In this Book

The Essential Science Fiction Television Reader

Book
J.P. Telotte
2008
summary

Once confined solely to literature and film, science fiction has emerged to become a firmly established, and wildly popular, television genre over the last half century. The Essential Science Fiction Television Reader provides insight into and analyses of the most important programs in the history of the genre and explores the breadth of science fiction programming. Editor J. P. Telotte and the contributors explain the gradual transformation of the genre from low-budget cinematic knockoffs to an independent and distinct televisual identity. Their essays track the dramatic evolution of early hits such as The Twilight Zone and Star Trek into the science fiction programming of today with its more recent successes such as Lost and Heroes. They highlight the history, narrative approaches, and themes of the genre with an inviting and accessible style. In essays that are as varied as the shows themselves, the contributors address the full scope of the genre. In his essay "The Politics of Star Trek: The Original Series," M. Keith Booker examines the ways in which Star Trek promoted cultural diversity and commented on the pioneering attitude of the American West. Susan George takes on the refurbished Battlestar Galactica series, examining how the show reframes questions of gender. Other essays explore the very attributes that constitute science fiction television: David Lavery's essay "The Island's Greatest Mystery: Is Lost Science Fiction?"calls into question the defining characteristics of the genre. From anime to action, every form of science fiction television is given thoughtful analysis enriched with historical perspective. Placing the genre in a broad context, The Essential Science Fiction Television Reader outlines where the genre has been, where it is today, and where it may travel in the future. No longer relegated to the periphery of television, science fiction now commands a viewership vast enough to sustain a cable channel devoted to the genre.

Table of Contents

Cover

Title Page, Copyright Page

Contents

pp. v-vi

Acknowledgments

pp. vii

Introduction

pp. 1-34

Part I. Background Lifting Off from the Cultural Pad

Lost in Space: Television as Science Fiction Icon

pp. 37-54

Shadows on the Cathode Ray Tube: Adapting Print Science Fiction for Television

pp. 55-68

From Big Screen to Small Box: Adapting Science Fiction Film for Television

pp. 69-90

Part II. The Shape of the Ship Narrative Vehicles and Science Fiction

Tomorrowland TV: The Space Opera and Early Science Fiction Television

pp. 93-110

Anthology Drama: Mapping The Twilight Zone’s Cultural and Mythological Terrain

pp. 111-126

Animation, Anime, and the Cultural Logic of Asianization

pp. 127-140

Part III. What Fuels These Flights Some Key Concerns of Science Fiction Television

“Dreams Teach”: (Im)Possible Worlds in Science Fiction Television

pp. 143-158

Fraking Machines: Desire, Gender, and the (Post)Human Condition in Battlestar Galactica

pp. 159-176

Space Vehicles and Traveling Companions: Rockets and Living Ships

pp. 177-192

Part IV. The Best Sights “Out There” Key Series

The Politics of Star Trek

pp. 195-208

Science Fiction Television in the United Kingdom:

pp. 209-230

Mainstreaming Marginality: Genre, Hybridity, and Postmodernism in The X-Files

pp. 231-246

Babylon 5: Our First, Best Hope for Mature Science Fiction Television

pp. 247-266

Stargate SG-1 and the Quest for the Perfect Science Fiction Premise

pp. 267-282

The Island’s Greatest Mystery: Is Lost Science Fiction?

pp. 283-298

Part V. The Landing Zone Where Does Science Fiction Television Go from Here?

TV Time Lords: Fan Cultures, Narrative Complexity, and the Future of Science Fiction Television

pp. 301-314

Further Reading

pp. 315-320

Selected Videography

pp. 321-336

Contributors

pp. 337-340

Index

pp. 341-356
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