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Published by the Center for Literary Publishing at Colorado State University
Winner of the 2016 Colorado Prize for Poetry

Selected by Tyrone Williams for the 2016 Colorado Prize for Poetry, Exit Theater casts classical elegy, with dazzling formal innovation, into a staggering work of contemporary, political polyphony. Through monologues, performance scripts, and poems of exquisite prosody, Mike Lala examines the human figure—as subject and object, enemy and ally—in the context of a progressively defigured and hostile world. Catullus, Shakespeare, Cy Twombly, and Lydia Delectorskaya echo across engagements with Israeli generals, accused terrorists, State Department employees, nuclear scientists, Saturday Night Live actors, war criminals, malware, and a host of mythic, literary, and half-extant spectral characters. Amid the cacophony, Lala implicates every actor, including himself, in a web of shared culpability vis-à-vis consumerism, representation, speaking, writing, and making art against the backdrop of the endless, open wars of a post–Cold War, post-2001 era. Exit Theater is a debut of and against its time—a book about war, art, and what it means to make art in a time of war. 

Table of Contents

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  1. Cover
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  1. Half Title, Series Page, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Say Goodbye to the Shores (Catullus 101)
  2. pp. vii-viii
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  1. Say to the Shores
  1. Suite w/ a View for the Ends of Our Days (Three Plinths)
  2. pp. 3-5
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  1. Lydia
  2. pp. 6-9
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  1. The Fire that Consumes All before It (Reverse Ilium)
  2. pp. 10-12
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  1. Portraits of the Artists as Their Own Subjects
  2. pp. 13-24
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  1. In the Gun Cabinet
  1. [drapery]
  2. pp. 27-28
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  1. [there’s a violence]
  2. p. 29
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  1. [as it emptied]
  2. p. 30
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  1. [nocturne]
  2. p. 31
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  1. [a closet]
  2. pp. 32-33
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  1. [on the mantle]
  2. p. 34
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  1. [& here from my window]
  2. p. 35
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  1. [the bodies you inhabit‘
  2. pp. 36-37
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  1. [a thief]
  2. p. 38
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  1. [the theater of fear]
  2. p. 39
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  1. [two playgrounds]
  2. pp. 40-42
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  1. [in the hospitality of war]
  2. pp. 43-50
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  1. Interview
  2. pp. 51-56
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  1. Exit Theater
  1. Song / Little Myth (Catullus 65)
  2. p. 59
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  1. See: Enemy
  2. p. 60
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  1. As Her Myriad Aggressors (Poem Returning to a Line Spoken by Ophelia)
  2. pp. 61-62
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  1. As His Myriad Objections (Poem Returning to a Line Spoken by Brutus)
  2. pp. 63-64
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  1. Twenty-Four Exits (A Closet Drama)
  2. pp. 65-68
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  1. If Nothing Else, Pleasure (Catullus 76)
  2. p. 69
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  1. Self_Interrogation (Kill Team)
  2. pp. 70-80
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  1. Notes & Acknowledgements
  2. pp. 81-84
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