In this Book
- Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics
- Book
- 2017
- Published by: University of Illinois Press
- Series: The New Black Studies Series
summary
A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.
Table of Contents
Download Full Book
- Acknowledgments
- pp. ix-xii
- Introduction
- pp. 1-17
- 1. The Aesthetics of Anticipation
- pp. 18-41
- 2. The Politics of Abstraction
- pp. 42-81
- 5. The Satire of Black Post-Blackness
- pp. 137-166
- Epilogue: Feeling Black Post-Black
- pp. 217-228
Additional Information
ISBN
9780252099557
Related ISBN(s)
9780252041006, 9780252082498
MARC Record
OCLC
988278802
Pages
280
Launched on MUSE
2017-06-04
Language
English
Open Access
No
Copyright
2017