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Globalization, Cultural Identities, and Media Representations provides a multidirectional approach for understanding the role of media in constructing cultural identities in a newly globalized media environment. The contributors cover a wide range of topics from different geopolitical areas, historical periods, and media genres. Case studies examined include the shift from print to Internet, local representations of modern world cinema and glo/cal television, narrative strategies in transnational literature, and cultural economics of the mediation of world music in India, China, Algeria, Israel, Europe, and the United States. This case study approach allows for deeper insights into the complexity of each cultural subsystem as part of the whole media culture system. This book exemplifies a transcultural and transdisciplinary dialogue that maps out new—relocalized—territories and borders for mediated cultural identities and also reveals the complexity and connectedness of all of these discourses.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. GLOBALIZATION,CULTURAL IDENTITIES,and MEDIA REPRESENTATIONS
  2. p. iii
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. p. vii
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  1. Introduction: Media of Culture and the Culture of the Media
  2. pp. 1-10
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  1. The Printing Press and the Internet: From a Culture of Memory to a Culture of Attention
  2. pp. 11-23
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  1. Globalization and the Experience of Culture:The Resilience of Nationhood
  2. pp. 25-44
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  1. Transcultural Narrations of the Local:Taiwanese Cinema Between Utopia and Heterotopia
  2. pp. 45-57
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  1. Garifuna Song, Groove Locale and “World-Music” Mediation
  2. pp. 59-79
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  1. The Thousand Faces of Xena:Transculturality through Multi-Identity
  2. pp. 81-97
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  1. Literature/Identity:Transnationalism, Narrative and Representation
  2. pp. 99-117
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  1. How to Get Rid of China:Ethnicity, Memory, and Trauma in Gao Xingjian’s Novel One Man’s Bible
  2. pp. 119-142
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  1. Film and Music, or Instabilities of National Identity
  2. pp. 143-151
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  1. The Cinematic Support to National(istic) Mythology:The Italian Peplum 1910–1930
  2. pp. 153-168
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  1. Their Master’s Voice?The Coverage of Intifada II on Israeli Television
  2. pp. 169-179
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  1. Drifted Liberties and Diffracted Identities?Algerian Audiences and the “Parabola”
  2. pp. 181-206
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  1. The Right to Be Different:Photographic Discourse and Cultural Identity in Hungary
  2. pp. 207-218
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  1. Contributors
  2. pp. 219-222
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  1. Index
  2. pp. 223-232
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