In this Book

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The story of Walter White’s transformation from chemistry teacher to drug lord has captured the imagination of television viewers around the world. This collection of essays sets the series in the context of American culture, analyzing its reinvention of classic themes in literature.

A protagonist who sets out on a quest and discovers things about himself and the world is a common enough convention in American storytelling. Typically the hero encounters evil along the way and acquires worldly wisdom. Vince Gilligan, the creator of Breaking Bad, offers a dynamic variant of this quest, posing the question of how far a desperate man facing death will go in order to achieve a sense of self and financial security for his family. Going beyond the obvious ethical issues that have preoccupied viewers and critics alike, the essays in this book cut across disciplines, delve deeply into contemporary issues, and explore the pure pleasure and entertainment value of the series.

The story of Walter White’s transformation from chemistry teacher to drug lord has captured the imagination of television viewers around the world. This collection of essays sets the series in the context of American culture, analyzing its reinvention of classic themes in literature.

A protagonist who sets out on a quest and discovers things about himself and the world is a common enough convention in American storytelling. Typically the hero encounters evil along the way and acquires worldly wisdom. Vince Gilligan, the creator of Breaking Bad, offers a dynamic variant of this quest, posing the question of how far a desperate man facing death will go in order to achieve a sense of self and financial security for his family. Going beyond the obvious ethical issues that have preoccupied viewers and critics alike, the essays in this book cut across disciplines, delve deeply into contemporary issues, and explore the pure pleasure and entertainment value of the series.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. Matt Wanat and Leonard Engel
  3. pp. xi-xxii
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  1. Breaking Bad--Morality Play Meets Heisenberg's Uncertainty Principle: "Actions Have Consequences"
  2. Leonard Engel
  3. pp. 1-14
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  1. "Negro y Azul": The Narcocorrido Goes Gothic
  2. Cordelia E. Barrera
  3. pp. 15-32
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  1. Breaking Bad as Critical Regionalism
  2. Alex Hunt
  3. pp. 33-48
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  1. On the Red Couch: Breaking Bad and the Refusal of Therapy
  2. Jeffrey Severs
  3. pp. 49-60
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  1. Doubling Down on a Handful of Nothin': The Role of the Double in Breaking Bad
  2. Brandon O'Neal
  3. pp. 61-74
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  1. Civilization and Its Discontents and Walter White's Individual Disorder in Seasons 1 and 2 of Breaking Bad
  2. George Alexandre Ayresde Menezes Mousinho
  3. pp. 75-84
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  1. Breaking Borders and Breaking Bad: Using Unconventional Choruses to Build a Narcotragedy
  2. Maria O'Connell
  3. pp. 85-96
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  1. Breaking the Caper, Subverting the Heist
  2. Matt Wanat
  3. pp. 97-110
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  1. "I Watched Jane Die": Theorizing Breaking Bad's Aesthetic of Brutality
  2. Ian K. Jensen
  3. pp. 111-138
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  1. Breaking Bad and Django Unchained: Strange Bedfellows
  2. Glenda Pritchett
  3. pp. 139-154
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  1. "It Wasn't Whole Foods, Was It?": Identity Management, Duplicity, and the False Consciousness of Suburbia
  2. Brad Klypchak
  3. pp. 155-172
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  1. The Arc of W. W.: Imperial Selfhood and Metastatic Poetry in Breaking Bad
  2. Timothy Dansdill
  3. pp. 173-196
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  1. Contributors
  2. pp. 197-200
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  1. Index
  2. pp. 201-210
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  1. Back Cover
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