In this Book

summary
In Svoboda: Wagner, Jarka Burian (1927–2005) presents an in-depth exploration of the collaboration between one of Germany's greatest composers and the Czech Republic's most innovative multimedia scene designer. More familiar with Svoboda's (1920–2002) work, Burian translates the artistic collaboration between Svoboda and Wagner through the production of The Ring of the Nibelung, one of opera's most complicated pieces. Examining stage orchestration, acting methods, and architecture, Burian attempts a view into modern scenography and the inner workings of the theatre for the public reader.

Table of Contents

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  1. Cover
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  1. Half-Title Page
  2. p. i
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  1. Frontispiece
  2. p. ii
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. Contents
  2. p. v
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  1. List of Illustrations
  2. pp. vi-viii
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  1. List of Plates
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  1. Preface
  2. pp. ix-x
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  1. Part One. Josef Svoboda and Richard Wagner
  2. pp. 1-2
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  1. 1. Josef Svoboda
  2. pp. 3-7
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  1. 2. The Staging of Wagner’s Operas
  2. pp. 8-20
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  1. Part Two. The Operas
  2. pp. 21-22
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  1. 3. Der Fliegende Holländer
  2. pp. 23-30
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  1. 4. Tannhäuser
  2. pp. 31-39
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  1. 5. Tristan und Isolde
  2. pp. 40-53
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  1. 6. Der Ring des Nibelungen
  2. pp. 54-92
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  1. 7. Die Meistersinger
  2. pp. 93-96
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  1. Part Three. Conclusion and Postscript
  2. pp. 97-98
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  1. Conclusion
  2. pp. 99-100
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  1. Postscript
  2. pp. 101-102
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  1. Appendix A: The Covent Garden Platform
  2. p. 103
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  1. Appendix B: Svoboda Productions, 1971–1982
  2. pp. 104-113
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  1. Notes
  2. pp. 114-116
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  1. Selected Bibliography
  2. p. 117
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  1. About the Author
  2. p. 118
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