In this Book

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In Sync, James Tobias examines the development of musical sound and image in cinema and media art, indicating how these elements define the nature and experience of reception. Placing musicality at the center of understanding streaming media, Tobias presents six interwoven stories about synchronized audiovisual media—from filmmaker Sergei Eisenstein’s Alexander Nevsky to today’s contemporary digital art and computer games—to show how these effects are never  merely "musical" in the literal sense of organized sound.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. p. v
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  1. List of Illustrations
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xiii
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  1. 1. Ciphers of Hieroglyphic Time
  2. pp. 1-35
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  1. 2. Eisenstein’s Gesture: Breaking Down Alexander Nevsky
  2. pp. 36-75
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  1. 3. For Love of Music: Oskar Fischinger’s Modal, Musical Diagram
  2. pp. 76-108
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  1. 4. Hanns Eisler’s Dialectical Stream: Sync, Dissonance, and the Devil
  2. pp. 109-145
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  1. 5. Black Relationship: Improvising a Black Pacific
  2. pp. 146-174
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  1. 6. Melos, Telos, and Me: Transpositions of Identity in the Rock Musical
  2. pp. 175-212
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  1. 7. Stylistics of Hieroglyphic Time
  2. pp. 213-246
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  1. Notes
  2. pp. 247-279
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  1. Index
  2. pp. 281-290
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