In this Book

summary
The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them.

Table of Contents

  1. Cover
  2. open access
    • Download PDF Download
  1. Half-Title Page, Series Page
  2. pp. 1-2
  3. open access
    • Download PDF Download
  1. Title Page, Copyright
  2. pp. 3-4
  3. open access
    • Download PDF Download
  1. Table of Contents
  2. pp. 5-8
  3. open access
    • Download PDF Download
  1. List of Figures
  2. pp. 9-10
  3. open access
    • Download PDF Download
  1. Acknowledgments
  2. pp. 11-12
  3. open access
    • Download PDF Download
  1. 1. Introduction: Biography, Biofiction, and Gender in the Modern Age
  2. James Fitzmaurice, Naomi J. Miller, and Sara Jayne Steen
  3. pp. 13-20
  4. open access
    • Download PDF Download
  1. Section I: Fictionalizing Biography
  1. 2. Sister Teresa: Fictionalizing a Saint
  2. Bárbara Mujica
  3. pp. 21-32
  4. open access
    • Download PDF Download
  1. 3. Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc, Tudor Paintrix
  2. Catherine Padmore
  3. pp. 33-48
  4. open access
    • Download PDF Download
  1. 4. An Interview with Dominic Smith, Author of The Last Painting of Sara de Vos: Capturing the Seventeenth Century
  2. Frima Fox Hofrichter
  3. pp. 49-56
  4. open access
    • Download PDF Download
  1. 5. Lanyer: The Dark Lady and the Shades of Fiction
  2. Susanne Woods
  3. pp. 57-70
  4. open access
    • Download PDF Download
  1. 6. Archival Bodies, Novel Interpretations, and the Burden of Margaret Cavendish
  2. Marina Leslie
  3. pp. 71-84
  4. open access
    • Download PDF Download
  1. Section II: Materializing Authorship
  1. 7. Bess of Hardwick: Materializing Autobiography
  2. Susan Frye
  3. pp. 85-100
  4. open access
    • Download PDF Download
  1. 8. The Queen as Artist: Elizabeth Tudor and Mary Stuart
  2. Sarah Gristwood
  3. pp. 101-114
  4. open access
    • Download PDF Download
  1. 9. "Very Secret Kept": Facts and Re-Creation in Margaret Hannay's Biographies of Mary Sidney and Mary Wroth
  2. Marion Wynne-Davies
  3. pp. 115-128
  4. open access
    • Download PDF Download
  1. 10. Imagining Shakespeare's Sisters: Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth
  2. Naomi J. Miller
  3. pp. 129-140
  4. open access
    • Download PDF Download
  1. 11. Anne Boleyn, Musician: A Romance Across Centuries and Media
  2. Linda Phyllis Austern
  3. pp. 141-154
  4. open access
    • Download PDF Download
  1. Section III: Performing Gender
  1. 12. Reclaiming Her Time: Artemisia Gentileschi Speaks to the Twenty-First Century
  2. Sheila T. Cavanagh
  3. pp. 155-164
  4. open access
    • Download PDF Download
  1. 13. Beyond the Record: Emilia and Feminist Historical Recovery
  2. Hailey Bachrach
  3. pp. 165-178
  4. open access
    • Download PDF Download
  1. 14. Writing, Acting, and the Notion of Truth in Biofiction About Early Modern Women Authors
  2. James Fitzmaurice
  3. pp. 179-186
  4. open access
    • Download PDF Download
  1. 15. Jesusa Rodríguez’s Sor Juana Inés de la Cruz: Reflections on an Opaque Body
  2. Emilie L. Bergmann
  3. pp. 187-200
  4. open access
    • Download PDF Download
  1. Section IV: Authoring Identity
  1. 16. From Hollywood Film to Musical Theater: Veronica Franco in American Popular Culture
  2. Margaret F. Rosenthal
  3. pp. 201-218
  4. open access
    • Download PDF Download
  1. 17. The Role of Art in Recent Biofiction on Sofonisba Anguissola
  2. Julia Dabbs
  3. pp. 219-234
  4. open access
    • Download PDF Download
  1. 18. "I am Artemisia": Art and Trauma in Joy McCullough's Blood Water Paint
  2. Stephanie Russo
  3. pp. 235-248
  4. open access
    • Download PDF Download
  1. 19. The Lady Arbella Stuart, a "Rare Phoenix": Her Re-Creation in Biography and Biofiction
  2. Sara Jayne Steen
  3. pp. 249-262
  4. open access
    • Download PDF Download
  1. 20. The Gossips' Choice: Extending the Possibilities for Biofiction with Creative Uses of Sources
  2. Sara Read
  3. pp. 263-270
  4. open access
    • Download PDF Download
  1. 21. Afterword
  2. Michael Lackey
  3. pp. 271-274
  4. open access
    • Download PDF Download
  1. Index
  2. pp. 275-288
  3. open access
    • Download PDF Download
  1. Back Cover
  2. open access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.