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summary
This study explores how the themes of the disperata genre -- including hopelessness, death, suicide, doomed love, collective trauma, and damnations -- are creatively adopted by several generations of poets in Italy and France, to establish a tradition that at times merges with, and at times subverts, Petrarchism.

Table of Contents

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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. p. vii
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  1. List of Illustrations
  2. p. viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. xi-xxviii
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  1. Chapter 1. The Italian Disperata: Origins and Definitions
  2. pp. 29-76
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  1. Chapter 2. The Female-Voiced Disperata
  2. pp. 77-108
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  1. Chapter 3. The Disperata in the Quattrocento
  2. pp. 109-166
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  1. Chapter 4. The Disperata in the Cinquecento
  2. pp. 167-196
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  1. Chapter 5. The Disperata in France
  2. pp. 197-260
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  1. Chapter 6. Disperata and Désespoir
  2. pp. 261-298
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  1. Conclusion
  2. pp. 299-304
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  1. Bibliography
  2. pp. 305-326
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  1. Index
  2. pp. 327-336
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