In this Book

  • Sustainable Audiovisual Collections Through Collaboration: Proceedings of the 2016 Joint Technical Symposium
  • Book
  • Edited by Rachael Stoeltje, Vicki Shively, George Boston, Lars Gaustad, and Dietrich Schueller
  • 2017
  • Published by: Indiana University Press
summary

The art and science of audiovisual preservation and access has evolved at breakneck speed in the digital age. The Joint Technical Symposium (JTS) is organized by the Coordinating Council of Audiovisual Archives Associations and brings experts from around the world to learn of technologies and developments in the technical issues affecting the long-term survival and accessibility of audiovisual collections. This collection of essays is derived from presentations made at the 2016 JTS held in Singapore and presents an overview of the latest audiovisual preservation methods and techniques, archival best practices in media storage, as well as analog-to-digital conversion challenges and their solutions.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Introduction
  2. Rachael Stoeltje
  3. pp. 1-2
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  1. Brief History of the Joint Technical Symposium
  2. Christophe Dupin
  3. pp. 3-4
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  1. 1. Let’s Emulate the Sound of Colours!
  2. Reto Kromer
  3. pp. 5-9
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  1. 2. BFI Film Forever: Unlocking Film Heritage
  2. Charles Fairall
  3. pp. 10-15
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  1. 3. New and Improved! Experiences from the Introduction of the National Library of Australia’s Second Digital Collection Management System
  2. Mark Piva
  3. pp. 16-20
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  1. 4. Changing Gears: Fast-Lane Design for Accelerated Innovation in Memory Organisations
  2. Johan Oomen, Maarten Brinkerink, Bouke Huurnink, Josefien Schuurman
  3. pp. 21-31
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  1. 5. Organized Metadata Management System Using Autogenerated Scripts
  2. Nobu Yamashita
  3. pp. 32-38
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  1. 6. Canalizing the Maelstrom of Metadata: Extensions on the Hourglass Model
  2. Brecht Declercq
  3. pp. 39-47
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  1. 7. Using a Film Annotation Tool as Part of the Restoration Process
  2. Franz Hoeller
  3. pp. 48-53
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  1. 8. The Restoration of The Thousand-Stitch Belt (1937): Utilizing Analog and Digital Techniques to Retrieve the Color of a Two-Color System
  2. Masaki Daibo, Tomohiro Hasegawa, Kazuki Miura
  3. pp. 54-59
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  1. 9. Migration of Archived Video Footage: Challenges and Solutions for Hardware, Software, and Workflow Issues
  2. Franz Pavuza
  3. pp. 60-63
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  1. 10. An Investigation into the Restoration of 1950s Wire Recordings
  2. Nie Manying, Wang Xi, Zhang Shuxia, Yan Jie
  3. pp. 64-71
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  1. 11. Findings from the Digitization of 78 rpm Discs
  2. George Blood
  3. pp. 72-89
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  1. 12. Playback Methods for Phonogram Images on Paper
  2. Patrick Feaster
  3. pp. 90-95
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  1. 13. Present and Future Applications of Optical Soundtrack Scan Technology
  2. Gilles Barberis
  3. pp. 96-100
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  1. 14. Practical VisualAudio: A Long Journey to Tangible Results
  2. Stefano S. Cavaglieri
  3. pp. 101-106
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  1. 15. Sound Reproduction of the First Speaking Films
  2. Thierry Delannoy
  3. pp. 107-110
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  1. 16. Marginal Analysis of Digital Video Archives Restoration Project
  2. Yang Haisheng, Jiang Huijun
  3. pp. 111-122
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  1. 17. Digital Video Damage in Archives: Detect, Repair, and Prevent—Results from the DAVID Project
  2. Peter Schallauer, Franz Hoeller
  3. pp. 123-130
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  1. 18. PREFORMA and the MediaConch Project: Open-Source Tools for Open Standards
  2. Erwin Verbruggen, Dave Rice, Bert Lemmens, Jérôme Martinez, Ashley Blewer, Emanuel Lorrain, Antonella Fresa, Claudio Prandoni
  3. pp. 131-136
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  1. 19. From Tape To File: Solutions For A Data-Centric Migration Workflow in The Haus Des Dokumentarfilms for the Magnetic Tape Collection of the Landesfilmsammlung Baden-Württemberg
  2. Michelle Carlos
  3. pp. 137-145
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  1. 20. Transfer Quality–Controlled Archive Digitization Approaches for Large Tape-Based Repositories
  2. Jean-Christophe Kummer
  3. pp. 146-152
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  1. 21. Review and Comparison of FFV1 versus Other Lossless Video Codecs for Long-Term Preservation
  2. Peter Bubestinger-Steindl
  3. pp. 153-159
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  1. 22. Hierarchical Storage and Managing Digital Media Assets for the Libraries and Archives of the Future
  2. Kia Siang Hock, Adrian Chan
  3. pp. 160-169
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  1. 23. The Role of Optical Storage Technologies in Future Digital Archives
  2. Morgan David, Yuji Sekiguchi
  3. pp. 170-176
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  1. 24. The (Carbon-) Black Ops of Recording Tape: Sticky-Shed Syndrome Exposed
  2. Charles A. Richardson, Martin Atias
  3. pp. 177-187
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  1. 25. Neutralizing the Sulfate of Nitrate: An Opportunity for Restoration
  2. Alfonso Espinosa, Cesar De La Rosa Anaya
  3. pp. 188-195
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  1. 26. Fighting the Decay: Permanent Refreshment of Acetate Media
  2. Nadja Wallaszkovits
  3. pp. 196-204
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  1. 27. The Sticking Point: Dealing with Blocked Motion Picture Films
  2. Mick Newnham
  3. pp. 205-210
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  1. 28. Biocontamination at the French Film Archives: A Study of its Origin and its Remediation
  2. Bertrand Lavédrine, Daniel Borenstein, Marie Dubail, Benoit Furdygiel, Chantal Garnier, Martine Gillet, Geneviève Langlois, Thi-Phuong Nguyen, Malalanirina S. Rakotonirainy
  3. pp. 211-220
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  1. Index
  2. pp. 221-222
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  1. Co-ordinating Council of Audiovisual Archives Associations: Organizations
  2. pp. 223-232
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