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The poems of Empty Clip bore into the cultures of violence in the United States while candidly cross-firing upon the poets’ complicity and testifying on these cultures’ effects upon female body image and mental health. From a meditation about a bullet hole-animated PowerPoint presentation on campus shooters to the startled invective against an unprovoked dick pic, lyrics brooding upon illness-driven suicidal thoughts to narratives about a slippery memory of childhood abuse, Emilia Phillips’s third poetry collection sears with the “angry love” of self, in order to find some truth that’s nevertheless “a broken bone that can’t be / set.”

Table of Contents

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  1. Title Page, Series Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-x
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  1. This is how I came to know how to
  2. pp. 1-4
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  1. Hollow Point
  1. To the Neighbor Boy with His Father’s Hunting Rifle, Begging the Police to Shoot
  2. pp. 7-8
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  1. Hollow Point
  2. pp. 9-10
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  1. Before Hotel Security Got There
  2. p. 11
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  1. Overpass
  2. pp. 12-13
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  1. Campus Shooter PowerPoint and Information Session
  2. pp. 14-16
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  1. To the Previous Tenant
  2. pp. 17-19
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  1. Denouement
  2. pp. 20-21
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  1. Apostrophe, Oregon Hill
  2. pp. 22-23
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  1. On a Late-Night Encounter with a Barefoot College Student Wearing Only a Party Dress and a Man’s Blazer
  2. pp. 24-26
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  1. Nocturne, Lamar’s Chrystal Lounge
  2. pp. 27-28
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  1. One Year After Contemplating Suicide
  2. pp. 29-32
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  1. Split Screen
  1. “The days that were have now”
  2. p. 35
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  1. The CIA Live-tweets the Assassination of Usama Bin Ladin Five Years Later
  2. pp. 36-38
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  1. The Uncanny Valley
  2. pp. 39-41
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  1. Pica of Unsaid Things
  2. p. 42
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  1. Barista
  2. pp. 43-46
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  1. Fingers in a Throat
  2. pp. 47-48
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  1. facesofdeath.com
  2. pp. 49-51
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  1. Scar
  2. pp. 52-53
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  1. On Receipt of a Dick Pic
  2. p. 54
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  1. Self-Portrait Without a Body
  2. pp. 55-56
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  1. Dream of the Phone Booth
  2. pp. 57-58
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  1. Notes
  2. p. 59
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  1. Acknowledgments
  2. pp. 60-61
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  1. About the Author
  2. pp. 62-63
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