In this Book

  • The Residue of Dreams: Selected Poems of Jao Tsung-i
  • Book
  • Jao Tsung-I. translated by Nicholas Morrow Williams
  • 2016
  • Published by: Cornell University Press
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summary

The Residue of Dreams is the first English-language publication of the classical-style poems of Jao Tsung-i (b. 1917), a prominent artist-calligrapher, scholar-poet, and polymath living in Hong Kong. Jao's poems in various traditional forms reflect the tumultuous history of twentieth-century China, but also demonstrate the enduring resonance of its classical culture. The Residue of Dreams contains a broad-ranging selection of Jao's poems covering topics from the Second World War and his travels in Southeast Asia, to Nietzsche and the scribes of medieval Dunhuang. The poems give a vivid impression of one of the most erudite minds of our time, and show a new side of contemporary Chinese literature that has mostly been overlooked in English-language publications. All poems are presented both in the original Chinese text and in English translation, accompanied by scholarly notes with identification of many of Jao's allusions and cultural references. The introduction places Jao's poetry in the context of modern Chinese literary studies and elucidates its cultural background for general readers.

Table of Contents

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  1. Title Page, Frontispiece, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-xii
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  1. Prefatory Note
  2. pp. xiii-xiv
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  1. List of Illustrations
  2. pp. xv-xvi
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  1. Introduction
  2. pp. 1-16
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  1. I Taking Refuge
  2. pp. 17-18
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  1. To the Tune of "Gaoyang Terrace"
  2. p. 19
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  1. Various Poems on the Double-Ninth Day
  2. pp. 20-21
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  1. Ballad of Yaoshan
  2. pp. 22-23
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  1. Mankind Day
  2. p. 24
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  1. Sent to My Elder Yu Ruizheng
  2. pp. 25-26
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  1. The Winter Solstice
  2. p. 27
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  1. Essay on Horse Manure
  2. pp. 28-30
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  1. Essay on White Clouds
  2. pp. 31-34
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  1. II Western Parallels
  2. p. 35
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  1. On Ruins of Colosseum in Rome
  2. pp. 36-37
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  1. On First Entering the Mountains
  2. pp. 38-39
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  1. Mont-Blanc
  2. pp. 40-41
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  1. Mont-la-ville
  2. p. 42
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  1. Two Poems about Auvergne
  2. p. 43
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  1. Reading Nietzsche's Also Sprach Zarathustra
  2. pp. 44-46
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  1. Reading the Poetry of Rimbaud
  2. pp. 47-48
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  1. At the Tomb of Rainer Maria Rilke
  2. p. 49
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  1. Visiting Victor Hugo's Former Residence in the Jardin des Feuillantines
  2. pp. 50-51
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  1. Recalling Lake LĂ©man
  2. p. 52
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  1. Queens Town
  2. p. 53
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  1. On the Grand Canyon
  2. pp. 54-55
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  1. Cheung Chau Collection #44
  2. p. 56
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  1. III Eastern Visions
  2. p. 57
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  1. On the Night-Blooming Kaḍupul
  2. p. 58
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  1. Recalling Xuanzang at Kanchipuram
  2. p. 59
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  1. On the Inscriptions by Scribes at the End of Each Scroll from Dunhuang
  2. p. 60
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  1. On Lake Toba
  2. p. 61
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  1. Taj Mahal
  2. p. 62
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  1. Visiting Angkor Wat at Night
  2. pp. 63-64
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  1. To the Tune of "Courtyard Full of Fragrances": Recollections at Angkor Wat
  2. p. 65
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  1. To the Tune of "Path through Terraces and Cities": When I Imagine the Palaces of Immortals...
