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Recent decades have witnessed diverse incarnations and bold sequences of Shakespeare on screen and stage. Hollywood films and a century of Asian readings of plays such as Hamlet and Macbeth are now conjoining in cyberspace, making a world of difference to how we experience Shakespeare. Shakespeare in Hollywood, Asia, and Cyberspace shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and MMOGs (Massively Multiplayer Online Games).

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Copyright
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  1. Contents
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  1. List of Illustrations
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  1. Introduction to Shakespeare in Hollywood, Asia, and Cyberspace
  2. pp. 1-14
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  1. Part One: Shakespeare in Hollywood
  1. Shakespeare's Taming of the Shrew and Screwball Comedy
  2. pp. 17-25
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  1. Method Acting and Pacino's Looking for Richard
  2. pp. 26-35
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  1. Underwater Women in Shakespeare on Film
  2. pp. 36-53
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  1. Cultural Anxiety and the Female Body in Zeffirelli's Hamlet
  2. pp. 54-63
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  1. Part Two: Shakespeare in Asia
  1. Imagining the East and Shakespeare's Asia
  2. pp. 67-77
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  1. Kurosawa's Throne of Blood and East Asia's Macbeth
  2. pp. 78-87
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  1. Silence and Sound in Kurosawa's Throne of Blood
  2. pp. 88-97
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  1. The Visualization of Metaphor in Two Chinese Versions of Macbeth
  2. pp. 98-108
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  1. Shakespeare in Contemporary Japan
  2. pp. 109-120
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  1. The Tokyo Globe Years 1988-2002
  2. pp. 121-128
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  1. Hamlet in Korea
  2. pp. 129-138
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  1. Bangsawan Shakespeare in Colonial Malaya
  2. pp. 139-151
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  1. Shakespeare, Noh, Kyōgen, and Okinawa Shibai
  2. pp. 152-165
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  1. Samritechak and Intercultural Shakespeare in Cambodia
  2. pp. 166-171
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  1. Spectres of Hamlet in Colonial and Postcolonial Indonesia
  2. pp. 172-182
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  1. Remembering the Past in the Shanghai Jingju Company's King Lear
  2. pp. 183-194
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  1. One Husband Too Many and the Problem of Postcolonial Hong Kong
  2. pp. 195-204
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  1. Part Three: Shakespeare in Cyberspace
  1. Aesthetics of Fragmentation in Taymor's Titus
  2. pp. 207-217
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  1. Science Fiction, Forbidden Planet, and Shakespeare's The Tempest
  2. pp. 218-230
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  1. Mobilizing Foreign Shakespeares in Media
  2. pp. 231-238
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  1. Appropriation and the Design of an Online Shakespeare Journal
  2. pp. 239-251
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  1. Performing Shakespeare for the Web Community
  2. pp. 252-262
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  1. Part Four: Chronology and Selected Bibliography
  1. A Chronology of Shakespeare in Hollywood, Asia, and Cyberspace
  2. pp. 265-274
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  1. Bibliography of Shakespeare in Hollywood, Asia, and Cyberspace
  2. pp. 275-287
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  1. Contributors' Profiles
  2. pp. 288-291
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  1. Index
  2. pp. 292-297
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