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The romantic and rebellious novelist George Sand, born in 1804 as Amantine Lucile Aurore Dupin, remains one of France’s most infamous and beloved literary figures. Thanks to a peerless translation by Gretchen van Slyke, Martine Reid’s acclaimed biography of Sand is now available in English.

Drawing on recent French and English biographies of Sand as well as her novels, plays, autobiographical texts, and correspondence, Reid creates the most complete portrait possible of a writer who was both celebrated and vilified. Reid contextualizes Sand within the literature of the nineteenth century, unfolds the meaning and importance of her chosen pen name, and pays careful attention to Sand’s political, artistic, and scientific expressions and interests. The result is a candid, even-handed, and illuminating representation of a remarkable woman in remarkable times.

With its clear, flowing language and impeccable scholarship, this Ernest Montusès Award–winning biography of the author of La Petite Fadette and A Winter in Majorca will be of great interest to those specializing in Sand and nineteenth-century literature—and to readers everywhere.

Table of Contents

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  1. Cover
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  1. Title, Copyright
  2. pp. i-viii
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  1. Contents
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. List of Figures
  2. pp. xiii-xiv
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  1. Introduction: An Exercise in Bad Faith
  2. pp. 15-26
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  1. Part 1 · Noster Chaucerus
  1. 1 How Many Chaucerians Does It Take to Count to Eleven? The Meter of Kynaston’s 1635 Translation of Troilus and Criseyde
  2. pp. 29-52
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  1. 2 Chaucer’s “Rude Times”
  2. pp. 53-78
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  1. 3 Meditation on Our Chaucer and the History of the Canon
  2. pp. 79-104
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  1. Coda Godwin’s Portrait of Chaucer
  2. pp. 105-110
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  1. Part 2 · Bibliography and Book History
  1. 4 The Singularities of Books and Reading
  2. pp. 113-134
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  1. 5 Editorial Projecting
  2. pp. 135-164
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  1. 6 The Haunting of Suckling’s Fragmenta Aurea (1646)
  2. pp. 165-190
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  1. 7 T.F. Dibdin: The Rhetoric of Bibliophilia
  2. pp. 191-198
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  1. Part 3 · Cacophonies: A Bibliographical Rondo
  1. 1 Fakes and Frauds
  2. pp. 201-214
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  1. 2 Modernity and Middle English
  2. pp. 215-222
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  1. 3 The Quantification of Readability
  2. pp. 223-230
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  1. 4 The Elephant Paper and the Histories of Medieval Drama
  2. pp. 231-242
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  1. 5 The Pynson Chaucer(s) of 1526
  2. pp. 243-256
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  1. 6 Margaret Mead and the Bonobos
  2. pp. 257-266
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  1. 7 Reading My Library
  2. pp. 267-270
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  1. Bibliography
  2. pp. 271-293
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