  2. pp. 66-67
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  1. Written to Express Sorrow at Men Beg for Food
  2. p. 68
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  1. Sequel to the Ballad of the Beauty
  2. p. 69
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  1. To the Tune of "Hundred-Word Air"
  2. pp. 70-71
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  1. To the Tune of "Charms of Niannu": On Mount Fuzhou
  2. p. 72
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  1. Inscribed on the Wall at Mogao Grotto
  2. p. 73
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  1. Dazaifu
  2. p. 74
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  1. Mourning the Dead at the Peace Park in Hiroshima
  2. pp. 75-76
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  1. IV Storms
  2. p. 77
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  1. Cheung Chau Collection #16
  2. p. 78
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  1. Ancient Style Verse in Pentasyllabic Meter for My Collection "Ice and Charcoal"
  2. p. 79
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  1. Sleepless Night after Night in Wind and Rain
  2. p. 80
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  1. To the Tune of "Sixth-String Air"
  2. p. 81
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  1. To the Tune of "Gathering Mulberries": A Gardener in the Hills Gives Me a Narcissus Flower
  2. p. 82
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  1. To the Tune of "Rake's Song": An Allegory
  2. pp. 83-84
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  1. V Two Rhyme-Matching Sets
  2. p. 85
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  1. Matching the Rhymes of Du Fu's "Autumn Meditations"
  2. p. 86
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  1. Matching "Autumn Meditations" #1
  2. p. 87
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  1. Matching "Autumn Meditations" #2
  2. p. 88
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  1. Matching "Autumn Meditations" #3
  2. p. 89
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  1. Matching "Autumn Meditations" #4
  2. p. 90
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  1. Matching "Autumn Meditations" #5
  2. p. 91
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  1. Matching "Autumn Meditations" #6
  2. p. 92
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  1. Matching "Autumn Meditations" #7
  2. p. 93
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  1. Matching "Autumn Meditations" #8
  2. p. 94
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  1. Latter Ten Poems on Drinking Wine, Written to Match Fang Mizhi's Poems Matching Rhymes of Lord Tao
  2. p. 95
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  1. Matching the Rhymes of Lord Tao #1
  2. p. 96
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  1. Matching the Rhymes of Lord Tao #2
  2. p. 97
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  1. Matching the Rhymes of Lord Tao #3
  2. p. 98
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  1. Matching the Rhymes of Lord Tao #4
  2. p. 99
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  1. Matching the Rhymes of Lord Tao #5
  2. p. 100
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  1. Matching the Rhymes of Lord Tao #6
  2. p. 101
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  1. Matching the Rhymes of Lord Tao #7
  2. p. 102
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  1. Matching the Rhymes of Lord Tao #8
  2. p. 103
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  1. Matching the Rhymes of Lord Tao #9
  2. p. 104
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  1. Matching the Rhymes of Lord Tao #10
  2. pp. 105-106
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  1. VI Alone
  2. p. 107
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  1. Cheung Chau Collection #80
  2. p. 108
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  1. To the Tune of "Frosty Leaves Fluttering": On Willows
  2. pp. 109-110
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  1. To the Tune of "Little Hills Doubled": On Plum Blossoms
  2. p. 111
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  1. Seeing the Moon in the Hills
  2. p. 112
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  1. To the Tune of "Wu men": Matching the Rhymes of Wang Yisun's "Sense of Snow"
  2. p. 113
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  1. To the Tune of "Silk Fishing Line"
  2. p. 114
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  1. Late Stirrings for Hsuan-t'ang
  2. pp. 115-116
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  1. VII On Painting
  2. pp. 117-118
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  1. To the Tune of "Sparse Shadows": On a Painting of Plums for Li Fengbo
  2. p. 119
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  1. Quatrains Inscribed on Paintings
  2. pp. 120-127
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  1. More Quatrains Inscribed on Paintings
  2. pp. 128-131
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  1. Inscribed on My Own Landscaped Paintings
  2. p. 132
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  1. Inscribed on a Painting of Orchides by Ma Shouzhen: Variation on a Line of Rongfu's
  2. p. 133
