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summary
From his cavernous voice and unparalleled artistry to his fearless struggle for human rights, Paul Robeson was one of the twentieth century's greatest icons and polymaths. In Everything Man Shana L. Redmond traces Robeson's continuing cultural resonances in popular culture and politics. She follows his appearance throughout the twentieth century in the forms of sonic and visual vibration and holography; theater, art, and play; and the physical environment. Redmond thereby creates an imaginative cartography in which Robeson remains present and accountable to all those he inspired and defended. With her bold and unique theorization of antiphonal life, Redmond charts the possibility of continued communication, care, and collectivity with those who are dead but never gone.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-viii
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  1. Contents
  2. pp. ix-x
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  1. A Preface: Element
  2. pp. xi-xviii
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  1. Acknowledgments
  2. pp. xix-xxiv
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  1. An Introduction: Vibration
  2. pp. 1-13
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  1. 1 Hologram
  2. pp. 14-38
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  1. 2 Play
  2. pp. 39-71
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  1. 3 Installation
  2. pp. 72-101
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  1. 4 Environment
  2. pp. 102-129
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  1. A Continuation. . .: Frequency
  2. pp. 130-140
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  1. Notes
  2. pp. 141-160
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  1. Bibliography
  2. pp. 161-172
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  1. Index
  2. pp. 173-184
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Additional Information

ISBN
9781478007296
Related ISBN
9781478005940
MARC Record
OCLC
1089800274
Pages
208
Launched on MUSE
2020-02-19
Language
English
Open Access
Yes
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