A Guide to Playing the Baroque Guitar

Selected Bibliography

155 SELECTED BIBLIOGR APHY Ashworth, Jack, and Paul O’Dette. “Basso Continuo.” In A Performer’s Guide to SeventeenthCentury Music. New York: Schirmer Books, 1997, 269–89. Boye, Gary R. Giovanni Battista Granata and the Development of Printed Music for the Guitar in Seventeenth-Century Italy. Ph.D. diss., Duke University, 1995. Brown, Elizabeth C. D. “Early Guitar Technique: A Little Advice.” Lute Society Quarterly 41/3 (2006): 4–9. Hall, Monica. “The five-Course Guitar as a Continuo Instrument.” Lute News: The Lute Society Magazine, no. 52 (December 1999): 11–15. koonce, frank. The Baroque Guitar in Spain and the New World: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, Santiago de Murcia. Pacific, Mo.: Mel Bay Publications, 2006. (This is an excellent discussion and anthology of music of the Spanish composers named. The transcriptions are made specifically for classical guitar.) North, Nigel. Continuo Playing on the Lute, Archlute and Theorbo. Bloomington: Indiana University Press, 1987. Russell, Craig H. “françois Le Cocq: Belgian Master of the Baroque Guitar.” Soundboard 15/4 (winter 1988–89): 288–93. Schmitt, Thomas. Francisco Guerau: Poema Harmónico compuerto de varias cifras per al temple de la guitarra española. Madrid: Editorial Alpuerto, 2000. Sor, fernando. Method for the Spanish Guitar by Ferdinand Sor. Trans. A. Merrick. [ca. 1850]. New York: Da Capo Press, 1980. Treadwell, Nina. “Guitar Alfabeto in Italian Monody: The Publications of Alessandro Vincenti.” The Lute, no. 33 (1993): 12–22. Tyler, James. Introduction to the facsimile edition of: G. B. Granata: Soavi Concenti di Sonate (1659). Monaco: Éditions Chanterelle, 1979. ———. Introduction to the facsimile edition of: Nicola Matteis: The False Consonances of Musick (1682). Monaco: Éditions Chanterelle, 1980. ———. “The Role of the Guitar in the Rise of Monody: The Earliest Manuscripts.” Journal of Seventeenth-Century Music 9/1 (2004). Available at www.jscm.org/jsm/v9/no1/Tyler.html. Tyler, James, and Paul Sparks. The Guitar and Its Music from the Renaissance to the Classical Era. Oxford/New York: Oxford University Press, 2007. (Contains a survey of the entire repertoire, detailed information on signs, ornaments, etc., and tables listing almost every known source of early guitar music. It also lists the sources available in facsimile editions.) 156 SELECTED BIBLIOGR APHY WEBSITES The Baroque Guitar: Printed Music from 1606–1737 (Gary R. Boye) http://www.library.appstate.edu/music/guitar/home.html Gives details and contents of every known Italian printed source. Early Guitars and Vihuela http://earlyguitar.ning.com A social networking site that sometimes contains useful information. The Lute Society (of Great Britain) http://www.lutesoc.co.uk Journal of Seventeenth-Century Music http://www.jscm.org.html Monica Hall: Baroque Guitar Research http://www.monicahall.co.uk Contains music articles on Corbetta, foscarini, Bartolotti, Le Cocq, and others. OMI (Old Manuscripts & Incunabula) http://www.omnifacsimiles.com/ An internet bookseller. Carries virtually all known facsimile editions of early guitar music. Rebours, Gérard http://g.rebours.free.fr/Articles-GerardRebours.htm Contains useful articles and information on french guitarists. ...