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The traits that characterize the "language" of French Symbolism are the center of these essays. In interpreting major or previously neglected compositions by Mallarmé, Verlaine, Rimbaud, Claudel, Valéry, and Apollinaire, the author shows how each of these poets worked with the elements that distinguish this influential group of writers as a whole.

Originally published in 1969.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Preface
  2. pp. vii-x
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  1. Contents
  2. p. xi
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  1. I. Mallarmé and the "Monstre d'or"
  2. pp. 3-20
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  1. II. Verlaine's "Naïveté"
  2. pp. 21-70
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  1. III. Rimbaud as Rhetorician
  2. pp. 71-111
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  1. IV. "Magic" and "Movement" in Claudel and Valéry
  2. pp. 112-145
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  1. V. Claudel's Art of Composition
  2. pp. 146-184
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  1. VI. Valéry's "Pureté"
  2. pp. 185-217
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  1. VII. Music in Apollinaire
  2. pp. 218-262
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  1. Index
  2. pp. 263-270
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