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Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don’t satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students.

The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they’ve learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.

Table of Contents

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  1. Cover
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  1. Half title, Title page, Copyright
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  1. Contents
  2. pp. v-viii
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  1. Foreword: The Journey of Writing
  2. Amanda Dahling
  3. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xiv
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  1. Introduction
  2. Mary Kay Blakely
  3. pp. 1-4
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  1. Part I: Profiles of People, Places, and Issues
  2. pp. 5-10
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  1. The Miranda Obsession
  2. Bryan Burrough
  3. pp. 11-27
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  1. Bryan Burrough on fresh writing and the importance of transitions
  2. pp. 28-30
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  1. Harvey’s Two Families
  2. Ken Fuson
  3. pp. 31-37
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  1. Ken Fuson on finding the universal truth
  2. pp. 38-40
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  1. The Price of Football Fame
  2. Wright Thompson
  3. pp. 41-46
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  1. Wright Thompson on writing what most are thinking but not saying
  2. pp. 47-48
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  1. The View from Within
  2. Seth Wickersham
  3. pp. 49-57
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  1. Seth Wickersham on good stories versus great stories
  2. pp. 58-60
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  1. Confronting a Different Kind of Loss
  2. Jane Gordon Julien
  3. pp. 61-64
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  1. Jane Gordon Julien on digging to find the story and the right words to tell it
  2. pp. 65-66
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  1. Vinyl Hero
  2. Doug Meigs
  3. pp. 67-78
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  1. Doug Meigs on revision versus rewriting
  2. pp. 79-80
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  1. Rewrite
  2. Robert Sanchez
  3. pp. 81-96
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  1. Robert Sanchez on the value of being a relaxed and confident reporter
  2. pp. 97-98
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  1. Skid Row Karaoke
  2. Randall Roberts
  3. pp. 99-103
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  1. Randall Roberts on themes
  2. p. 104
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  1. Sexuality: A View from the Chair
  2. Kevin Dubouis
  3. pp. 105-111
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  1. Kevin Dubouis on asking intimate questions and writing about taboo topics
  2. pp. 112-114
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  1. A Persistent Culture of Poverty
  2. Simina Mistreanu
  3. pp. 115-129
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  1. Simina Mistreanu on mentors and influences
  2. pp. 130-132
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  1. The Big Payback
  2. Pate McMichael
  3. pp. 133-141
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  1. Pate McMichael on finding the right vehicle for a story
  2. p. 142
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  1. When Daddy Comes Home
  2. Walt Harrington
  3. pp. 143-162
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  1. Walt Harrington on the freedom of a perfect dovetail
  2. pp. 163-164
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  1. The Town That Blew Away
  2. Justin Heckert
  3. pp. 165-177
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  1. Justin Heckert on using technology to enhance the details
  2. pp. 178-180
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  1. Part II: First-Person Journalism
  2. pp. 181-184
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  1. Caught up in History’s Stormy Wake with Ethel Kennedy
  2. Mary McNamara
  3. pp. 185-189
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  1. Mary McNamara on voice and humor
  2. pp. 190-192
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  1. To Just Stay Alive
  2. Robert Langelier
  3. pp. 193-215
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  1. Robert Langellier on being a young writer
  2. pp. 216-218
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  1. Video Games with a Refugee
  2. Sean McLachlan
  3. pp. 219-221
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  1. Sean McLachlan on standing up for yourself and your stories
  2. pp. 222-224
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  1. Reaming the Cube
  2. Jason Effmann
  3. pp. 225-232
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  1. Jason Effmann on streamlining writing and getting out of the way
  2. pp. 233-234
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  1. A Sad Thought Danced
  2. Suan Pineda
  3. pp. 235-241
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  1. Suan Pineda on the beauty of language
  2. pp. 242-244
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  1. These Mountains Eat Men
  2. Sara Shahriari
  3. pp. 245-248
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  1. Sara Shahriari on being a successful freelancer
  2. pp. 249-250
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  1. Part III: Personal Stories and Memoirs
  2. pp. 251-254
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  1. Faye’s Ashes
  2. Shane Epping
  3. pp. 255-263
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  1. Shane Epping on artistic influences and the storyteller’s toolbox
  2. pp. 264-266
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  1. Afghanistan: A Long Road Home
  2. Lois Raimondo
  3. pp. 267-276
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  1. Lois Raimondo on understanding media and manipulation
  2. pp. 277-278
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  1. Engaging Social Responsibility
  2. Besa Luci
  3. pp. 279-282
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  1. Besa Luci on journalism that takes time
  2. pp. 283-284
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  1. Without Completely Falling Apart
  2. Jessi Hamilton
  3. pp. 285-287
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  1. Jessi Hamilton on setting the bar high for all forms of writing
  2. p. 288
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  1. When Nationalism Trumps Race
  2. Melanie Coffee
  3. pp. 289-292
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  1. Melanie Coffee on using digital technology to be a better journalist
  2. pp. 293-296
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  1. Soul Train on Mute
  2. Michaella A. Thornton
  3. pp. 297-307
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  1. Michaella A. Thornton on objectivity and transparency
  2. pp. 308-310
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  1. 1202 Park Avenue, 1999
  2. Sona Pai
  3. pp. 311-313
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  1. Sona Pai on the power of the personal essay
  2. pp. 314-316
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  1. Afterword: Defeating That Crippling Sense of Inadequacy
  2. Ginger Hervey
  3. pp. 317-318
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  1. Last Words
  2. Mary Kay Blakely
  3. pp. 319-332
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  1. Contributor Biographies
  2. pp. 333-346
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  1. Permissions
  2. pp. 347-348
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