg, Johann Ernst. Versuch einer Anleitung zur heroisch-musikalischen Trompeter- und Pauker-Kunst. Halle, 1770/1795. Trans. Edward H. Tarr as Essay on an Introduction to the Heroic and Musical Trumpeters’ and Kettledrummers’ Art. Nashville: Brass Press, 1974. A digital reproduction may be accessed at: http://books.google.com/books?id= in4vAAAAYAAJ&printsec=frontcover&dq=altenburg,+versuch+einer+anleitung&so urce=bl&ots=tzPPU2obqB&sig=cqbYLTmEk00xmFdMQ_DX_EjGfOc&hl=en&ei=S QKkTMuVMITGlQfwusDyCw&sa=X&oi=book_result&ct=result&resnum=2&ved= 0CBcQ6AEwAQ#v=onepage&q&f=false. Antegnati, Costanzo. L’Arte Organica. Brescia, 1608. Facs. Rep. Bologna: Forni, 1971. A transliteration of the treatise may be accessed at: http://www.concordanza.com/misc/ ant1608.htm Anthony, James R. French Baroque Music: From Beaujoyeulx to Rameau. Rev. ed. New York: Norton, 1978. Apel, Willi. The History of Keyboard Music to 1700. Trans. and rev. Hans Tischler: Bloomington : Indiana University Press, 1972. ———. Italian Violin Music of the Seventeenth Century. Ed. Thomas Binkley. Bloomington: Indiana University Press, 1990. ———. The Notation of Polyphonic Music: 900–1600. Cambridge, MA: The Medieval Academy of America, 1953. The digital reproduction can be accessed at: http://www.scribd.com/ doc/47893060/APEL-Willi-•-The-Notation-of-Polyphonic-Music-900-1600-1949- 464 Bibliography facsimile-on-music-notation or http://www.scribd.com/doc/53644374/Apel-WilliThe -Notation-of-Polyphonic-Music-900-1600 Appel, Bernhard, and Johannes Boer, eds. Viola da gamba—Baryton—Arpeggione: Festschrift Alfred Lessing. Utrecht: STIMU, 2004. Arbeau, Thoinot (pseudonym for Jean Tabourot). Orchésographie. Langres, 1589. Rep. with expanded title, 1596. Facs. rep. of 1596 edition. Geneva: Minkoff, 1972. Trans. M. S. Evans . New York: Kamin Dance Publishers, 1948. Rep. with corrections, a new introduction , and notes by Julia Sutton; and representative steps and dances in Labanotation by Mireille Backer. New York: Dover, 1967. A digital reproduction of the original may be accessed at: http://imslp.org/wiki/Orchésographie_(Arbeau,_Thoinot); also at http:// petruccimusiclibrary.org/ Arnold, Franck T. The Art of Accompaniment from a Thorough-Bass as practised in the XVIIth & XVIIIth Centuries. London: Oxford University Press, 1931. Facs. rep. in 2 vols. with introduction by Denis Stevens. New York: Dover, 1965. Ashbee, Andrew. Record of English Court Music. Vols. 1–9. Aldershot: Scolar Press, 1995. Ashworth, Jack. “How to Improve a Continuo Realization.” The American Recorder 27 (1985): 62–65. Ashworth, Jack, and Paul O’Dette. “Proto-Continuo.” In Kite-Powell, Renaissance, 203–213. Avgerinos, Gerassimos. Handbook der Schlag- und Effekinstrumenta. Frankfurt/Main: Verlag der Musikinstrument, 1964. ———. Lexikon der Pauke. Frankfurt/Main: Verlag der Musikinstrument, 1964. Bacilly, Bénigne de. Remarques curieuses sur l’art de bien chanter. Paris, 1668. Facs. rep. of 1679 edition. Geneva: Minkoff, 1971. Trans. Austin B. Caswell as A Commentary upon the Art of Proper Singing. New York: Institute of Mediaeval Music, 1968. Badiarov, Dmitry. “The Violoncello, Viola da Spalla and Viola Pomposa in Theory and Practice .” Galpin Society Journal 60: 121–145 (available at http://violadabraccio.com/pdf/ GSJ60_121-145_Badiarov.pdf). Bailes, Anthony. “An Introduction to French Lute Music of the XVIIth Century.” In Le luth et sa musique. Ed. Jean-Michel Vaccaro. Paris: Editions du Centre...

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