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  1. Essay on Cloudgazing
  2. pp. 134-135
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  1. To the Tune of "Recalling the Sound of Panpipes on the Phoenix Terrace": On the Withering of Azalea
  2. p. 136
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  1. To the Tune of "Spring Comes from Heaven Above": For Painting Master Tang Yun
  2. p. 137
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  1. To the Tune of "Lips Dotted with Rouge": Inscribed on Tang Yun's Painting of Flight to Yaoshan
  2. p. 138
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  1. To the Tune of "Boddhisatva Barbarian"
  2. p. 139
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  1. To the Tune of "Charms of Niannu": For a Collection of My Calligraphy and Painting
  2. pp. 140-141
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  1. To the Tune of "Music for Welcoming Spring": On a Polychrome Brick Mural of Human Figures in the Collection of the Boston Museum of Fine Arts
  2. p. 142
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  1. VIII The Sound of the Qin
  2. pp. 143-144
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  1. To the Tune of "Eight Voices in Ganzhou"
  2. p. 145
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  1. To the Tune of "Evening Moon in Spring on the Xiang River"
  2. p. 146
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  1. To the Tune of "Severe Cold Syncopation"
  2. pp. 147-148
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  1. To the Tune of "Prelude to a Water Melody"
  2. pp. 149-150
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  1. IX On Poetry
  2. p. 151
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  1. Cheng Chau Collection #18
  2. p. 152
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  1. Cheng Chau Collection #62
  2. p. 153
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  1. Cheng Chau Collection #82
  2. p. 154
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  1. To the Tune of "Butterflies Admiring Blossoms": Playfully Composed on an Offering of Paper Flowers
  2. p. 155
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  1. To the Tune of "Bodhisattva Barbarian" Crooked Cap Songs
  2. p. 156
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  1. To the Tune of "Whole River Red": On Reading the Poetry of Li He
  2. pp. 157-158
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  1. The Poetic Mind
  2. pp. 159-160
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  1. To the Tune of "Regret in the Damask Court"
  2. pp. 161-162
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  1. To the Tune of "Passing the Towers of Qin"
  2. pp. 163-164
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  1. X On Scholarship
  2. p. 165
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  1. To the Tune of "Lips Dotted with Rouge": For My Chuchi Bibliography
  2. p. 166
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  1. To the Tune of "Butterflies in Love with Flowers": For My Painting on the Translation of Dream of a Red Chamber by David Hawkes
  2. p. 167
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  1. Essay on Crabs
  2. pp. 168-170
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  1. Encomium for the Mawangdui Silk Manuscript of the Book of Changes
  2. pp. 171-174
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  1. XI Dreams
  2. pp. 175-176
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  1. To the Tune of "Fragrant Grass Waves": Recording a Dream
  2. p. 177
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  1. To the Tune of "Washing Creek Sands"
  2. p. 178
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  1. To the Tune of "Bitter Longing"
  2. p. 179
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  1. Tot the Tune of "Jade Mansion Spring"
  2. p. 180
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  1. Playful Rhymes on Traveling to the Moon
  2. p. 181
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  1. Dreaming of Return
  2. p. 182
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  1. To the Tune of "The Beauty Yu": On Not Seeing the Moon at Mid-Autumn 1955
  2. p. 183
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  1. Waking Up from Sleep
  2. p. 184
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  1. Dreaming of Heaven
  2. pp. 185-186
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  1. To the Tune of "Fragrance of Angelica and Orchid Prelude": On Shadow
  2. p. 187
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  1. To the Tune of "Spring Resentment in the Boudoir"
  2. pp. 188-189
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  1. To the Tune of "Flower-Strewn Path": On Red Tea
  2. p. 190
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  1. To the Tune of "Six Scoundrels": On Sleep
  2. pp. 191-192
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  1. To the Tune of "Flower-Strewn Path": On the Self
  2. p. 193
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  1. To the Tune of "Jade Candles Renewed": On Spirit
  2. pp. 194-196
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  1. Bibliography
  2. pp. 197-202
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  1. Cornell East Asia Series Publications List
  2. pp. 203-208
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