In this Book

summary
Marc Zimmerman works from a theoretical frame of cultural, postcolonial, and diasporic studies to compare the artistic experiences and cultural production of Puerto Ricans with that of Chicanos and Cuban Americans. As he shows, even supposedly mainstream U.S. Puerto Ricans participate in a performative culture that embodies elements of possible cultural "Ricanstruction." Zimmerman examines a spectrum of U.S. Puerto Rican artistic life, including relations with other ethnic groups and resistance to colonialism and cultural assimilation. To illustrate how Puerto Ricans have survived and created new identities and relations out of their colonized and diasporic circumstances, Zimmerman looks at the cultural examples of Latino entertainment stars like Jennifer Lopez and Benicio del Toro; visual artists Juan Sánchez, Ramón Flores, and Elizam Escobar; and a group of Chicago Puerto Rican writers.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xii
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  1. Introduction
  2. pp. xiii-xxviii
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  1. 1. Puerto Rican and Chicano Crossovers in Latino Film and Music Culture
  2. pp. 1-20
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  1. 2. The Flag and Three Rican Artists
  2. pp. 21-49
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  1. 3. U.S. Puerto Rican Literature
  2. pp. 50-79
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  1. 4. Puerto Rican Poets in Chicago
  2. pp. 80-111
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  1. 5. Carmen Pursifull: Dancing from New York to Anglo-Illinois
  2. pp. 112-129
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  1. 6. Cuban–Puerto Rican Relations and Final Projections
  2. pp. 130-144
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  1. Notes
  2. pp. 145-156
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  1. Bibliography
  2. pp. 157-180
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  1. Index
  2. pp. 181-196
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  1. About the Author, Further Reading, Publication Information
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